AFTER MEISSONIER 11 1/2" X 15 3/4" THE QUARREL

STILL LIFE; BABOON; SMALL BIRDMAN, three wood engravings, each signed in pencil, Birdman inscribed AP (artist’s proof), sheets 10 x 11”, 12 x 12 ¾” & 15 ¾ x 12 &frac12

FLOWER CART, 1973, color etching, signed in pencil, from the numbered edition 50, image 11 ½ x 5 ¾”, sheet 15 ¾ x 9 ¼”, one soft crease in upper left margin, otherwise in good condition.

L’OFFRANDE (Mourlot 291) 1960, lithograph, signed and numbered 2/40 in pencil, printed by Mourlot, sight 15 ¾ x 11 ½”, frame 29 ½ x 25 ½” with glass.

[CANDY & CHOCOLATE]. Two window card advertising posters. Including: BELLENGER, Jacques (1903-1985) and Pierre (1909-?). Eysseric. “Primo.” France, 1950s. 15 ¾ x 11 ½”. &#8

JUNGE FRAU, 1949, woodblock print, signed in pencil, numbered 70/440, image 15 ¾ x 11 ½”, sheet reduced to 23 x 20”, partial blind stamp lower right, a few soft handling creases, pale toning in

NASA FENCE, 1994, screenprint and acrylic painting on canvas, signed and dated and stamped on the verso, 11 x 14”, frame 12 ¾ x 15 ¾”; NASA, 1994, screenprint and acrylic pai

AMETHYST GEODE 15 3/4" T X 11 1/2" W, OLD REPAIR

TOWN SCAPE, 1862, oil painting on wood panel, signed and dated lower right, 11 ½ x 8 ¾”, frame 15 x 12 ½ x 2” with some inscriptions and an old hand-written label on v

YELLOW WOMAN, 1964, watercolor with pencil drawing on paper, signed and dated lower right, sheet 8 ¼ x 11 ¾”, frame 11 ½ x 15” with glass. Provenance: Purchased from the Car

Metal urn with flanked handles and stylized surface decorations, with bronze stand, urn 15 ¾” x 11 ½ x 9 ½”, stand 3 ½ x 11 ½ x 11 ½”, overall height 16

Oak 3 Bottle Tantalus, stopper noted 13 1/2" x 15" x 11 3/4".

WOMAN AMONG THE RUBBLE, 1945, gelatin silver print, signed in pencil on verso, image 11 ¾ x 15", sheet 12 1/8 x 15 ¾", framed 21 x 24”. Provenance: Leslie Sacks Fine Art Los Angeles.

SCION, 2005, collage and spray-paint over production car with applied plastic flowers, signed and inscribed underneath in silver marker, 11 ¼ x 34 ½ x 15” (not including flowers).

"PEONIES" SGND J.B. SOUTER, OIL / BOARD JOHN BULLOCH SOUTER (1890-1972) (11 3/4" X 15 1/2")

Edward Curtis (1868-1952), Vanishing Race, Photogravure, 11 3/4 x 15 1/2 Provenance: From a Private Collection

OIL / BOARD W. DANKS '18 COASTAL LANDSCAPE W/ COWS & FIGURES (11 3/4" X 15 1/2")

Paul Jacoulet woodblock print "Le Bossu Otaru, Hokkaido" pencil signed above seal 11 3/4" x 15 1/2" image; stamp on reverse (bottom right corner clipped; minor crease to left border 1/2 way up; 2 pin

BX 6 FRAMED ITEMS- THE FALLOWFIELD HUNT 15 3/4" X 20 3/4", HUNT 11 1/2" X 19", 11" X 13 1/2", 3 JACK MILLER PHOTOS OF OUTHOUSES

AMOUREAUX A TARANG, YAP, QUEST CAROLINES (M.32), 1935, color woodblock print, signed in pencil, with Mandarin duck seal, image 15 ½ x 11 ¾”, sheet 18 ½ x 14 ¼”.

Brian Comforti, Untitled (Williamsburg Bridge), Oil on canvas, 2023, unframed size: 11 ½” x 15 ½”, framed size: 13 ¼” x 17 ¼” x 1 ¾”;

UNTITLED II (light bulb), 1966, gelatin silver print, 15 ½ x 11 ¾”, mounted to card 25 ¼ x 19 ¾”, artist’s stamp and authorized signature on verso of card, framed.

MARINA, oil painting on panel, signed lower left, 11 ¾ x 15 ½”, framed, with wood grain and surface soiling, otherwise in good studio condition.

LAWTON 1979 from the Tornados Series, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 ¾”, sheet 26 x 19 ½”.

SHAWNER TO TULSA 1960 from the Tornados Series, 1991, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 ¾”, sheet 26 x 19 ½”.