EARLY DOWITCHER attributed to John Haff

VERY EARLY DOWITCHER attributed to John Haff, Cobb Island, VA, circa 1890. Very old working paint, with some possibly the original, and good structural condition. Numerous shot marks. Bill appears to

VERY EARLY DOWITCHER attributed to John Haff, Cobb Island, VA, circa 1890. Very old working paint with some possibly the original, and good structural condition. Numerous shot marks. Bill appears to b

Ca. 1827 watercolor attributed to John Harden (1772-1847). The scene shows family members gathered in the interior of Brathay Hall, near a window for light as they embroider, sew and read. Brathay Hal

A 10 inch Dowitcher Shorebird decoy attributed to John Henry Birch, a mid-19th Century shorebird carver from Long Island, NY. In old in-use paint with gunning wear.

A pressed horn snuff box, A pressed horn snuff box, early 18th century, attributed to John O'Brisset, inscribed 'Sir Francis Drake' above the arms of the Drake family, relief moulded 'OB' mark, 8.1cm

EARLY CANVASBACK DRAKE attributed to John Roth, Oshkosh, WI. Appears to be very good working paint with some original remaining. Very good structural condition with in-use wear and dents. Two tight ne

EARLY BLACK DUCK attributed to John Updike, Green Bank, NJ. Full bodied carving in weathered working paint with some original possibly remaining. Good structural condition with check at mid-neck. Inle

VERY EARLY BLACK DUCK attributed to John McLoughlin, Bordentown, NJ. Very old working paint and very good structural condition. Hollow construction. Raised carved wing tips. Carved in a classic snug-h

EARLY GREEN WING TEAL DRAKE attributed to John Dorsett, Lovelandtown, NJ, (active 1870-1900) Very good restored condition. Check to left side. Retains pad weight and rigging. Overall length is approxi

A WEDGWOOD BLACK BASALT BUST OF MERCURY LATE 18TH/EARLY 19TH CENTURY After a model attributed to John Flaxman, impressed 'Wedgwood' to the reverse, underside of socle impressed Wedgwood STZ 1 46.5cm h

attributed to John Molineux, Boston, early 19th century, each with lemon top over tapered column support on square plinth, spurred arched feet, brass log stops, 20 x 11-1/2 x 21 in.Note: A nearly iden

John Marin (1870-1953) was an early American modernist artist. He is known for his abstract landscapes and watercolors.Technique: Gouache on Paper Size:22 x 29 inches Reference Number: AFA0025Lot Cert

Circa 1815, attributed to John Connoly, Philadelphia, PA, American Federal carved mahogany drop-leaf library table having single drawer, reeded and carved decoration, carved lion paw feet, 29" H x 41

Late 19th early 20th century, English Cottage Landscape, oil on canvas. 14x12

Painting attributed to JOHN MARIN (1870-1953), gouache on paper, 15 in. x 22 1/4 in. John Marin was an early American modernist artist. He is known for his abstract landscapes and watercolors.

Attributed to John Arthur Frazer (1838-1898 Canadian) ''Haida Canoes'' Watercolor on Paper 6''x13'' Sight. An early Northwest Coast watercolor with natives in canoes. Unsigned. Gallery framed 12.5''x1

Robert Cushman. The Sin and Danger of Self-Love Described, in a Sermon. Plymouth, Mass., 1785. 8vo. viii, 30 p. The Appendix is attributed by an early owner to John Davis, with handwritten attribution

Attributed to John Galliano Black & White Houndstooth Linen Jacket, ca. 1980s - early 1990s. Designer label is missing. Made in France.

WPA Watercolor The Crossing 1930 Attributed to JOHN STEPHAN (American 1906 -1995) Rail Crossing Watercolor 1930, WPA Illinois Artist 12.5" x 18.75" (31.75cm x 47.6cm) This is an early work by STEP

Attributed to John Frederick Taylor (1802-1889, UK), miniature oil on board, after "The Prince's First Ride", early 1800's, vibrant colors with gold painted border, label/tag verso The Philadelphia An

Attributed Four chairs. Lacquered wood. Cm 41,50 x 134,50 x 47,50. Glasgow School, early 1900s. Lacquered wood structure with important stone details.

Thomson of Duddingston, attributed to Rev. John (Scottish, 1778-1840), Untitled Landscape, early to mid 19th century, oil on canvas which has recently been relined, unsigned, 21 x 29.5 inches, in a da

EARLY BLACK DUCK attributed to Bill Brown, Parkertown, NJ. Very old working paint, with some possibly original on bottom. Good structural condition. Hollow construction. Retains pad weight and John Hi

Fine carved gilt wood eagle attributed/possibly to John Haley Bellamy. Measuring approx 18" wide x 10" tall. Good condition, late 19th early 20th century, see photos