after BARTOLOMEO BIMBI (Italian 1648-1725) AN ITALIAN

after BARTOLOMEO BIMBI (Italian 1648-1725) AN ITALIAN SCHOOL PAINTING, 19TH/20TH CENTURY, "Et Citri," oil on canvas, inscribed "Massa A" L/R. 28" x 46"

(Italian, 1648-1729) Still Life with Flowers in a Gilt Vase and Wood Box, with parrot and dishes of fruit, unsigned, oil on canvas, 39-1/3 x 35-1/2 in.; gilt wood frame,. Condition: lined with wax and

Francisco Bartolozzi (Italian, 1725-1815) , "Two Boys Playing with a Length of Cloth", hand-colored stipple engraving, after Giovanni Francesco Barbieri "Guercino" (Italian, 1591-1666), printed label

An antique marble sculpture, Bust of a Young Girl, after the famous oil painting by Dapres Jean Baptiste Greuze (French, Italian, 1725-1805). Etched, Dapres Greuze, on the back. Jean Baptiste Greuze w

(Italian, 1648-1678) Title plate and 19 plates of Roman garden designs from Li giardini di Roma con le loro piante alzate e vedute in prospettiva.., Giovanni Giacomo De'Rossi, 1683, Rome, publisher, a

Giovanni Battista Falda (Italian, 1648-1678) Italian Pallazi. Two hand-colored engravings. Together with another by an unknown artist Larger: 17.5" x 22" Frame: 28.25" x 32"

Antique Francesco Bartolozzi (Italian, 1725-1815) Hand Colored Engraving "Aprile". Engraving from "The Twelve Months of the Year" Series. Published By Joseph Wagner. Scene of a man and a woman shearin

Attributed To Jean-Baptiste Greuze 1725-1805 ITALIAN / FRENCH, 18-19th C Interior Painting "The Village Agreement" UN-SIGNED. Frame Measure 36" X 43.5", Sight 29 3/4" X 37 1/4". Purchased From A Local

Tiffany & Co. Studios New York gilt bronze match tray in Venetian #1648. An Italian Renaissance design with hand chased figural tailed animals to the ends. Tiffany Studio marks to the underside. Weigh

Impressed and shaped with white glaze. Central design of Scottish coat of arms for MacMillan family. Dimensions: Diam. 17.25" Condition: Some warping, spots of glaze loss.

AN EARLY 19TH CENTURY CARVED ITALIAN GILTWOOD FRAME, 17.25" X 13.5" FRAME AND 10.5" X 6.75" SIGHT

After Fra Bartolomeo (Italian, 18th/19th Century) Christ Appearing to the Magdalen oil on canvas 22 3/4 x 18 3/4 inches.   This lot is located in Chicago.

Bartolomeo Pinelli (Italian, 1781-1835) Litany in Tivoli, 1822 ink with wash over pencil on paper signed Pinelli, dated and inscribed Roma in pencil (lower right) Paper: 5 3/4 x 8 1/8 inches. Property

Bartolomeo Pagani (Italian, 19th Century) Madonna and Child, 1869 oil on canvas board signed Pagani painted from/ Rome Via della Croce 78B/ 1869 (lower right) 39 3/8 x 29 1/4 inches.

Circle of Bartolomeo Schedoni 18th C. Italian old master oil on canvas painting, in carved wood gilt frame. Measures 37.5"H x 33.25"W framed; 30.5"H x 27.5"W unframed. Condition report: wear commensua

Gabrielo Bartolomeo Casessi (Italian, 1840-1900) - Seascape, Oil on Canvas. Signed. Stamp to the reverse. 45.5x29cm. Please see Dorotheum Vienna, 24 October 2018, lot #609, Realized: €8,750. Plea

Italian gold lustre majolica wall charger, Gubbio, depicting Roman soldiers discovering Marcus Calpurnius Flamma gravely wounded, after Bartolomeo Pinelli (Italian, 1771-1835), inscribed ver

After Bartolomeo Schedoni (Italian, 1578-1615), Cupid Musingoil on canvas (lined), unsigned, 19th century or earlier, presented in a period gilt composition frame. Stretcher size 19 x 15 in.; Frame di

Bartolomeo Pinelli (Italian, 1771-1835) Views of Rome Six book engravings, 1820s-1830s. Published by W. B. Cooke; each framed and double matted. (6). H: 13 7/8, W: 12 1/2 in. H: 35.24, W: 31.75 cm. (e

After Giuseppe Bartolomeo Chiari (Italian, 1654-1724) oil painting on canvas, The Swoon of The Virgin between Saint John and Mary Magdalene. Framed. Circa: 19th century. Giuseppe Bartolomeo Chiari was

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 19 and reads "I saw that one who

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 7 and reads "They stopped, and ba

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 26 and reads "Her mouth was not y

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 33 and reads "And spirits saw I w