Attributed to J. Christoph Frisch (German, 1738-1815)

ttributed to Johann Christoph Frisch (German, 1738-1815) Portrait of a Family, possibly the Schillers Signed "Frisch." l.r. Oil on canvas, 9 1/4 x 12 1/2 in. (23.4 x 31.7 cm), framed. Condition: Stiff

JOHANN CHRISTOPH FRISCHGermany, 1738-1815German city scene with figures on a bridge. Signed lower right “J.C. Frisch”.Oil on canvas, 14” x 10”. Framed 23” x 19”.

(German, 1738-1815) oil on canvasboard, signed l.l. "J.C. Frisch". Sight size: 9-1/2"h x 13-3/4"w Overall: 13-1/2"h x 17-3/4"w

Johann Christoph Frisch(1738-1815)Harbor sceneOil on canvasSigned lower right: J.C. Frisch18" H x 30" W

J C Frisch (German) Oil on Canvas Harbor Scene. Signed lower left. brass tag to front F.C. Frisch. Measures 14" H x 10" W. Frame 22" H x 18" W. Condition: Good condition, pencil marks on canvas, top l

ATTRIBUTED TO CHRISTOPH HEINRICH KNIEP (GERMAN 1755-1825)Portrait of Georg Lichtenberg, sanguine?on paper30 x 26 cm (11 3/4 x 10 1/4 in.) [sight]framed dimensions: 42 x 38 cm (16 1/2 x 15 in.) PROVENA

Johann Christoph Frisch, an historical painter, was the son of the designer and engraver, Ferdinand Helfreich Frisch, and was born at Berlin in 1737. He was a pupil of B. Rode, but afterwards studied

Attributed to Hugo Levin, A J.P. Kayser Sohn Vase. German pewter vase with organic decoration throughout Height: 11.5"

A wonderful whimsical German rotating eye French bull dog mechanical clock attributed to J Oswald. From a Mamaroneck, NY estate. Dimensions: Clock measures approx. 5.75" in height

J.C. Volckhamer (after), (4) framed offset prints, After Johann Christoph Volckhamer (German, 1662-1744), from Nurnbergische Hesperides (Vol. 1, 170/Vol. 2, 1714), with German and Italian country gard

JOHAN MELCHIOR ROOS (GERMAN, 1659-1731), ATTRIBUTED, OR SCHOOL OF, LANDSCAPE WITH FARM ANIMALS, oil on canvas, cow, sheep, and goat in a bucolic setting with castle in the background, inscribed "J. M.

These are three watercolor paintings attributed to Jakob Munk, German artist. Two are signed on the lower right right with what appears to be J.H. Munk 67 on both. the other piece is unsigned. The wat

John Singleton Copley (American, 1738-1815) Portrait of Sea Captain Richard Fanning (1774-1800), Oil on Canvas laid down to masonite, 24" x 20", in the period gilded and gesso cast exhibition frame, w

DESCRIPTION: Johann Bernard Klombeck (German, 1815-1893). Oil on canvas. Dutch realist landscape of cowherds at a stream in the forest. Unsigned. Wood and gesso frame. The landscape painter Johann Ber

Adolph Von Menzel, German, 1815-1905, Elderly Couple, charcoal and graphite, signed and dated lower right. (PWINJ4001) [TC] Measurements:12.5x19, framed 21x27

Christopher High Shearer, attributed German-American PA artist, landscape with stream, oil on canvas, unsigned but attributed to Shearer, acquired with previous Shearer lot and has same stretcher, fra

Molded Copper and Zinc Horse Weathervane, attributed to J. Harris and Son, Boston, Massachusetts, late 19th century. Full body figure with soldered copper tail and mane, and cast zinc head and legs, v

GOTHIC REVIVAL BREAKFRONT ATTRIBUTED TO J. & J.W. MEEKSSecond Quarter of the 19th CenturyIn mahogany and mahogany veneer. Made in eight sections. Central cornice with three removable finials and a rel

late 19th century, cast iron, in the form of a snarling wolf head, from the facade of the American Trust Company, San Francisco, California, probably original painted surface, head 12-3/4 x 13 x 8-7/8

Extremely Rare and Important Shenandoah Valley Multi-Glazed Redware Lamb Doorstop, attributed to J. Eberly & Co., Strasburg, VA, circa 1890, molded figure of a sleeping lamb with well-detailed fleece

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

Attributed to J. Harris & Co., Boston, Massachusetts, appears in their illustrated catalogue from 1878, no. 13. Depicted with empty bow raised but arrow in opposing hand. At the time, the 30-inch mode

An American Victorian Meeks-style parlor suiteMid-19th centuryAttributed to J.W. Meeks in the "Hawkins" pattern, each Rococo Revival-style carved and laminated rosewood with acanthine crest,

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back