Whistler, After

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl

PENCIL SIGNED JAMES MCNEILL WHISTLER PRINT "THE DOORWAY" . FIRST STATE. 13" X 17" FRAMED, 12" X 8" SIGHT. PROPERTY FROM THE BENTLEY ESTATE

Pr. Figural German Baseball Whistler Automatons. Figural standing baseball players including a pitcher and a batter wearing vintage uniforms; spring driven animated mechanism swivels the figures head

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (1834-1903) Little Court, Cloth Fair 1887 The transfer lithograph from 1887 is signed with Whistler's 'Butterfly' signature by hand in graphite just below the image. A se

(Lowell, 1834 - Londra, 1903) Quindici disegni raffiguranti personaggi e paesaggi diversi Tecnica mista su carta, cm 22X34 (il maggiore) FIFTEEN DRAWINGS ATTRIBUTED TO JAMES ABBOTT MCNEILL WHISTLER (1

''The Open Sea'', Normandy coastal with boats offshore, signed with artist's butterfly monogram lower right, titled on a partial gum label affixed verso, oil on wood panel, 5.75'' H x 11.5'' W, est: $

James A. McNeill Whistler signed etching [The Beggars]. Measures 12-in. x 8.25-in. plate size. Kennedy 194. Masfield 191. Ninth State. Printed on laid paper. Unframed and mounted. Mounted in 3 corners

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

(American, 1834-1903) Pastel on paper, Nocturne Measures: 12 x 16 inches, framed, sight: 3 1/2 x 7 7/8 inches Signed lower left Provenance: Private collection, Nordness Madison Gallery - Madison Avenu

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

''Offshore, Dieppe '', Normandy coastal with boats offshore, signed with artist's butterfly monogram lower right, titled on a partial gum label affixed verso, oil on wood panel, 5.75'' H x 11.5'' W, e

William Mark Fisher American, 1841-1923 Portrait of James Abbott McNeill Whistler Oil on board 12 1/2 x 7 1/2 inches Provenance: M. A. McDonald, New York C Property from the Collection of Helen Sonnen

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

(American, 1834-1903) Pastel on paper, Nocturne Measures: 14 x 14 inches, framed, sight: 3 1/2 x 3 1/2 This is one of seven Whistler works purchased by owner's family in 1960. Provenance: Private coll

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

Oil on board attributed to James Mcneil Whistler depicting a city scene. Shows some scratching to the board as well as some frame wear. Please see all photos. Measures approx 12.5" x 9" (16&#3

(American, 1834-1903) "Self-Portrait with the White Lock" 1860, unsigned Overall: 12-3/4"h x 10-3/4"w Sight: 5-1/4"h x 4"w

(English, 1905-1944). Watercolor on paper, for Act II, scene II, 1935, set design cut out of curtain draping, signature not visible, artist's notations on piece, sheet size: 13 x 17 3/4 in., framed. F