PIETER SPYKERMAN

Case is inlaid with ebony and tortoiseshell. This clock was bought by the van der Elst family in the 17th Century from the widow Visbagh. This beautiful timepiece was then passed on within the family

Pieter Jacob Horemans (Antwerp 1700-1776 Munich) Elegant figures dining in a landscape; The Musical recital the former signed and dated 'P.Horemans./ 1745.' (lower right) and the latter signed and dat

trittico, olio su tavola, W. 139 - H. 99 Cm

oil on canvas titled lower left Condition: with restorations. Two small patches verso. Some wavy areas to canvas on left side image: 94 1/2 x 58 1/2 inches; 103 x 63 1/2 inches frame

trittico, olio su tavola, W. 120 - H. 83 Cm

Oil on canvas, relined Probably Netherlands, 2nd half 16th century Follower of Pieter I Brueghel (c. 1525-c. 1569) – Dutch painter, etcher, graphic artist and draftsman; leading representative of ea

Cupboard "Kontrast" - 1984 Painted wood, granite, and marble 92 x 75 x 75 cm Provenance: André Van Schuylenbergh collection, Aalst Literature: Christian Kieckens, Eva Storgaard, Pieter de Bruyne 19

oil on canvas Provenance: The Estate of Bea Hyp, Santa Barbara 50 x 39 inches

PIETER HUGO (1976- )Motorbike Rider with Amiloo, Nigeria. Archival pigment print, the image measuring 20 inches (50.8 cm.) square, the sheet 24¾x24 inches (62.9x61 cm.), with Hugo's signature,

(Anversa, 1655 - Bruxelles. 1729) Paesaggio classico Olio su tela, cm 98X117 Allievo del paesaggista Philips Augustijn Immenraet, Rijsbraeck risulta registrato come allievo nella Corporazione di San L

Pieter Barranti (Italian, Late 19th / Early 20th Century) Woman With Goat. Carved marble sculpture. Reverse of base is signed "P. Barranti Florence" Height: 26"

Pieter Bruegel il vecchio (Bruxelles 1564 - Anversa 1638) "La lussuria" stampa a bulino originale, firmata in lastra, Bastelaer 131 ,Hollstein III,277, 131 Lari 126 mm.228x295

FOLLOWER OF PETER PAUL (ALSO PIETER PAUWEL) RUBENS OF THE 19TH/20TH CENTURY 28 June 1577 Siegen - 30 May 1640 Antwerp THE CONSEQUENCES OF WAR (MONUMENTAL COMPOSITION) Oil on canvas. 118 x 190 cm (F. 1

PIETER CASTEELS (Anvers 1684-Richmond 1749) Bouquet de fleurs dans un vase de bronze à têtes de lion Toile, coupée Dans un cadre en bois sculpté et doré d’époque Lo

Pieter Jansz. van Asch (Delft 1603-1678) Wooded landscape with travellers and a falconer on a path signed with initials 'P.V-AS' (lower left) oil on panel 34.7 x 46.4cm (13 11/16 x 18 1/4in). framed:

Oil on canvas, cm. 40x58. Framed

17th century oil on canvas painting of a courtyard scene of a festive gathering around a table with figures enjoying music and seafood, attributed to Pieter de Hooch (Dutch, 1629-1684). Provenance: Ga

Stirling-Maxwell, Sir William (publisher) - Coecke van Aelst, Pieter The Turks in MDXXXIII A series of drawings made in that year at Constantinople by Peter Coeck of Aelst... with an introduction by S

(Flemish, 1684?1749)Still Life with Spring Flowers in a Chinese Bowl, unsigned, oil on canvas, 50-1/4 x 41 in.; carved and gilt wood panel frame, 57 x 47 in.Note: Brunk Auctions would like to thank Dr

Speed, John - Keere, Pieter van den A Prospect of the Most Famous Parts of the World London: Printed by M.F. for William Humble, 1646. Oblong 8vo, 20 full-page engraved maps, bound with [England, Wale

olio su tela, W. 72 - H. 55 Cm

Van Avont, Pieter (Mecheln 1600–1652 Antwerpen) Umkreis Anbetung der Hirten. Öl auf Holz. 58,7x51 cm.

After Jan Pieter Brueghel (1628-1664) "A Village Kermesse" Oil on cribbed board 11" x 16"

Attributed to Pieter van Bloemen, called Standard (Antwerp 1657-1720) Horses and figures outside a stable oil on canvas 49 x 61.5cm (19 5/16 x 24 3/16in).