c 1758 GIOVANNI BATTISTA PIRANESI ETCHING

Giovanni Battista Piranesi (1720-1778) original 1758 etching. Veduta del Tempio di Bacco, inoggi Chiesa di S. Urbano, distante due miglia da Roma fuori della Porta di S. Sebastiano. The etching is fro

Antique 18th C Giovanni Battista Piranesi Etching. Depicting a Cross-Section of the Interior of the Basilica of San Paolo fuori delle Mura, from the series Views of Rome. Professionally matted and fra

Original etching by Piranesi (Italian, 1720-1778) of Colonna Antonina. Circa 1760-1770. In script to bottom: "Colonna Antonina - 1. Palazzo Ghioi, 2. Piazza Colonna, 3. Strada del Corso". Work measure

18th c Giovanni Battista Piranesi etching “Veduta del tempio della Fortuna Virile” (edges browned & creased from old framing), 18 1/4” x 27 1/4”

Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series 'Le Antichità Romane' 1756 - Antique 18th Century Etching by Giovanni Battista

Giovanni Battista Piranesi (1720-1778) original 1764 etching. Veduta del Sepolcro di Pisone Liciniano su l’antica via Appia. The etching is from the “Vedute di Roma”, which is the name for a col

FRANCESCO PIRANESI (ITALY 1758-1810) AND GIOVANNI BATTISTA PIRANESI (ITALY 1720-1778), ETCHING, "AVANZI DI UN ANTICO SEPULC"RO OGGE DETTO LA CONOCCHIA, SIGNED CAV. PIRANESI F. PLATE 18 3/4 X 28 1/4";

An 18th century antique architectural etching on paper after Giovanni Battista Piranesi (Italian, 1720-1778) from "Della Magnificenza ed Architettura de' Romani" depicting the ancient aqueduct of the

An 18th century antique architectural etching on paper after Giovanni Battista Piranesi (Italian, 1720-1778) depicting the Arch of Marcus Aurelius in Tripoli, Libya. It is marked "Tab. XXXVI" to the u

Two 18th C. etchings from Giovanni Battista Piranesi’s (1720–1778), “Vedute di Roma (Views of Rome),” including “Veduta interna della Basilica di S. Pietro in Vaticano (I

Giovanni Battista Piranesi (Italian 1720-1778) " Veduta del Tempio Antonino e Faustina in Campo Vaccino, " c. 1758, engraving on laid paper, matted and framed. 16 x 21 in. plate size 28 x 33 in. as fr

'Views of Rome: Piramide di C.Cestio' Copperplate etching 18th century Francesco Piranesi after Giovanni Piranesi 22.75 x 17.5 inches Overall good condition, especially considering age. H

Giovanni Battista Piranesi (Italian 1720-1778)- 3 etchings from ''Della Magnificenza ed Architettura de Romani'', 1758-61 (pub. 1761)- 1.) ''Columna Porphyretica Cum Spira, in Baptisterio Constantini

Giovanni Battista Piranesi (Italian 1720-1778)- 3 etchings from ''Della Magnificenza ed Architettura de Romani'', 1758-61 (pub. 1761)- 1.) ''Details of Pedestals from the arches of Titus and Septimus

Giovanni Battista Piranesi (Italian 1720-1778)- 4 etchings titled ''Les Ruines des Plus Beaux Monuments de la Grece'' from ''Della Magnificenza ed Architettura de Romani'', 1758-61 (pub. 1761)- 1.) Pl

Giovanni Battista Piranesi (1720-1778) etching, " Veduta della Basilica di S. Lorenzo", c 1750, titled and signed in the plate. Image appx 15 1/4" x 26 1/2", frame appx 23 /14" x 33". Not examed out o

Giovanni Battista Piranesi (1720-1778), etching "Temple of Clitumnus", plate 26 of his series on Roman monuments, c 1748. titled and signed "Piranesi" and "T26" in plate. Image appx 5 1/4" x 10 1/2",

Giovanni Battista Piranesi (1720-1778). Etching of Ancient Roman Urn, from Vasi, Rome C. 1770's. 291/4" x 18 1/4".

etching on laid paper, glazed and framed; depicting architectural fragments sight: 20 1/4 x 51 3/4 in. (51.4 x 131.4 cm.), Frame: 24 3/4 x 55 1/2 in. (62.9 x 141 cm.)

Giovanni Battista Piranesi (1720-1778). 4 Etchings of Ancient Roman Artifacts from Vasi, Rome C. 1770's. 20 1/4" x 26".

Giovanni Battista Piranesi (1720-1778). 2 Etchings of Egyptian and Classical Revival Architectural Fireplaces from Diverse Manieri, Rome: C. 1769. 24" x 17 1/4".

Giovanni Battista Piranesi (1720-1778). 4 Etchings of Egyptian and Classical Revival Architectural Fireplaces from Diverse Manieri, Rome: c. 1769. Largest 22" x 17".

"The Gothic Arch." Apparently unsigned. c. 1749-1750. Etching, engraving, and sulfur tint with burnishing on paper. Plate XIV from series "Le Carceri d'Invenzione." Float mounted behind antique glass

Giovanni Battista Piranesi (Italian, 1720-1778) , "Veduta dell'Arco di Settimio Severo", c. 1772, etching, from Vedute di Roma, fleur-de-lis in double oval watermark visible, "Davidson Galleries, Seat