Carlos Almaraz - Night Theater

Oil on canvas.Signed with initials on base. Slight paint loss. 38 x 38 cm; 56.5 x 56.5 cm. (frame). Carlos Almaraz was a Mexican-American artist and one of the first Chicano street artists. These days

NIGHT THEATER, 1982, color lithograph, signed and dated and titled in pencil, numbered 30/80, sheet 21 x 29”, framed, colors possibly attenuated, otherwise in apparently good condition.

Carlos Almaraz, Early original oil painting, 1964. 42 x 42 inches, and with the thin edge frame 43 x 43 inches. This represents a very large early painting by tha artist who was primary working on sma

Carlos Almaraz (Mexican-American, 1941-1989). Oil on board painting titled "Traffic in Red," 1985, depicting an abstract expressionist rendering of traffic on a high, overlapping bridges speeding over

RED LAKE, 1986, color aquatint etching, signed and dated and inscribed HC (hors commerce) aside from the numbered edition of 45, printed by Efram Wolff image 13 ¾ x 16 ¾”, full margins

Carlos Almaraz Portrait of a Man, 1973 Acrylic on paper Provenance: From the personal collection of John Valadez, gifted to Valadez in 73 by the artist Signed/dated on recto Dimensions: 43 x 32 inches

Ink wash drawing on paper Provenance: From the Estate of Peggy Lloyd (gifted to her at Ottis when they were students together) We would like to thank Elsa Flores and Craig Krull Gallery for the acknow

GROWING CITY, 1988, color screenprint, signed and dated in white pencil, proof aside from the numbered edition 100, sheet 33 x 48 ¼”, frame 39 x 54” with non-glare Plexiglas.

SUAVE COMO LA NOCHE, 1985, color screenprint, signed and numbered PP 11/15 in pencil, printed by Richard Duardo, sheet 24 ¼ x 30 ½”.

Carlos Almaraz (1941-1989) Growing City, 1988 Silkscreen From the edition of 5 Printer's Proof aside from the numbered edition of 100 Signed and annotated on recto Sheet: 33 x 48 inches; Framed: 39 x

FOOLS PARADISE, 1989, color screenprint, signed and dated in pencil, numbered 34/120, size 47 1/2 x 37", framed.

WHAT EVER HAPPENED TO THE INCAS?, 1985, color screenprint, signed and numbered 6/130 in pencil, printed by Richard Duardo, sheet 29 x 41”.

circa 1971 gouache signed and dated lower left Provenance: the Estate of Sam Simon, benefiting the Sam Simon Charitable Giving Foundation 13 1/2 x 17 inches

CLOCK STRUCK THREE, 1986, color screenprint, signed and dated in pencil, numbered 29/90, sheet 30 x 44 1/2", framed.

Carlos Almaraz Beach Crash 1983etching and aquatint image: 9.75 h × 11.75 w in (25 × 30 cm) sheet: 18.75 h × 19 w in (48 × 48 cm) Though the work is inscribed as Sta

Struggle of Mankind", 1989 Original Hand Printed Silkscreen Print by Carlos Almaraz. Published by The Artist and Modern Multiples. This limited edition print measures 28.5" x 47.25" and is a limited e

Estate / Collection: Property from a Prominent Corporate Collection THREE FACES FLOATING (GHOST) Color monotype, 1989, on cream wove paper, signed and dated in brown crayon, with full margins, framed.

Estate / Collection: Property from a Prominent Corporate Collection BUSTAMANTE BROTHERS Color monotype, 1989, on Arches paper, signed and dated in brown crayon, with printer's or publisher's blindstam

CARLOS ALMARAZ (American-Mexican 1941 - 1989) Southwest Song - 1988SerigraphSigned and dated lower right and editioned 15/120 lower leftSheet size 34.25 inches x 47.25 inches, contained in

Silkscreen on paper by Carlos Almaraz, 1990. Signed and dated by the artists wife Elsa Flores Almaraz in white pencil. Numbered: 111/140.

Carlos Almaraz Waterfall 1984etching and aquatint 15 h × 11 w in (38 × 28 cm) Signed, dated and numbered to lower margin '2/25 C. D. Almaraz 1984' with blindstamp. This work is num

Neat charm bracelet comedy tragedy masks play opera charms. Condition is good, see pictures. No refunds given.

Los Four 20 Year Anniversary Print (Homage to Carlos Almaraz), 1994 Edition 94/100 Screenprint in colors on paper Signed and numbered at the center of the lower edge by the three artists living at

Carlos Almaráz (1941-1989) Untitled, 1984 Etching with hand-coloring on wove paper, signed in pencil and dated, with the blindstamp of the publisher, Efram Wolff Studio, Vashon, Washington, with