72 HI Print Final State Hawaiian Swimmer Jean Charlot

Item: Up for sale from a recent estate in Honolulu Hawaii this 1972 French/Mexican/ Hawaii serigraph/silkscreen print that is marked state A/B/C/D/E/F and is titled Hawaiian Swimmer and was created fo

Up for sale from a local estate in Honolulu Hawaii this 1933 Mexican matted and backed block print that is untitled depicting a mother and child and was created by Jean Charlot (1898-1979). The condit

Up for sale from a local estate in Honolulu Hawaii this 1933 Mexican framed color print that is untitled but depicts a seated female figure attending to her hair and was created by well known artist J

Title: Departure of the Boats.Artist: Martin Lewis (1880-1962) Drypoint and sandground, 1926.Edition 50, recorded impressions 17 (final state). Signed in pencil. Image size 7 7/8 x 11 7/8" (20 x 30.1

Henri de Toulouse-Lautrec (French, 1864-1901), "Mademoiselle Marcell Lender, en Buste," 1895, lithograph in colors, monogrammed in plate upper left, Wittrock's fourth (final) state from the original P

Jean Charlot(French-American, 1898 - 1979)Chemin de Croix + Frontispiece, 1920portfolio of 14 woodblocksCharlot began the drawings for the 15 prints that comprise Chemin de Croix in France in 1918 aft

Yet another superb find. A print that hardly shows its age, with mesmerizing detail. L Ecuyère et les clowns by Pablo Picasso is a Lithograph in colors on Arches paper, the seventh (final) state, sig

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Eudora Welty (American, 1909-2001), Side Show, State Fair, 1939gelatin silver print (mounted as issued), negative 1939, pencil numbered "72/75" to the mount, from Eudora Welty: Twenty Photographs Port

16X20 O/C DATED 1937--MARKED ON BACK "S.F. NO. 15 THE STAFF"

JEAN CHARLOT (1898-1979) Los Remedios 1926 watercolor on paper, signed 'Jean Charlot' and dated lower left, titled verso 22 1/4 x 15 1/4in (56.5 x 38.7cm)

Jean Charlot (French, 1898-1979) Lovers, 1930 oil on board signed and dated (lower left) 6 x 8 inches Property from an Important Private Collection of Modern Western Art

Botany.- Japanese School (circa 1890-1910) Composite album containing 72 prints of ornamental irises and other flowers, woodblock prints with vibrant original hand-colouring, on thin Japanese paper, e

Giorgio Morandi (1890-1964) Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with w

PABLO PICASSO (1881-1973) Femme au Corsage à Fleurs lithograph, 1958, on Arches wove paper, signed in pencil, a proof of Mourlot’s third, final state, aside from the edition of fifty Sheet 6

Pablo Picasso (1881 - 1973) Les Pauvres from "La suite des Saltimbanques" etching, on Van Gelder paper, 1905, Baer's second (final) state, from the edition of 250 on this paper (there were also 27 or

AFTER PABLO PICASSO (1881-1973) Femme au Corsage à Fleurs Lithograph, 1958 On Arches wove paper Signed in pencil Proof of Mourlot’s third Final state Aside from the Edition of FiftySheet 19"

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Hieronymus Bosch (c. 1450-1516), AfterSaint Martin with His Horse in a ShipEngraving, by Johannes and Lucas Doetecum, circa 1561, but a well inked later impression of the final state (of three) with p

Edward Borein (1872-1945) Trail Boss (Galvin 85), no date Etching and drypoint on wove paper, the second (final) state, signed in pencil and with artist remarque in pencil, with margins, framed. 7 7/8

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm