C.R.W. Nevinson (1889-1946) Column on the March

Christopher Richard Wynne (C.R.W.) Nevinson (British, 1889-1946), lithograph on paper depicting a marching army, bayonets in the air, processing down a city street, signed in pencil l.r., 8 1/2" x 7"

Christopher R. W. Nevinson (British 1889-1946)- ''Quartier Latin''- drypoint, 1922, signed in pencil, edition of 40, very slightly light struck. 14 x 9 3/4''

Kerr Eby (American 1889-1946)- ''Night March'' (Giardina 40)- lithograph, 1919-20, signed in pencil, slightly age toned. 15 3/4 x 20 1/4''

Kerr Eby (1889-1946) The Night March Circa 1919 The lithograph signed by the artist in pencil below the image lower right is printed on wove paper with watermark as shown. Image size 15.75 x 20, the s

Kerr Eby (American 1889-1946)- The Night March (Giardina 40)- lithograph, 1919-20, signed in pencil, very good condition. 15 5/8 x 20 1/8''

KERR EBYConnecticut/Canada, 1889-1946The Night March, 1919-20. Edition of approx. 75-100. Signed in pencil lower right. Giardina 40.Lithograph, 15.75” x 20.5”. Matted 24” x 28”

Paul Nash (1889-1946) The Battle of Britain original poster printed for the National Gallery by Baynard 1940 - 76 x 102 cm

September 13, 1918, St. Mihiel. [The Great Black Cloud]. Kerr Eby (1889-1946). Etching. circa 1939. Kerr Eby was a Canadian illustrator best known for his renderings of soldiers in combat in the First

Kerr Eby (American 1889-1946)-''Mars His Idiot'' (Giardina 190)- etching, 1937, signed in pencil, edition of 100. 10 7/8 x 11 1/8''

Nine Etchings by Harold Kerr Ebby (American, 1889-1946) each signed and titled (lower margin) Largest example: 18 x 23 1/2 inches (framed). Note: This lot is located in West Palm Beach, Florida. The b

Paul Nash, wood engraving, Paul Nash (British, 1889-1946), "Dark Lake", 1921, wood engraving, pencil signed and dated, from an edition of 25, 4.25"h x 5.25"w (sight), matted and framed Provenance: The

Kerr Eby (1889-1946) Three pencil signed etchings including "The Lantern" edition of 100, "The Doryman", and "The Storm". Sizes from 24.25" x 18.25" to 18.75" x 16.75" w/ frames.

Isaac Grunewald (1889-1946)- Water color on Paper- ATTRIB.COA-Size: 10.63"h X 12.5"w-With Frame: 19.5"h X 21.5"w

Paul Nash, wood engraving, Paul Nash (British, 1889-1946), "Elysium", 1923, wood engraving on Japan paper, from an edition of 15, pencil signed and dated lower right "Paul Nash", 4.25"h x 4"w (sight),

Oil on board 29 x 22 in framed, art 26 x 18. Attributed to Jean-Gabriel Domergue (4 March 1889 – 16 November 1962) was a French painter specialising in portraits of Parisian women. Domergue was born

Oil on board 35 x 30 in framed, art 29 x 23 1/2, manner of Jean-Gabriel Domergue (4 March 1889 – 16 November 1962)-(this artwork carries a COA) was a French painter specialising in portraits of Pa

Oil on canvas 29 1/2 x 26 in framed, art 25 x 22 in, manner of Jean-Gabriel Domergue (4 March 1889 – 16 November 1962)- Was a French painter specialising in portraits of Parisian women. Do

Oil on canvas 24 x 21 in framed, art 20 1/2 x 17 1/2, manner of Jean-Gabriel Domergue (4 March 1889 – 16 November 1962) was a French painter specialising in portraits of Parisian women. Domergue was

Oil on canvas 24 x 18 in framed (canvas 23 x 17 in) manner of Jean-Gabriel Domergue (4 March 1889 - 16 November 1962)- Was a French painter specialising in portraits of Parisian women. Domergue was bo

Rare George March Hollow Column Mahogany Shelf Clock, top carved with basket of fruit, eglomised glass door, all set on paw feet, height 37 1/4 inches, Provenance: Fifty Year Personal Collection of Cl

LS signed “MK Gandhi,” one page both sides, 4.5 x 6.75, March 29, 1946. Addressed from "Seragram via Wardha C.P.," a letter to John Haynes Holmes of the Community Church of New York, in fu

Thomas Hart Benton (American, 1889-1975) Gateside Conversation, 1946 lithograph edition of 250; signed in pencil (lower right) Image: 9 3/4 x 14 inches Framed Approx.: 19" x 24" Condition: Very Good A

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

Thomas Hart Benton (1889-1975), Gateside Conversationlithograph, 1946, pencil signed at lower right, edition of 250, published by Associated American Artists, New York, and retains their label with ac