EDGERTON, HAROLD EUGENE (1903-1990) [Bullet Passing Through Three Balloons, 1959], printed later.

EDGERTON, HAROLD EUGENE (1903-1990) [Bullet Passing Through Three Balloons, 1959], printed later. Gelatin silver print, 11 1/2 x 18 3/4 inches (290 x 478 mm) on larger sheet, but lacking any signature

Edgerton, Harold (Doc) (American, 1903-1990), Baseball Pitch - MacFayden Pitches, taken 1938, printed later, silver gelatin print, signed and numbered 43/50 and 3802.1043 in pencil by the photographer

Harold Eugene Edgerton (1903-1990)Two stop-action photographs: ".30 Bullet Piercing an Apple", dated "1964", and "Kicking Football"Studio label on back of mat of "Apple" inscribed ".30 Bullet Piercing

"Jardins du Palais Royal (Paris)". Gelatin silver. Year 1959. Printed later. Image: 35.9 x 24.1 cm Sheet: 40 x 30.2 cm. Signed in ink lower right. Embossed photographer's credit in the margin lower le

δ Barbara Hepworth (1903-1975)Three Forms, from Twelve LithographsLithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, Lo

W. Eugene Smith (1918-1978) A Walk to Paradise Garden, 1946 Oversized gelatin silver print, printed later, inscribed 'Repro' in ink in the margin; notation 'II' in pencil and credit stamp on the verso

Albert Ernest (Beanie) Backus (Florida, 1906 - 1990) 1959 Fort Pierce Florida Highwaymen Painting. Oil/Palette knife on board. Signed lower right. Inscribed verso. Provenance: Important private Florid

Henri Cartier-Bresson (French, 1908-2004) Rue Mouffetard, Paris, 1954 silver gelatin print (printed later) signed in ink and embossed with photographer's copyright credit 17 1/2 x 11 3/4 inches. Estim

A Chinese flower shaped gilt bronze box, of cylindrical, with lobed cover divided into five panels, overall body incised with peach, bat ,flower and tendril patterns, with three later and supported by

Description"Rue Mouffetard, Paris". Year 1954. Gelatin silver print, printed later. Signed in ink and embossed photographer's copyright credit (margin) Image: 17 5/8 x 11 3/4 in. (44.1 x 30 cm.) Sheet

George Nakashima (1905-1990). 1959; walnut, hickory spindles; side chairs - 35 3/4 in. H., 18 5/8 in. W, 16 1/4 in. seat D.; arm chairs - 38 1/2 in. H., 25 3/16 in. W., 16 1/4 in. seat D.; Acquired di

Gordon Parks (1912-2006) American Gothic, Washington D.C. [Ella Watson], 1942 Gelatin silver print, printed later, signed in pencil on the verso. image: 12 x 8 1/2in. (30.5 x 21.6cm.) sheet: 14 x 11in

Harvey Littleton (USA), Rocker Series, 1990. Three part including base. Rocker 13.5 x 14 x 2.75. Segment 2.25 x 3.75 x 7.75 inches. The father of American Studio Glass, Harvey Littleton passed away in

"Le baiser de l'Hotel de Ville". Gelatin silver print. Year 1950. Printed later. Image: 34.6x40.6 cm Sheet: 40.5x50.5 cm. Signed in ink lower right. Initialled, titled and dated in ink on the reverse.

JOHN WHORF (American, 1903-1959)Grandfather's Houseoil on canvassigned John Whorf lower right29 1/8 x 36 1/8 in., frame: 33 1/2 x 40 1/2 in. Provenance: From the artist to his friend, a

William Klein (b. 1928) Anouk Aimée (Vogue), 1961. Gelatin silver print, printed later and flush-mounted. 105 x 80 cm (42 x 32 in.) From an edition of 30. Provenance Directly from the artist. Lit

NOBUYOSHI ARAKI (*1940) | Untitled, 1991 | Chromogenic print, printed later on Fuji Archive Crystal paper, in perfect condition From the series ‘Colorscapes’ 58 x 46 cm Signed by the artis

JOHN WHORFMassachusetts, 1903-1959"Notre-Dame". Signed lower right "John Whorf". Titled in pencil verso.Watercolor on paper, 22" x 30". Unframed.

Chromogenic print, printed later, flush mounted to board, signed, titled, dated and editioned 4/25 in black ink verso, 68 x 97cm (26 3/4 x 38 1/8in) My work was all about homage, because I thought the

Chromogenic print. Edition of 150. Embossed with the photographer's facsimile signature and edition in the margin. Year 1970, printed later. Image: 96.5 by 143 (38 by 56⅝ in.) Getty Images galle

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

John Whorf (1903-1959) Commercial Street in Winter, n.d. Watercolor on paper Signed lower right

Henri Cartier-Bresson (1908-2004) A Café in the Old Harbor, Marseilles, Gelatin silver print, printed later, signed in ink and copyright credit blindstamp in the margin. 9 1/2 x 14in (24.1 x 35.6

FRANCIS BACON (1909 – 1992)"TRIPTYQUE DE LA TAUROMACHIE" (S. 29, T. 37) 1990 Three lithographs in colours, on folded sheets of Arches paper (as issued) with letterpress text on the inside pages