After George Stubbs (1724-1806) British. "Eclipse", the

After George Stubbs (British, 1724-1806), Cheetah and Stag with Two Indians, oil on linen, signed lower left R. Bianchi (?). Framed approx. 44.25 x 44.75 in. Note: The original painting by George Stub

Manner of George Stubbs, A.R.A. (British, 1724-1806)Bay hunter in a landscapeoil on panelsigned lower right G. Stubbs23 1/2 x 28 1/2in (60 x 73cm) Provenance:By repute, the

After George Stubbs (1724-1806) THE SPANISH POINTER; DUNGANNON; GODOLPHIN ARABIAN Three engravings, the first by William Woollet, the second and third by George Townly Stubbs, 1794; Together with Afte

A Large Wedgwood "Horse Studies" Plaque, UK, late 19th century Stoneware The designs after George Stubbs (1724-1806), modeled by Edward Birch (1730-1814); a total of 18 reliefs in white on a large sol

After George Stubbs (1724-1806) VOLUNTEER Hand-colored engraving by George Townley Stubbs, framed. Image 15 1/2 x 20 inches; 394 x 508 mm. Frame 25 x 29 inches; 635 x 737 mm. C Property from The Estat

George Stubbs (1724-1806) was an English painter known for his remarkable depictions of horses, as well as other animals, sporting scenes, and portraits. He is considered one of the finest equestrian

Style of George Stubbs (English, 1724-1806), 20th century. "Portrait of Black and Tan Pomeranian", oil on canvas, signed at lower right "P. English". Figural portrait painting of a black and tan lap d

after George Stubbs (English 1724-1806)- ''Shooting- Plates I-IV'' (Lennox-Boyd 11-14)- set of four engravings wither later hand-coloring, 1769, by William Woollett , on laid paper, published by Thoma

Oil on panel "horses" signed G. Stubbs, attributed to George Stubbs (English, 1724-1806), 7.9"x11"

George Stubbs ARA (Liverpool 1724-1806 London) A black and white spaniel pointing to the left, in a wooded landscape with a church spire beyond oil on canvas 54.4 x 73.2cm (21 7/16 x 28 13/16in). Foot

School Of George Stubbs (United Kingdom/England 1724-1806), man with horse, oil on canvas. 28" x 36".

Elis, Eclipse, A pair prints each with horses and jockeys, Image: H 9 x W 12 inches; Frame: H 16 x W 17 inches Matted and glazed with wood and silver giltwood Condition: No apparent flaws

After George Stubbs, Eclipse, engraving, originally published by Laurie and Whittle, Fleet Street, 41cm x 50cm The condition is good

George Stubbs (British, 1756- 1815), "Sweet William," (1817), stipple engraving, signed in plate, image: 15.75"h x 24"w, overall (with frame): 28"h x 31.5"w

Comprising two after W. Thayer, 'Here Come the Hounds' and 'A Flying Leap'; one after George Stubbs, 'Eclipse'; and one after John F. Herring Sr. 'The Meet', 4 pieces total Provenance: Property from t

Framed etching of the famous thoroughbred Eclipse. Measures approx 38.5" x 32.5" framed. wpm954901 Have a similar item to sell? Contact us at info@marketauctionsinc.com Please review all p

George Balmer (1806-1846 British) ''Market Boats, Rotterdam'' 1831 Oil on Canvas 12''x16'' Image. A turbulent harbor scene with various boats in the water. Signed l.r. and titled on verso. Gilt framin

(British/America, 1775-1806) George Washington, after Gilbert Stuart (American, 1755-1828), unsigned, oil on canvas, 28-3/4 x 24 in.; original carved gilt wood and composition frame, 35 x 30 in.

1806 King George III 1/2p KM-662 Grades vf++. George III (George William Frederick; 4 June 1738–29 January 1820) was King of Great Britain and of Ireland from 25 October 1760 until the union of

Three British copper coins including two 1797 "cartwheel" pennies and an 1806 George III Britannia penny.

Antique Georgian or early Victorian 19th century English traditional style horse portrait painting on canvas by George Van Arden (American or British, born 1806). A striking study of a white stallion

Hunting Dogs. George Townley Stubbs (1756-1815) engraving after Titian (1488-1576). Mezzotint, London, 1792. British sporting print. 17" x 21 1/2".

George III style stained oak sofa in the manner of Thomas Sheraton (British, 1751 -1806), with arched crestrail and downswept volute arms above column supports with satinwood inlay, the whole upholste

George III style stained oak sofa in the manner of Thomas Sheraton (British, 1751 -1806), with arched crestrail and downswept volute arms above column supports with satinwood inlay, the whole upholste