Color Changing Pencils. London, Lewis Davenport [?]

Penny to Sovereign. London: Lewis Davenport & Co., ca. 1945. The magician promises to change an old English Penny into a Sovereign. Instead of changing one coin into another, the Penny is transformed

Arrowsmith Glass Penetration. London: Lewis Davenport & Co., ca. 1946. A large sheet of plate glass in a wooden frame is partially covered. Objects pass through the frame, but the glass remains unharm

Finger Chopper. London: Lewis Davenport & Co., ca. 1940. The blade of a small guillotine passes through a spectator’s finger without harming it, but cuts through the cigarette below. Hardwood constr

Maskelyne’s Mysteries Magical Constructor No. 1. The Phantom Air Mail. London: Lewis Davenport & Co., ca. 1949. Stiff pictorial wrapper contains a 20 x 30” “working plan and instructions on how

Oswald Williams’ Signature Tune. London: Lewis Davenport & Co., ca. 1940. Charming and clever handling of the sucker torn and restored strip of paper, as presented by Oswald Williams during his many

Davenport Demon Series Card Penetration Frame. London: Davenports, 1940s. A pencil penetrates a card held on a pane of glass within a metal card frame, yet when removed, the glass is unharmed. Demon h

Joan Miro (Spanish, 1893-1983) "Bronzes [Exhibition Poster, Hayward Gallery, London]", 1972 color lithograph pencil-signed lower right and numbered "125/150" lower center left, published Art Council,

WRITING FROM THE MOUNTAIN, color lithograph, signed in pencil, numbered 23/150, London Arts copyright stamp on verso, Atelier Dumas New York blind stamp lower left, sheet 20 ½ x 24”. UNTI

Jill Davenport (American, 20th century), "Homage to Titian," 1978, screenprint in colors, pencil signed and dated lower right, titled lower left, edition 3/20, overall (with frame): 21"h x 17"w

Jill Davenport (American, 20th century), "Homage to the Box," 1972, screenprint in colors, pencil signed and dated lower right, titled lower left, edition 1/6, overall (with frame): 18"h x 24"w

Roberto Matta (Chilean, 1911-2002), Fog, Smog, and Demagogue / Hécatombe de toros (Two Works)each a lithograph in colors, 1971, pencil signed and numbered 98/100, Ed. London Arts Incorporated, London

APPEL, Karel (DUTCH, 1921-2006), The Bear, circa 1985, lithograph printed in colors, pencil signed and numbered 229/300, Published by London Arts, Detroit, framed in a gilded wood frame measuring 22.5

6" Long x 2 1/8" Wide Nice quality brass reproduction antique kaleidoscope. This piece is all brass and works by turning the color wheel while viewing the changing colors through the eye piece. Such a

6" Long x 2 1/8" Wide Nice quality brass reproduction antique kaleidoscope. This piece is all brass and works by turning the color wheel while viewing the changing colors through the eye piece. Such a

"China Painting" by Florence Lewis. London: Cassell & Co, 1883. Oblong 8vo (255 x 190mm) Complete with 16 Chromolithograph Plates, showing Botanical studies, Birds, Porcelain, Design/Architecture and

Oldenburg, Claes (American, born 1960), Proposed Colossal Monument for Battersea Park, London, Drum Set , 1960, offset color lithograph, pencil signed and numbered 114/300, size 24 x 35 in. (61 x 88.9

Stobart, John (British, b. 1929), London: Moonlight over the Lower Pool in 1897, 1988, color lithograph, pencil signed and numbered lower right 283/800, image size 20 x 30.75 inches, matted and framed

Laura London (American, B. 1969) Woman in Changing Room. Color photograph, signed in ink en verso, dated 2000, and numbered 50/200 Sight: 18" x 12" Frame: 23" x 17"

Alfred James Munning. British, 1878-1959, Equestrienne and Dog, color lithograph, pencil signed. Note: the original painting from which is derived sold at Christies London in 2005 for $2,400,000 (EDAG

Henry Thomas Alken (London, 1785 - 1851): Partridge Hunter and 3 Retriever Dogs; Pencil Drawing & touches of Color on paper or board; titled on the old mat in pen & ink "ORIGINAL ALKEN DRAWING / FROM

Barry Lewis (American, 20th Century) Six Color Serigraphs. Each pencil signed lower right, dated 1970, titled, and numbered V/X, unframed Largest: 19.5" x 21.75"

Brush and ink drawing on cream color wove paper, untitled abstract, pencil signed and dated (*Norman Wilfred Lewis, 1909-1979). 11 3/4 x 17 3/8 inches. Tiny chip to lower right corner, otherwise very

LEAVING IT BEHIND (HG.34), 1970-71, color screenprint, signed and numbered 62/100 in pencil, published by London Arts with blind stamp lower left, sight 21 ½ x 28 ½”, frame 29 x 36

SELF-PORTRAIT, 1980, color lithograph, signed and numbered 159/250 in pencil, published by London Arts with stamp on verso, sheet 22 x 16 ¼”; MEMORIES Series, 1969, three color and one bl