19TH C. THEOREM PAINTING ON VELVET W/ PROVENANCE.

Ca. 1830’s large scale theorem painting, basket of fruit. Image: 19” x 25” in period frame, 22” x 28”

American School, 19th C., depicting a blue compote Overall: 16-1/2"h x 15-1/2"w Provenance: Property from a Private Collection

American, 19th C., appears to be unsigned Areas of dampstaining, foxing, and losses Overall: 26-3/4"h x 17-1/2"w Sight: 23-3/4"h x 14-1/4"w

Depicting a bird perched on a basket of fruit. 17 x 14 1/2 inches.

Boldly painted of a seated figure in early 19th century garb with harp in front of a castle. In period frame. Dimensions: (Frame) H 22.5" x W 26", (Sight) H 18" x W 21.75" Condition: Framed, with inse

Pair of ca. 1840 American school theorem paintings on velvet, basket of flowers and fruit, birds and butterflies. Image 11” x 13”, Overall in period lemon gold frames 15” x 16.5&#822

18th/19th century Thangka painting, 20" h x 13" w (frame). Provenance: The Estate of Former U.S. Ambassador Edmund Asbury Gullion.

Mid-19th C. painting on velvet depicting watermelons, Image 14” x 17.5”, Overall in an antique walnut frame 18” x 22”.

Rebecca At The Well 19th C. Theorem Painting. Large scenic painting depicts Jesus meeting Rebecca at the well, painted on velvet. No visible rips, tears or repairs, 21 in. high x 26.5 in. wide. In a g

Mexican painting, depicting San Juan Nepomuceno (St. John of Nepomuk), oil on copper, framed, early 19th c. 26"h x 22"w Provenance: A San Antonio, Texas collection Please note: All the Mexican folk

Late 19th century painting of pansies, oil on canvas, in original gilt wood frame, 17 3/4" h x 33 1/2" w. Provenance: From a Delray Beach, FL estate.

19th century Chinese painting, fresco, 33" h x 22" w. Provenance: From a Massachusetts collection.

Eight 19th century Chinese paintings on rice paper, mounted on board, 8 total, 7 1/2" h x 11" w. Provenance: from a New York estate.

19th C. Reverse painting on glass with some mother of pearl inset. Unsigned. Sight: 12"h x 29-1/2"w Overall: 17-1/2"h x 35-1/2"w Provenance: Property from a Private Philadelphia and UK Family Collecti

Five 19th century Japanese paintings of Geisha on silk, 47" h x 18" w (frame). Provenance: From Mrs. Nadine Ceruti Kurkou, then from the Montelatici family of New York, Florence Italy and Miami Beach.

Japanese painting on silk, late 18th to early 19th century, showing panoramic view of port city at the base of Mount Fuji; 23 1/2" h x 34 1/2" w (view), 27" h x 38" w (frame). Provenance: From a Flori

19th century Persian watercolor painting on paper, depicting couple on camel, unframed, 9 1/2" h x 8 1/2" w. Provenance: From a Massachusetts collection.

19th century Victorian style painting, lilac, oil on board, in original gold frame, 14 1/2" h x 24 1/2" w. Provenance: From a Delray Beach, FL estate.

Two 19th century Chinese paintings, one depicting emperor and empress, one with court scene, on rice pith paper, 15" h x 19"w (frame). Provenance: The Estate of Former U.S. Ambassador Edmund Asbury Gu

Inscribed "Esopus Creek, NY. Freeman painted by Aunt Mate Clark" on frame. Size: Framed: 17.5" H x 19.5" W x 3" D; Sight: 11.5" H x 13.5" W Provenance: Production of “Dickinson”

Theorem painting (19th c.), Floral still life, pigment on paper/parchment, unsigned, 4.75"h x 6.5"w (sight), framed

Chinese Export eglomise painting, 19th c., China, River Landscape with Figures, inscribed Dongyuan (?) on rocky arch recto, and on panel verso, 23"h x 33"w (image), 28"h x 37"w (frame) Provenance: A P

Chinese Export School, (6) pith paintings, 19th c., gouache on pith paper, depicting punishments, approx. 7"h x 11"w (sight), 13"h x 16.5"w (frames) Provenance: A Private Collection: 1050 Park Avenue,

Indo-Persian School, (2) paintings, 19th c., ink and gouache on paper, one depicting hunters battling hyenas, 7"h x 5"w and 8"h x 6"w (sight), 10.75"h x 8.75"w (frames) Provenance: Asian works of art