ALFRED HUTTY (American. 1877-1954) Style Of

American, 1877-1954. Etching on paper, signed lower right. Classical style building with gates, most likely St. Michaels in Charleston. Framed, 14.75"h. 17.75"w.

Alfred Hutty (American, 1877 - 1954)"The Garden Gate, Charleston"etching and drypoint on papersigned in pencil in the lower marginimage height 8 1/2 inches, width 5 1/2 inches

Alfred Hutty (American, 1877 - 1954)"Nearing the Sea"etching and drypoint on papersigned and titled in pencil in the lower marginimage height 8 3/4 inches, width 6 1/2 inches

Etching of a tree, signed lower right and dated 1945 size 7 1/2" x 6 1/4" sight, framed under glass, NRFF

Alfred Hutty (American, 1877-1954), Avenue of Live Oaks (Charleston)etching and drypoint, 1922, pencil signed, titled, and with Hutty's snail cypher at lower right, matted and framed. Frame dimensions

Alfred Hutty (American 1877-1954)- ''The Old Smyth Gate, Charleston''- etching, 1927, signed in pencil with snail cypher. 7 5/8 x 8 7/8''

Two etchings, Lyman Byxbe & Alfred Hutty (American), Etching "Whaling Harps", Signed & Titled in Margin. Plate 5.5" x 7"; Framed & Glazed 14.75" x 11.75" & Alfred Hutty (American, 1877-1954), Etching,

Alfred Hutty, American, 1877-1954, "Carolina Pines with Moss", drypoint, 1935, pencil signed lower right with snail cypher. (TCUR2066 TC) 13 7/8 in x 10 7/8 in, framed 21.5 x 17.5 Provenance: From a G

4 Etchings 1). Andrew Butler- ''Windsor Vermont''- 1926, signed and dated in pencil. 7 7/8 x 9 3/4''; 2).Alfred Hutty (American 1877-1954)- Trees- etching, signed in pencil in pencil, light struck and

Alfred Hutty (American, 1877-1954) "Sycamores," etching, pencil signed lower right, titled verso, overall: 16"h x 17.75"w

Alfred Hutty (American 1877-1954)- ''By the River''- etching, ca. 1930, signed in pencil, included in 'Fine Prints of The Year, 1934', very good condition. 9 x 14 3/4''

Alfred Hutty, American, 1877-1954, etching, Burnham Beeches, England, Ed 75, 1941, with an inscription describing the occasion and purchased of the etching from Hutty's studio in SC, image 8" x 9", so

Alfred Hutty (American 1877-1954)- ''Nearing The Sea''- etching and drypoint, signed in pencil, edition of 75, very good condition. 8 3/4 x 6 1/2''

The Old Smyth Gate, Charleston 1927 edition of 150, signed lower right Alfred Hutty with snail cypher and inscribed in bottom

Alfred Heber Hutty (American, 1877-1954). Original watercolor and gouache painting on paper. A Charleston, South Carolina landscape street view of St Philip's Church. Artist signature lower right corn

Alfred Heber Hutty (American, 1877-1954), Farm Scene at Sunset with Figure, oil on canvas, signed lower right, canvas: 20"h x 16"w, overall (with frame): 27.5"h x 23.5"w

ALFRED HEBER HUTTY (AMERICAN, 1877-1954) SOUTH CAROLINA LOWCOUNTRY "PATRIARCH" PRINT, drypoint, depicting a magnificent live oak specimen at Middleton Gardens in Charleston, pencil signed and monogram

Alfred Hebert Hutty (American, 1877-1954) Backstage etching 11 3/4 x 8 3/4 inches.

Lot 68 Alfred Heber Hutty American (1877-1954) Sentinel Pines (1936) etching signed in pencil lower right, editioned 30/100 plate: 10 1/2 x 8 5/8 inches mat: 19 1/4 x 15 1/4 inches unframed Provenance

Alfred Heber Hutty (American, 1877-1954). "Princeton", drypoint etching on wove paper, pencil signed lower right margin beside illustration of snail. Print depicting a naturalistic landscape scene, pr

ALFRED HEBER HUTTY (AMERICAN/CHARLESTON 1877-1954), ETCHING, "ST. MICHAEL'S IN SUNLIGHT", SIGNED (IN PENCIL LR). 9 3/4 X 12 1/4"

Hutty, Alfred Heber (American, 1877 - 1954), Loblolly Pines, 1939, etching, unnumbered edition of 200, published by the Chicago Society of Etchers, pencil signed lower right, image: 6.75 x 8.25, gilt

Hutty, Alfred Heber (American, 1877 - 1954), Wives of Fishermen, France, 1927, etching, pencil signed and titled in lower margin, image: 7.25 x 9, gilt ivory finished frame, 17.75 x 21.75 x 1 inches

Alfred Hutty (1877 - 1954) American. Watercolor on Paper. Measure 12"in H x 8 3/4"in W and 21 1/4"in H x 17 1/4"in W with frame. Hutty first established himself in Woodstock as a painter of evocative,