[Disputes] Rosignoli De societatibus controversias 1682

TREATISE ON THEOLOGICAL AND LEGAL PROCEDURE ABOUT DISPUTES ON COMPANIES, SIMONY, LOANS AND DEPOSITS Rosignoli, Gregorio. Nouissima praxis theologicolegalis in Vniversas de societatibus, simonia et de

[Jean DEVAUX] Le medecin de soi-meme ou L'art de se conserver la santé par l’instinct. Leyde, de Graef, 1682. Size 3 by 5 1/3" Brown calf, damaged spine. Otherwise good condition. [14], 294 pp. Tit

1682 de Ram Map of Amsterdam Lithograph - Amstelodami Veteris et Novissimi Delineatio per Joannem de Ram. A highly decorative and very uncommon plan of Amsterdam facing south, showing the layout of th

Description Français: Attribué à LE LORRAIN, Claude (Claude Gellée, dit) (1600-1682) Port de mer au soleil levant Huile sur toile 87,5x11cm - 34,5x43,75" English Description: Att

Pierre Francois Xavier de Charlevoix, S.J. (1682-1761), Histoire et Description Generale de la Nouvelle France Paris: Nyon fils, 1744; first edition, crown octavo, three volumes (of three), in full ta

After Bartolome Esteban Murillo (Spanish, 1617-1682) 'Virgen de la Leche' Oil on Canvas 20th century unsigned copy of the 17th century original, having an eroded wax seal to canvas verso at lower left

after Pietro da Cortona, (1674 - 1682) Robertus de Mol etching on paper, Battle between Alexander the Great (on the left on horseback, and Darius III ( on the right, seated, drawing back). Framed in a

Title: DV Temple De Bachhvs A Rome Artist: Antoine Desgodetz Date: 1682 "Les Edifices antiques de Rome dessines et mesures tres exactment Par Antione Desgodetz architecte" Shipping: Domestic: Flat-rat

CLAUDE LORRAIN(French ca. 1600-1682)Le Port de Mer au fanal (Harbor Scene with Lighthouse)etchingsheet: 5 3/4 x 8 in. frame: 14 1/4 x 17 1/2 in.Provenance: P. & D. Colnaghi & Co. Ltd. London 1972

Claude Gellée de Lorrain (France) 1660-1682. L'Enlèvement d'Europa. Etching, 1634. Manocci 14, iii/III; Russel 21, v/V; Blum 9; Robert-Dumesnil 22, iii/III. Signed and dated in the plate, l.

Amedee Francois Frezier (1682-1773), "Isle de S. Domingue et debouquemens circon voisins," 1724, H. - 19 3/4 in., W. - 24 in.

Lot of antique books (1682, 1783, 1774) Description: Include Thomassin, P.L., La méthode d'étudier et d'enseigner... Les lettres humaines... 4 tomes, Paris, 1682; Anonyme, Traité de constitut

engraved by N. De Larmessin (French, circa 1682). Framed, not examined out of frame. Toning. 15 1/2" high, 12 1/2" wide.

SUIVEUR DE JAN JOSEF I HOREMANS (1682-1759) Scène d'auberge Huile sur toile. (Rentoilée). Olieverf op doek. Oil on canvas. 54,5 x 43,5 cm

Description française: À la manière de Bartolomé Esteban MURILLO (1618-1682) Sans titre - St-Jean-Baptiste, le Christ et l'agneau Huile sur toile Provenance: Succession de M. Meir

"Costumes of Rome". Bartolomeo Pinelli (1781-1835, Rome). Two colored engravings. One "Disputes Between Roman Women" (Lite de Femmine in Roma) and the other "The Troublemaker Repented in Front of the

After Bartolome Esteban Murillo (Spanish, 1617-1682), 19th century. "Los Niños de la Concha (Children of the Shell)", oil on canvas laid to board, apparently unsigned. A figural ecclesiastic painting

Gracian y Morales, Baltasar. "Tres Partes de el Criticon". Barcelona; Antonio Lacavallecia, 1682. Vellum bound, 8vo (7 3/4" high). Some wear and losses, repaired titled page, pasted engraving at insid

Positiones physio-astronomicae de sphaera elementary, quas in collegio neapolitano soc. Jesu publice exponet, & demonstrabit" by Giacomo Salerno Naples, In Officina Typographica Iacobi Raillard; 1682

BARTOLOME ESTEBAN MURILLO (1618-1682) OIL ON PANEL Bartolomé Esteban Murillo (Spanish, Seville 1618-1682), oil on oak panel, "Coronación de la Inmaculada" (Coronation of the Immaculate), depicting t

Antoine Babuty Desgodetz (1653-1728), artist, and Louis de Chatillon (1639-1734), engraver; date issued 1682; Paris; three engravings from the book "Les Edifices Antiques de Rome, Dessines et Mesures

Godefroy, Denys. "Les Memoires de Messire Philippe de Comines". La Haye; Arnout Leers, MDCLXXXII (1682). Half morocco over marbled boards with raised bands, 16mo (6" high). Some wear and minor losses,

De Lamerie Fipot with gilt decoration in presentation bag, specially made high end quality item, height 40cm

(1893-1959), depicting still life, 55 x 69 cm.