AGAM, Yakov. Two Signed Color Screenprints.

"Fond Marin" plate III - signed and numbered AP 10/10, 30.25" high x 33.25" wide, light toning, protected by plastic film with backing, not framed. Untitled - signed and numbered EA 15/18, 31.25" high

Yaacov Agam (b. 1928) COMPOSITIONS Two color screenprints, signed and numbered 214/300 and 172/300 in pencil, with full margins, framed. Images 18 1/4 x 22 inches; 464 x 559 mm. Frames 25 1/4 x 28 5/8

Screenprints. All signed and numbered. Green - EA 9/18, wear at extreme edge, ligth handling creasses, 2 light scratches. Orange - 99/99, minor crease to corner, otherwise good. Silver - not numbered,

PHASE III, color screenprint, signed in pencil, from the numbered edition 180, sheet 14 x 15”, framed with glass, in apparently good condition; EIGHTEEN PEACE STARS, color lithograph, signed in penc

UNTITLED, two color screenprints, each signed and numbered 17/54 in marker, sights 25 ½ x 7”, both in one frame 36 ½ x 27 ½” with Plexiglas

UNTITLED, color screenprint with crayon drawing, signed in pencil, numbered 11/50, image 20 ½ x 20 ½”, sheet 30 x 22”; PURPLE IRISES, three of the same, each a color screenprint, two signed in p

Corita Kent (1918-1986) GOOD FOR YOU; ONLY YOU AND I CAN HELP THE SUN TO RISE EACH MORNING Two color screenprints, signed and inscribed Ed 150 in pencil, the full sheets, framed. Sheets 15 7/8 x 19 7/

MICKEY MOUSE; WINNIE THE POOH & TIGGER; MICKEY AND PLUTO, three color screenprints, the first two signed in ink, 14 x 11”, 11 x 14” & 24 x 18”, later one with small skin mark on verso, otherwise

TWO GLOBES, color screenprint, signed and numbered 132/250, image 19 ½ x 19 ½”, full margins, frame 30 x 28” with glass. From the Beatrice Breslaw collection.

TWO FIGURES, color screenprint, signed and numbered 6/350 twice in ink (for vertical or horizonal display), sheet 31 ½ x 46”, frame 42 x 56 ½” with Plexiglas,

TWO FIGURES, color screenprint, signed and numbered AP 12/30 (Artist’s Proof) in turquoise pencil, signed 34 ½ x 23”, frame 45 x 33 ¼” with Plexiglas.

7 Stephen Huneck (1948-2010) GOOD DOG; BAD DOG Two color screenprints, 1995, signed, dated and numbered 24/250 and 47/250 in pencil, framed. Images approximately 12 1/8 x 10 inches; 308 x 254 mm. Fram

UNTITLED, two color screenprints, each signed in pencil and numbered 13/85, images 17 ½ x 17 ½”, with full margins, frames 20 ½ x 20 ½” with glass. (2)

TWO SEATED WOMEN WITH BAY VIEW; FIVE WOMEN IN A RESTAURANT, two color screenprints, both signed in pencil, artist’s proof 38/45 & printer’s proof 8/9, images 9 3/4 x 10" & 11 1/4 x 15", both with

ROSE PARADE CENTENNIAL, 1988, from the numbered edition 400, image 29 x 21 ”; WALT DISNEY WORLD, 1987, from the numbered Disney edition 113, image 29 x 22”; two color screenprints, each signed in

FLOWERS, 1990 & 1988, two color screenprints, each signed and numbered 58/80 & 33 /60 in pencil, frames 32 x 21 ¾” with glass. (2)

MEDITERRANEAN SCENES, two color screenprints, each signed in pencil and numbered HC 21/50, images 30 ½ x 27”, sheets 35 ¼ x 32”. (2)

REDHEAD; UNTITLED, two color screenprints, each signed in pencil, numbered 116/260 & 119/250, images 13 ¼ x 10” & 10 ½ x 8 ½”, both with full margins, framed. (2) Provenance: Michael Hittleman

SUMMER AND AUTUMN, two color screenprints, both signed in pencil lower right, images 14 x 28”, sheets 18 x 32”. (2)

WOMAN IN A BLUE BLOUSE; TWO WOMEN, two color screenprints, each signed in pencil, numbered 25/175 and artist’s proof, images 24 x 19” & 20 x 24”, both with full margins, the later with some natu

WE SHOW YOU HOW A-Z; MADE IN JAPAN, two color screenprints, each signed in pencil and inscribed PP (printer’s proof), the first inscribed to Ricardo De Aztlana (Richard Duardo?), sheets 30 x 44&

G & N, 1972, two color screenprints, each signed in pencil, from the numbered edition of 60, images 6 ¾ x 3 ½” & 6 ¾ x 4 ½”, sheet 8 ½ x 6”, in good condition. (2)

PORTDORA EN TURQUOISE; EN ORO, two color screenprints, each signed in pencil, numbered 11/65, images 25 x 18" & 24 1/2 x 18", both with blind stamps lower right and left, full margins, framed with gla

WORK NO. 44; WORK NO. 45, 1971, two color screenprints, each signed in pencil, from the numbered editions 50, sheets 28 ½ x 22 ½”, both framed with glass, one with extremely pale discoloration in