1960’s Rock N Roll Poster Collection (ten)

Ten color lithograph or screenprint posters, mainly Bill Graham events: Buffalo Springfield, Chamber Brothers, Richie Havens, 1968, artist Lee Connin, printed by Tea Lautrec Litho, 21 ¼ x 14̶

Kaleidoscope, KA 2, 1967, Kaleidoscope Graphics Inc./ John Douglas Cline, The Doors, The UFO, Peanut Butter Conspiracy, The Kaleidoscope at Ciros, 18 ½” diameter.

Bill Graham, BG-110, 1968, Stanley Mouse, Cream, James Cotton Blues Band, Jeremy & The Satyrs, Blood, Sweat & Tears, Fillmore Auditorium/ Winterland, 21 x 14”.

Thunder Machine Production, AOR 2.338, 1966, Wes Wilson, Grateful Dead, Santa Rosa’s Veteran Hall, 20 x 14”.

Bill Graham, BG-9, 1966, Wes Wilson, Quicksilver Messenger Service, Grateful Dead, Mothers, Fillmore Auditorium, 20 x 14”.

Kaleidoscope, KA 16, 1968, Mortimer/ Eidos Ltd. #16, Love, Rhinoceros, Taj Mahal, Kaleidoscope Club, Sunset & Vine, 18 ½” diameter.

Kaleidoscope, KA 1, AOR 3.77, 1967, Kaleidoscope Graphics Inc., Grateful Dead, Jefferson Airplane, Canned Heat, 1228 Vine Street, Hollywood, 18 ½” diameter.

Bill Graham, BG-10, 1966, Wes Wilson, Jefferson Airplane, Great Society, Heavenly Blues Band, Fillmore Auditorium, 20 x 14”.

Family Dog, FD-101-1, 1968, Rick Griffin, Quicksilver Messenger Service, Kaleidoscope, Charles Musselwhite, Avalon Ballroom, 20 x 14”, type one.

Old Cheese Factory, AOR 2.185, 1966, Stanley Mouse, Alton Kelley, Grateful Dead Anniversary Party, Old Cheese Factory, 20 x 14 ¼”.

Bill Graham, BG-79, 1967, Bonnie MacLean, Paul Butterfield, Cream, South Side Sound Machine, Fillmore Auditorium, 21 x 14”.

Family Dog, FD-33, 1966, Stanley Mouse & Alton Kelley, Grateful Dead, Oxford Circle, Avalon Ballroom, 20 ¼ x 14 1/8”.

Bill Graham, BG-57, 1967, Wes Wilson, Byrds, Moby Grape, Andrew Staples, Fillmore Auditorium/ Winterland, 22 ½ x 13 ¾”.

Straight Theater, AOR 2.220, 1967, Frank Melton, Mount Rushmore (7/21), New Salvation Army Banned, Mother Earth, Country Joe & The Fish (7/22), The Charlatans, Blue Cheer, Freedom Highway, Grateful De

Bill Graham, BG-87, 1967, Bonnie Maclean, Quick Silver Messenger Service, Grass Roots , San Francisco, 21 1/8 x 14”.

Family Dog, FD-89, 1967, Rick Griffin, Stanley Mouse, Quicksilver Messenger Service, Sons Of Champlin, Taj Mahal, Avalon Ballroom, 20 x 14 ¼”.

Berkeley Bonaparte, 1967, Rick Griffin, A Puff Of Kief In The Morning Makes A Man As Strong As A Hundred Camels In The Courtyard, 20 ½ x 14”.

Great Highway, 1971, Burray Olson, Quicksilver Messenger Service, Big Brother and The Holding Company, Sopwith Camel, Stoneground, Friends and Relations Hall, 19 x 14 ½”.

Neon Rose, NR 13, 1967, Victor Moscoso, Rick Griffin, The Plastic Explosion, The Plague, Webb’s in Stockton, 20 x 28 ¼”.

Family Dog, FD-49-1, 1967, Victor Moscoso, Moby Grape, Charlatans, Avalon Ballroom, 20 x 14”.

Wolfgang Grajonca (Bill Graham), AOR 2.101 (see BG-100), 1969, Bonnie MacLean, Lee Michaels, Taj Mahal, Youngbloods, Love, Southwind, Wolfgang, Olympic Auditorium, 21 x 14”.

Bill Graham, BG-61, 1967, Wes Wilson, Buffalo Springfield, Steve Miller Blues Band, All Alive, Freedom Highway, Fillmore Auditorium, 21 ½ x 14”.

UFO Posters, 1967, John Dolley, Haight Is Love, Summer is a Love-In Here, San Francisco, 22 ½ x 16 ½”.

Family Dog, FD-48-1, 1967, Stanley Mouse, Alton Kelley & Bob Seidmann (photographer), Big Brother and The Holding Company, Quicksilver Messenger Service, Oxford Circle, Avalon Ballroom, Slightly trimm