Attributed to Sheldon Peck (Ill./Vt. 1797-1868)

Attributed to Sheldon Peck (Ill./Vt. 1797-1868), portrait of a gentleman. Work 30" x 26".

Sheldon Peck (American, 1797-1868). An attributed oil on board depicting a woman wearing a lace bonnet and lace collar dress. Unsigned. Board: 29-1/2in x 23-1/2in. Frame: 33-1/2in x 27-1/2in. | Local

(American, 1797-1868) Pair of Folk Portraits; Fraternal Twins, unsigned, each oil on canvas, each 17 x 14 in.; matching period carved and paint decorated folk art frames, 20-3/4 x 17-1/2 in. Provenanc

(American, 1797-1868) Pair of Folk Portraits; Twin Sisters, unsigned, each oil on canvas, each 18 x 15 in.; matching period carved and paint decorated folk art frames, blond 22-1/4 x 18-1/2 in. Proven

Sheldon Peck (1797-1868). Young Gentleman in a colorful vest from Fort Henry New York. Oil paint on wood panel. Circa 1830. Period frame. Condition: Excellent condition. Inspected under UV light. Stab

(pair) French Old Paris porcelain mantel vases, attributed to Jacob Petit (French, 1797-1868), 19th c., parcel gilt, hand-painted floral reserves, impressed mark underfoot 110 JP, approx 11.5"h, 9.25"

A highly collectible graceful French 19th-century porcelain centerpiece attributed to Jacob Petite, French, 1797 to 1868. The bowl is of an elongated shape, the exterior features two hand painted meda

Samuel Lover (1797 - 1868) miniature portrait of a young woman in a black dress with lace trim and pink shawl, wearing a multitude of jewels, in an interior with green drapes, stone urn and porcelain

19th Century French Jacob Petit Paris Hand Painted Porcelain Scent Lidded Bottle. Hallmarked. H 8.5" x 5.5" x 4.5". About: Jacob Petit (French, 1797-1868), born Jacob Mordecai, was a well-known and ce

Pair of gilt and paint decorated porcelain covered potpourri boxes, in the Meissen style and after a model by Jacob Petit, né Mordecai (French, 1797-1868), with pierced lids and throughout with Chino

French mid-1800s Pair of Jacob Petit (1797-1868) Paris porcelain figurines with candlestick holders on the head depicting man and woman with turbans and elaborately painted trader clothes sitting atop

Paris porcelain bolted urn by Jacob Petit (France, 1797-1868), mid 19th c., with handkerchief rim, over vegetal-form handles, the entirety encrusted with bright, raised gilt enamel neoclassical motifs

(Irish, 1797-1868). Watercolor and gouache, signed "Lover Pxt," framed, sight size - 3 1/8 in. H., 2 1/2 in. W.

Carl Christian Vogel von Vogelstein (1788-1868)-attributed, Young couple in the forest, oil on canvas; probably signed bottom right, framed. Dimensions: 78x63cm

Circa 20,5 cm x 27,5 cm. Painting. Oil on canvas. The canvas and the painting partly incomplete or unfinished. In addition, four other paintings from the same collection. Different sizes. Signed and t

GEORGES DE FEURE (1868-1943), ATTRIBUTED TO Five Piece Salon Suite circa 1900 walnut and parcel-gilt, comprising a settee, two armchairs and two side chairs height of settee 38 1/4in (97cm); width 46i

Nikolay Petrovich Bogdanov-Belsky ( 1868–1945) – attributed, Chrildren on a sleigh in winter; oil on canvas, signed bottom right; framed. Dimensions: 38x28cm

Group of Four Framed Japanese Woodblock Prints. Three prints attributed to Hiroshige (1797-1858), and one by Utagawa Kunisada (Toyokuni iii, 1786-1865). Framed and glazed. {Frame size (largest): 19 1/

Fraser, Attributed to Malcolm (British 1868-1949), Sheep Under the Moonlight, early 20th century, oil on artist's board, initialed M.F. lower right, 11 x 15 inches in a painted wood frame 19 x 23 inch

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), 1843-1847 An ōban tate-e triptych entitled Kiyomori Nyudo Nunobiki no taki yuran Akugenda Yoshihira no rei Nanba Jirō o utsu (During the

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), 1851 An ōban tate-e print triptych entitled Nanke yūshi Shijō-Nawate nite uchijini (Last Stand of the Kusunoki Heroes at Shijō

UTAGAWA HIROSHIGE (1797-1858) Edo period (1615-1868), 1856 An ōban tate-e woodblock print titled Asakusa Kinryūzan (Kinryūzan Temple, Asakusa), from the series Meisho Edo hyakkei (100 F

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), circa 1833-1835 Two oban tate-e warrior prints: the first of Inumura Daigaku Masanori from the series Honcho Suikoden goyu happyakunin (800 Heroes

Attributed to Edouard Vuillard (French, 1868-1940) Josselin (from the costume studies for Jean de la Fontaine's La Coupe Enchantee), 1918 pastel and graphite on paper stamped with initials E.V. (lower