AP - Civil Rights Workers Sit in at Lunch Counter

The description "AP - Civil Rights Workers Sit in at Lunch Counter" likely refers to a significant historical event during the American Civil Rights Movement in the 1960s. In this event, civil rights

[CIVIL RIGHTS]. Why You Should Read The Worker. [Chicago]: [The Worker], [1958]. Tri-fold paper pamphlet, 5 1/2 x 8 1/2 in. folded and 14 x 8 1/2 in. fully extended (toning and light soil, small loss

Walter Philip Reuther signed 10 x 8 b/w photo. He was an American leader of organized labour and civil rights activist who built the United Automobile Workers into one of the most progressive labour u

[CIVIL RIGHTS]. A group of 4 pamphlets related to the fight against segregation and racial inequality, comprising: PECK, Jim, ed. Sit Ins: The Students Report. New York: Congress of Racial Equality, 1

(Maine 1929-1999), ink stipple drawing on paper, signed “De Lyra” upper right and signed and titled on reverse, framed, 16 x 19 inches.

The poster advertises "That Minstrel Show" Civil Rights in a Cracker Barrel at the Encore Theatre in San Francisco. This show occurred in January 1966. Early counter-culture material from this

[AFRICAN AMERICANA]. Group of books, photographs, and civil rights ephemera. Lot of 19th/20th century material including (2) AP press photos depicting Martin Luther King, Jr.; “Negro Huts”

Salvador Dali pencil signed artist proof, "Anamorphose de Lincoln" Color lithographBears a signature lower right, lower left marked AP for Artist Proof Turn it 90 degrees counter clockwise and you can

Has a good look, missing the door and shelf, shows some wear, repairs on the right side bottom, and areas of wood damage, top pieces are not attached and just sit on the marble top, displays well, 93"

Signed and numbered - AP 18/25. The frog is meant to sit on a shelf or pedestal, with his left leg dangling. It has small areas of Enamel Loss on the left leg, the right knee, both feet, the belly, an

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Where Do We Go From Here: Chaos or Community? New York: Harper & Row, 1967. 8vo. Original publisher’s black and yellow cloth, gilt

[CIVIL RIGHTS]. [KING, Dr. Martin Luther, Jr. (1929–1968)]. Ebony Magazine, May 1965. Chicago: Johnson Publishing Company, 1965. 4to. Original publisher’s photographic wrappers (spine ch

[CIVIL RIGHTS]. KING, Dr. Martin Luther, Jr. (1929–1968). Strength to Love. New York: Harper & Row, 1963. 8vo. Original publisher’s black cloth, gilt-lettered spine. Provenance: Claude Wya

Large Archive of photographic images documenting the Civil Rights protests in Nashville c. 1960-1964, taken by Harold Lowe. 1st item: Box containing 35 photographic black and white prints on Kodak pap

Lunch Counter, from Delights. Etching, 1964, on Rives BFK, signed, titled and dated in pencil, numbered 7/100. Published by Crown Point Press, Berkeley, 1965, with full margins, Excellent condition.Im

DECLINING TO LEAVE THE SOUTH "BECAUSE OF THE PRESENT TEMPER OF EVENTS" (CIVIL RIGHTS.) KING JR., MARTIN LUTHER. Typed Letter Signed, to Naomi Marshall, gratefully declining an invitation to visit Chic

(CIVIL RIGHTS.) Group of images from Life Magazine's coverage of the Newark riots. 3 black and white photographs, each about 14 x 10½ inches; minimal wear; inked Life Magazine credit stamps on ve

Charlie "Carlos" Palmer (American/Georgia, born 1960). "Malcolm X and Civil Rights Abstract" -1993, collage and mixed media. Signed and dated lower right. Approx. 35.25" x 29" (frame), 33.75" x 27.5"

(CIVIL RIGHTS.) An Appeal to You . . . to March on Washington. Printed handbill, 8½ x 5½ inches, with additional inked stamp of Chicago committee office; unrelated pencil notes on verso, min

This note showcases President John F. Kennedy writing the last names King, Abernathy, and Wilkins on his gold-embossed Aboard Air Force One stationery. JFK was obviously referring to Dr. Martin Luther

5 1/2 x 8 1/2 in. letterpress handbill (creased, toning at crease line, corner/edge wear). The March on Washington for Jobs and Freedom advertised here took place on Wednesday, 28 August 1963 and feat

Gregory D. Ridley (American/Tennessee, 1925-2004) Federal Eagles, 1969, two repousse copper panels depicting near-mirror images based on the United States Eagle symbol. Ridley's interpretation of the

...by the Genius of Freedom (Baltimore: E. Sachse & Co., 1874), promoting the contentious Civil Rights Bill of 1875 that would come to be passed after much fierce debate. The central vignette depicts

Quintas Jan Telting, Netherlands (1931-) Large oil on canvas, signed lower left. 'The March 1966' on verso. Measures 51"H x 61 7/8"W framed; 50"H x 61.25"W unframed. Good condition, see photos. Examin