Albany Edwards Etching, Palazzo Ducale, Venice

17.5 x 11 inches sight..pencil signed lower right....matted and framed..

Follower of Michele Marieschi (Italian, 1696-1743) The courtyard of the Palazzo Ducale, Venice oil on canvas 27 1/2 x 42in (69.9 x 106.7cm) Footnotes: The present work is based on the larger, original

Oil on canvas painting. The artwork depicts an Italian cityscape, view of a Venetian canal with the Palazzo Ducale. Signed by the artist in the lower left, Cremona. Golden frame. Collectible City Land

This is a beautiful and interesting estate found photograph by Italian photographer Carlo Naya (1816-1882). The black and white photograph features a view of the Ducale Palace in Venice, Italy. The sc

Hand Colored Lithograph Published C1845, Venice for "Vedute di Venezia" by Marco Moro. Lithographed by Pellegrini. Paper Size: 10 x 7.5 inch (25 x 19cm) Smal corner margin chip. Minor margin toning, i

"Palazzo Ducale Venice Harbor". Oil on canvas. Signed lower right. From a White Plains, NY collection. - Dimensions: 24" h x 36" w.

Bruno Ruggieri oil on canvas painting of a view of Venice, titled "Palazzo Ducale", signed lower right and on back. Provenance: Galleria Russo, Rome. [Art: 15" H x 27" W; Frame: 22" H x 34" W].

ZANOTTO, Francesco. Il Palazzo Ducale di Venezia. Venezia, G. Antonelli, 1853 – 18614 Volumi in-folio. 330x235 mm. Legatura coeva mezza pelle e cartonato marmorizzato, titoli in oro su tasselli

A group of 3 miniature paintings signed 'Silver.' The images are done in a Grand Tour style with scenes of Venice, Two of the Palazzo Ducale and one of Saint Mark's Basilica. Dimensions are: the large

Palazzo Darius, Venice 8" x 5 1/2" (image) etching signed in the border lower right Albert Roullier Gallery label verso

After James Abbott McNeill Whistler (1834-1903). Etching on paper titled "The Doorway," depicting a window of the Palazzo Gussoni in Venice. From Whistler's "First Venice Set," 1880. Dimensions: Sight

Luigi Kasimir (1881-1962). Etching of the fish market in Venice. Signed in pencil lower right. Interestingly, in what appears to be Kasimir's hand, the Palazzo C'a d'Oro across the canal is identified

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

LUIGI SALVI (1920-2010)'Coinvolgimento'1990 Oil on canvas signed and dated on back 120 x 80 cmExhibition: Young Museum Palazzo Ducale di Revere 1999Provenance: Luigi Salvi by descendance

Alessandria, 1785 - Milano, 1837 Cortile di Palazzo Ducale a Venezia Firmato Gio Migliara sul retro Fixé sous verre, diam. cm 11,5 Il soggetto venne affrontato una prima volta da Migliara nel 183

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

THOMAS MORAN (AFTER) The Gates of Venice. Etching, drypoint and roulette on imitation Japan paper, 1888. 455x800 mm; 18x31½ inches, full margins. Signed by Moran in pencil, lower left. Published

CLARENCE ALPHONSE GAGNON (Canadian 1881-1942) "Agostino Canal, Venice", "Moonlight, Venice" and "Grand Canal, Venice" Etching. Sight: 8 5/8 x 6 1/4 inches; Frame: 13 1/4 x 10 5/8 inches. Sight: 6 7/8

P. Gabrini, 19th century, historicizing scene in front of a palazzo in Venice, oil on sheet metal, u. re. sign. ''P. Gabrini'', 48 x 68 cm, framed 57 x 76 cm

JOHN MARIN Porta San Marco, Venice. Etching on Japan paper, 1907. 228x169 mm; 9x6 inches, full margins. Signed and numbered 29/30 in pencil, lower margin. A superb, richly-inked impression of this ear

JOHN MARIN Ponte Ghetto, Venice. Etching on Japan paper, 1907. 239x189 mm; 9x7½ inches, full margins. Edition of approximately only 30. Signed in pencil, lower right. A superb, richly-inked impre

Howard Hodgkin (British, 1932-2017), "Venice Afternoon", Etching and Aquatint in colors with carborundum and some hand-painted details on 16 ripped sheets of paper, 1995, signed, dated, and numbered i

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

"Claude Monet (1840-1926) was a French painter and one of the leading figures of the Impressionist art movement. He is renowned for his innovative approach to capturing light, color, and the fleeting