Buckeye James C. Blake (1946-) Untitled (Camp with Mountain Landscape)

Buckeye James C. Blake (1946-) Untitled (Camp with Mountain Landscape), 1990 watercolor and acrylic on paper 11 1/2 x 11 1/2 inches 22 1/4 x 22 1/4 x 1 inches (frame) signed and dated lower center: &#

Buckeye James C. Blake (1946-) Untitled watercolor on paper 11 1/2 x 9 1/2 inches 24 x 21 1/4 x 1 inches (frame) signed and dated lower left: BUCKEYE BLAKE 93 Provenance: From a Private Collection

Buckeye James C. Blake (born 1946) The Cowgirl (Fannie Steele) inscribed '8/12 / © 84 / BUCKEYE BLAKE' (on the reverse) bronze with verdigris patina 7 in. high Footnotes: Provenance Skinne

Buckeye James C. Blake (American, b. 1946) When the Sun Sets on the Sage, 1994 watercolor and ink on paper signed Buckeye Blake and dated (lower right)1 12 x 9 1/2 inches

Untitled (Mountain Landscape with Eagle), c. 1860, Oil on Canvas, 16.5" x 20.5", Unsigned, Framed

Framed oil on canvas painting, "A Misty Morn," signed lower left Thomas C. Blake (United States, United Kingdom, b.1890), titled and inscribed #343? on back stretcher, sight: approx 27.5"h, 37.5"w, ov

Thomas C Blake (UK Born 1890) Mountain Landscape, oil on Canvas painting size 24 x 36 inches

Oil on canvas Untitled (mountain landscape with storm clouds) (Badura frame) Signed "Son" 24" x 40"

Untitled (mountain landscape.) Oil on masonite broad, signed lower left. Dimensions: (frame) H 22.75" x W 28.75"; (sight) H 19.25" x W 25.5" Condition: Some scuffs, spots to art. Frame with slight joi

THOMAS C. BLAKE (AMERICAN ,B.1890-?) OIL ON CANVAS MOUNTAIN LAKE LANDSCAPE , SIGNED THOS C BLAKE - OIL IS 36" x 24" ; 38" x 26" FRAMED

Maynard Dixon(1875 - 1946)Sioux Camp Crier, ca. 1943pen and ink on paperinitialed lower left: MDinscribed lower center: for James C Skake / and the Oregon Trailsigned lower right: Maynard Dixoni

Walter Hartson (American, 1866-1946), "Untitled (Autumnal Landscape)", oil on board, signed to lower left "Walter C. Hartson". Autumnal landscape painting depicting a marshy field surrounded by spindl

THOMAS C BLAKE (B.1890) BRITISH, O/C TITLED MOUNTAIN MIST, LARGE LANDSCAPE W/WATER IN FRONT AND MOUNTAINS IN BACKGROUND, SIGNED LOWER RIGHT, MEASURES 28" X 38", VERY GOOD ESTATE FOUND CONDITION, AS PI

Mountain Landscape, c. 1980, Watercolor on Paper, 12" x 18", SLR, Unframed.

Featured in this lot is this western Buckeye Black Cow Camp China set circa 1990. There are 11 total pieces in this collection. The pieces feature a high quality glaze with depictions of a western sad

Russell Hamilton (1950 - 2014)Group of Two Monotypes Untitled (New Mexico Mountain Landscape), 1981 signed and dated lower right: © Russell Hamilton 1981 23 3/4 x 33 1/2 in. (60.33 x 85.09 cm.)Sheet:

Russell Hamilton(1950 - 2014)Untitled (New Mexico Mountain Landscape), 1982pastel on papersigned and dated lower right: © Russell Hamilton 198229 1/2 x 41 1/2 in. (74.93 x 105.41 cm.)

Unsigned early 20th c. Continental School 30" (h) x 25" (l) oil on canvas, untitled, depicts a mountain landscape scene with a waterfall, 35" (h) x 30" (l) overall frame size. CONDITION: Canvas has a

James Poole (British, 1804-1886). "Mountanous Landscape", oil on canvas, signed lower left of center. Label to verso for Schillay & Rehs, New York, also with various chalk marks. Approx. 35.5" x 45.5"

GENE SPECK (AMERICAN 20TH C.), OIL ON MASONITE, H 20", L 24", "TIMBERLINE CAMP":Gene Speck [American, 20th C.]. A mountain landscape with tepees at the timberline. Signed lower right. Titled on plaque

James Hamilton (Pennsylvania, 1819-1878) Untitled (Evening Mountain View) Oil on canvas 24" x 36" A mountain panorama in evening light, signed to the bottom left. Presented in a gilt cassetta-style f

"Untitled - House in Mountains"; c. 1940s; Oil on Board; 9.5" x 11.5"; Signed Lower Right; Framed.

Victor Llara (20th C.) untitled (Provincetown landscape, inscribed to Peggy and Ernest Kroll), 1946 Watercolor on paper Signed, inscribed lower left

Unsigned 20th Century Oil on Canvas Dark Landscape Scene. Painting depicts a mountain stream in a dark forest, two figures make camp on the opposite shore in the midground. The trees show the first si