Attributed to John Varley (1778-1842): Chineford Church

Attributed to John Varley (1778-1842): Chineford Church Watercolor on paper, signed 'J. Varley' lower right, titled on the reverse, with label from Ackermann's Repository of Arts, London. 9 3/4 x

Four works of art to include a John Varley (1778-1842) framed and matted watercolor of buildings with a Fry Gallery, London label, 2.25" x 3" ss; together with three other works including an English S

John Varley, OWS (British, 1778-1842) View of Knole, Sevenoaks signed and dated 'J. Varley 1830' (lower right) oil on board 14.6 x 25cm Provenance: M. Newman Ltd., London

Frank Lewis Emmanuel and John Varley (British, 1866-1948 and 1778-1842) At Walberswick, Suffolk, circa 1900 and In a Seaport Town (two works) pencil on paper Larger 6 1/4 x 8 1/2 inches. Property from

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

Thomson of Duddingston, attributed to Rev. John (Scottish, 1778-1840), Untitled Landscape, early to mid 19th century, oil on canvas which has recently been relined, unsigned, 21 x 29.5 inches, in a da

John Livock (1814-1883): Beaumaris Castle: Two Views Two pencil on paper, both titled and dated lower right and left; together with John Sell Cotman (1782-1842): Church of Saint Paul, at Rouen, etchin

19th Century English painting of a castle on a hill with sailing ship in water. Attributed to Rev. John Thomson of Duddington (1778-1840). Measures 8" x 7" (sight) and 13" x 12" w/ frame.

after John Jackson (British 1778-1831)- ''Tom Cribb, Champion of England''- hand-colored aquatint, 1842, published by John Moore, London; engraved by George Hunt, horizontal crease top margin, minor s

"Cows in the Pasture" oil on board 7 1/2 x 12 inches. framed 13 1/2 x 18 inches (overall). signed FHS '79 verso.

Attributed to Carlos Vargas(b. 20th century)Spanish mission-style church with distant city, 1998Oil on canvasSigned and dated along the lower right edge: Carlos48" H x 60" W

Massachusetts Hall, Unitarian Church, Harvard College, 1859. Photograph is attributed unequivocally to Whipple, but is unsigned as is typical of Whipple's Harvard salt prints. Look online for 'Salt Pr

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Attributed John Singer Sargent (American, 1856–1925): Porta della Carta, Venice, c.1913. Oil on stretched linen canvas, unsigned, framed. 14.5 x 21.5 inches sight, 19.75 x 26.5 inches framed. T

Attributed John Sloan (American, 1871-1951) "Smokestacks, New York" oil on canvas board. signed 'John Sloan' (lower right) 20 1/4 x 25 1/8 in.

Andy Warhol (American, 1928-1987)Attributed: John and George (Beatles). Mixed media painting on paper (graphite, acrylic, silk screen, ink), signed lower right margin and verso, marked on reverse by a

ATTRIBUTED TO JOHN SINGER SARGENT (AMERICAN 1856-1925), OIL ON PANEL, 1881, H 5.25", W 9", PORTRAIT OF RALPH CURTIS Inscribed "Bellagio 1881" lower right. Painted wood frame measuring H 11.25" , W 15"

oil on wood panel unsigned, with labels affixed verso 6 x 9 inches

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

The rectangular top with drop leaves and central panel sliding open to a leather-lined backgammon board and reversing to an inlaid chessboard, the stepped frieze with two mahogany-lined drawers oppose

Oil painting on canvas by John Joseph Enneking (American, 1841-1916); of a twilit Northeastern fall landscape; signed to lower right; Provenance: Wiscasset Bay Gallery, ME, with label to verso

Oil on canvas (Dimensions: 63.5cm x 76cm (25in x 30in))(63.5cm x 76cm (25in x 30in))Provenance: Property of Archibald Stirling of Keir

Attributed to John Bunyan Bristol (N.Y./Mass. 1826-1909), 19th c. landscape, oil on canvas. 20" x 30".