ATTRIB. CLARK GREENWOOD VOORHEES (American, 1871-1933)

Clark Greenwood Voorhees (American, 1871-1933) Old Lyme, Connecticut, artist, "Rocky Coast Landscape", possibly Bermuda, oil on board, signed "Clark G. Voorhees", 9" x 11-3/4", framed 13-5/8" x 16-5/8

Clark Greenwood Voorhees(American, 1871-1933)Coastal Landscapeoil on boardsigned "C.G. Voorhees" (lower right)8 5/8 x 11 5/8 inches (sight)12 3/4 x 15 3/4 inches (frame)Provenance: Private Col

Coastal Inlet (probably Bermuda) Oil on board; unfinished sketch verso Signed faintly lower right Size: 6 x 8.25

CLARK GREENWOOD VOORHEESConnecticut, 1871-1933Farmstead. Signed lower right "Clark G. Voorhees".Oil on canvas, 23" x 30". Framed 32" x 39".

ERNEST BEAUMONT (American, 1871–1933) New Hope (Pennsylvania), and Landscape Verso Oil on Panel panel: 10 x 11.5. Framed: 11 x 13 inches. Signed Lower Right.

Nanna Matthews Bryant (American, 1871-1933). A cast bronze figural statue, titled, "The Lovers." A study of two human figures in an amorous embrace. Incised signature to rock form verso NANNA MATTHEWS

(lot of 4) Attributed to Clarence Clark Rosenkranz (American, 1871-1959), Greek Boxer Scene, circa 1912, oils on wood panel, unsigned, panels: 45"h x 24"w, overalls (with frames). 50.5" h x 29.5" w

Clark G. Voorhees (American, 1911 - 1980) Folk Art Painted Wood Narwhal, stamped C VOORHEES with conjoined CV initials on verso. (FANN626)(MS) Dimensions: 43.5" W Property from the Estate of Ann Flax,

Lyonel Feininger (German / American, 1871-1956) Lithograph 1933, plate signed and dated lower left and pencil signed on reverse, double matted behind glass in a natural wood frame; together with a Car

Albert Herter (attrib.), painting, Attributed to Albert Herter (American, 1871-1950), Portrait of a Young Woman, oil on canvas, no signature observed, canvas stamped "Lucien Lefebvre Foinet, Paris", 1

Frederick Mulhaupt (attrib.), oil on panel, Frederick Mulhaupt (American,1871-1938), House in Landscape, signed lower right, 5"h x 7.5"w (sight), 11"h x 14"w (frame)

"Still Life with Minton Pitcher" Study, 1984, attributed to John Stuart Ingle (American, 1933-2010), watercolor with gouache on paper, framed. Signed, dated and inscribed in pencil lower right "John S

LOT OF TWO CHARCOAL STUDIES: A. "Prema Mallya"; 1947; Charcoal on Paper; 19" x 12.5"; Signed Lower Left; Unframed / B. "Taracan Indian"; 1933; Charcoal on Paper; 19" x 11"; Signed Lower Right; Unframe

Marion Greenwood (American, 1909-1970), A portrait of a Mexican child, charcoal on paper. Signed and dated 1933 lower right.  Dimensions: 18 1/2" x 16 1/2", the frame 21"

A PEAR IN THE LANDSCAPE, oil painting on canvas, signed lower left, 11 x 9”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

MARSH ROAD AND ESTERO, 1996, oil painting on canvas, signed and dated and titled on verso, 6 x 20â€, framed. From the collection of Gaby Stuart. Provenance: Herbert Palmer Gallery, Los Angeles.

A large oil on canvas, depicting an industrial plant along A river with boats. Attributed to Aaron Harry Gorson (American, 1872 - 1933). Canvas 31” x 26”, Overall in a gilt frame 38”

1871 American INDIANS Chippewa Sioux Pacific Railroad Lewis Clark Seat of Empire Charles Coffin was a 19th-century Americana writer best known for his biography of Abraham Lincoln and descriptions of

FAREWELL, 1959, oil painting on canvas, signed and dated lower left, signed on verso, 30 x 30”, frame 31 x 31”. Provenance: Comara Gallery, Los Angeles.

UNTITLED (Tree), lithograph, signed in pencil and inscribed A/P (artist's proof), sheet 28 x 19".

Clark University 25th anniversary plaque, with bas relief portrait of President G. Stanley Hall, inscribed on right side: V. D. Brenner, Sc.. Victor David Brenner, (1871-1924) Russian-American cameo c

WHITE MOUNTAIN RESERVATION LOOKING SOUTHWEST, ARIZONA TERRITORY, 1871, watercolor on paper, titled and dated lower left, sight 7 x 10”, frame 14 x 17” with glass. Provenance: Kennedy Galle

GRETA GARBO & JOHN BARRYMORE; GARY COOPER, a pair from Portfolio I, 1933, each a gelatin silver print, printed 1979-80, signed in marker, from the numbered editions 250, sheets 20 x 16”, both with h

Two 1930&#39s Santa Fe Railroad Native American Calendar Tops. The Smoke Ceremony Marked Copyright 1933 By W.J. Black. The Chant Marked Copyright 1934 By W.J Black. Both Illustrations Marked &#34E-I-C