(After) Giuseppe Vasi (Italian, 1710-1782) 'View of Rome' Lithograph

(After) Giuseppe Vasi (Italian, 1710-1782) 'View of Rome' Lithograph 20th century reproduction after the original etching depicting the ancient ruins of Rome, unsigned, printed on illustration board,

Giuseppe Vasi (Italian, 1710-1782). Large etching on wove paper titled "Veduta della Basilica di S. Paolo fuori le mura ed adiacenze dal Monte Aventino, e dal fiume Tevere (View of the Basilica o

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

Giuseppe Vasi (Italian, 1710-1782), "Grand View of Santa Maria...," 1771, etching, plate signed, titled and dated, image: 39.5"h x 27"w, overall (with frame): 44.25"h x 31.5"w

Framed engraving after Giuseppe Vasi (1710-1782). Views of Rome / Grand View of Rome. Sight measurement 39.75" x 27". Well framed and matted under plexiglass, 47" x 34.25". The engraving appears to be

(Italian, 1710-1782) titled "Prospetto del 'Alma Cittá", of impressive size. Losses, glued down onto a board Overall: 42-1/2"h x 8'9"w Sight: 38-1/2"h x 8'5-1/2"w

Giuseppe Vasi (Italian, 1710-1782), three late 18th century etchings, first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Ospizio e Chiesa di S. Luigi della Nazi

Giuseppe Vasi (Italian, 1710-1782) prints, "La Veduta della Basilica di Santa Maria Maggiore" and "La Veduta della Basilica di San Paolo". Provenance: From the Collection of renowned architect and des

Giuseppe Vasi (Italian, 1710-1782), pair of late 18th century etchings first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Chiesa di S. Giacomo in Piazza Scossac

Giuseppe Vasi (Italian, 1710-1782). "Veduta in prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi / Architettura di Nicola Salvi" -late 18th century, engraving with later hand coloring.

Giuseppe Vasi (1710-1782) framed copper plate engraving of The Basilica of San Nicola in Carcere, from his ten-volume masterwork comprising 238 engravings with text showing views both famous and obscu

To include two hand colored engravings by Giuseppe Vasi of churches, Jean Barbault engraving of the Fountain of Moses, two engravings each with two depictions of Roman ruins. Dimensions:Largest: 22" H

After Giuseppe Vasi (Italy, 1710-1782), 19th century etching on paper of an overgrown temple in the Italian countryside, 9 1/4" x 13 1/2" sight, 14" x 18" framed.

Two antique Roman hand-colored etchings by Giuseppe Vasi, "Ponte Adriano oggi detto S. Angelo" and "Altra veduta di Ripa grande verso Ponente". Approx. plate size 8 1/4" x 12 3/4" Shipping: We do not

GIUSEPPE VASIItaly, 1710-1782“Anticaglie presso it Ponte Palatino”, 1756. Engraving, 10” x 14.5” sight. Framed 18” x 22”.

View of Rome by VASI framed late 18th early 19th century engraving litho. Left corner "G. Vinc." As shown see photos. Approx 14" x 10" actual image size enclosed in a shadow box style frame.

View of Rome by VASI framed late 18th early 19th century engraving litho. Left corner "G. Vinc." As shown see photos. Approx 14" x 10" actual image size enclosed in a shadow box style frame.

Large etching "La veduta della Basilica di S. Paolo fuori delle Mura ed adiacente dal Monte Aventino, e dal Fiume Tevere." by Giuseppe Vasi piblished in Rome, Italy. Size: 69 cm x 100 cm.

Vasi (Guiseppe Agostino). Urbs Romae sine Divino Aliquo Auspicio et Magno Miraculo non Fuisset eo Potentiae sura, published Rome, (1765). From the Estate of Everson Museum Director Sandra Trop. Site S

Rome, Chracas at S. Marco al Corso, 1747-61. In 2 oblong. 7 books (of 10) in two vols. Title pages with intaglio vignette, plates with period coloring, some slight flowering, contemporary half leather

An Italian micromosaic paperweight late 19th century Centered by a view of St. Peters Square surrounded by views of Rome. height 4 3/4in (12cm); width 6 3/4in (17cm)

Circle of Giuseppe Maria Crespi (Italian/Bologna, 1665-1747) "Amalthea and the Nymphs" oil on canvas unsigned. Framed. 26-3/8" x 22-1/2", framed 35" x 31" Provenance: Parenza Art Gallery, Rome, Italy;

NO RESERVE Italy.- Vasi (Giuseppe) Nuova Pianta di Roma in Prospettiva Dedicata a Sua Eccellenza il Principe d'Abondio Rezzonico Senatore di Roma, large 18th century plan of Rome, with a key to 217 lo

Giovanni Battista Piranesi , Italian (1720-1778). Circa 1760 etching on woven paper of Veduta dell Arco di Tito (The Arch of Titus) from Piranesi series Vedute di Roma (Views of Rome). Focillon 209, T