ALESSANDRO TURCHI VERONESE. OIL ON COPPER.

Follower of Alessandro Turchi Follower of Alessandro Turchi Venus and her attendants inscribed 'Venus in her Bath/Parmigiana' u.r., oil on slate 8 x 12cm Provenance: The Estate of Sir Jack and Lady Ba

After Alessandro Turchi (19th/20th century) Untitled (The Lamentation of Christ) oil on canvas 18 x 23 inches.

La fuga in Egitto olio su tela, entro sommità centinata, cm 151 x 101 Notes:Circle of Alessandro Turchi, called Orbetto (Verona 1578 – Roma 1649) The flight into Egypt oil on canvas, 151 x 101 cm 1

Alessandro Turchi gen. L'Orbetto (1578-1649), successor of the 17th century, allegory with Personifications of philosophy, history and prudence in awakening the human spirit in the desire for knowledg

Details: CERI, Marco. Edwardian Golfer. Italy: circa 1990. Oil painting on copper. . Image size (including text): 9 1/2 x 8 3/8 inches. 22 k gold leaf frame with brown crackle sides. 12 x 10 7/8 inch

Details: CERI, Marco. Edwardian Golf. Italy: circa 1990. Oil on copper. Image size (including text): 8 x 15 1/2 inches. 22k gold leaf frame with brown crackle panel. 10 1/2 x 18 inches. Marco Ceri li

Two vintage copper printing blocks for SINCLAIR Motor Oil advertising. Woodblock printing plates measuring approx 8.5" tall x 4.25" wide as shown, see photos for details.

D. ALESSANDRO, OIL ON CANVAS, STILL LIFE, DATED 1971. 18 X 24"

Attr. to Antonio Milocco Torino (Italian, 1690-1772) "Mars and Venus United By Love" After Veronese. Oil on canvas. 80" x 64". A Private Rochester, NY Estate.

19th century copy of a painting by Veronese. Oil on canvas. H 9-5/8" W 16". Copy and paste this link for a high-res image: https://www.dropbox.com/s/y03irpxg7x7h15e/1159013_1.jpg?dl=0

Italian School After Sasso Ferrato G. Battista (Italian, 1591-1666) Oil on Copper, Ca. 18th.c., "Madonna And Child", H 7.2" W 5.7" | Oil on copper mounted on wood panel. Black frame with blue malachit

Allegory of Celestial and Earthly Love, 16th century, oil on copper.The painting is 9.2" x 8.2", in a frame 14" x 12.6".////////////////////////////////////////////////////////////////////////////////

A large 'Stations Of The Cross' oil on copper, Gothic Revival wood frames. 19th century. Condition report: - Missing pieces. - Some stations with flaking paint.  Dimensions: (W:71 x

(Italian, 1696-1782), titled "Madonna and Child with the Infant Saint John the Baptist," appears to be unsigned. Sight size: 10-3/4"h x 8-1/2"w Provenance: Griffith Coombs, Kansas City. Anonymous sale

This lot consists of a very old Madonna with Child landscape hand painted oil on copper dated to the 17th-19th century. The lot depicts the landscape with a Madonna, child and angels in the style of L

Pair 16/17th C Italian Oil on Copper Paintings after figures in Raphael's Loggia in the Vatican; in period hand carved frames; the reverse with an old attribution to Andrea del Sarto and various colle

ALESSANDRO SANI (ITALIAN 1856-1927), OIL ON BEVELLED WOOD PANEL, H 10 1/4", W 15 1/2", RATHSKELLER MERRIMENT SCENE:Scene with ladies, cavaliers and monks at table; signed upper left; gilt period frame

Group of Seven Oil on Copper Portraits of British Families, each inscribed with sitter information en verso, each 7 5/8 in. x 5 5/8 in., framed alike, each overall 9 3/8 in. x 7 5/8 in. (7 pcs.)

After Rembrandt Harmenszoon van Rijn1606-1669 (Dutch)Belshazzar's feastoil on copper38x50 cmOther Notes: The picture, painted c. 1635, is an example of Rembrandt's attempt to establish himself as a pa

Lawrence. From a Nyack, NY estate. Dimensions: 26.25" high x 22" wide. Condition: Fine craquelure throughout.

DESCRIPTION: Antique Spanish School "Divina Pastora" oil on copper painting depicting the Virgin Mary with her hand on a sheep, the background with St. Michael the Archangel swooping down to protect a

From the Minneapolis Institute of Arts, an oval painting of a lady in a blue dress. [Art: 13 3/4 x 10 3/4 inches; Frame: 20 1/4 x 17 1/4 inches].

Oil on copper. Most prominent of Old Master Flemish artists , the younger Teniers II. Influenced by Van Ostade,by far, his most successful and sought after are his scenes of local and regional taverns

Gennaro Greco, called il Mascacotta (Italian, 1663-1714), titled "An Architectural Capriccio with Classical Ruins and Figures," appears to be unsigned. Sight size: 8-1/8"h x 10-1/8"w Provenance: Anony