Elisabeth Quevanne Architectural Etching

Etching on paper France, 1790-1820 Classicism Architectural illustrations Depictions of Egyptian obelisks and the amphitheater of Misène Total dimensions, framed: 62 x 49.5 cm Very good, original con

Giovanni Piranesi (Italian, 1720-1788) "Sezione Traversale De' Cuni Inferiori De Teatro Di Marcello," etching. Image 17.5" H x 10.5" W; frame 24" H x 16.5" W.

Antique Architectural Etching. Le Roy Quote. -- Dimensions: H: 21 inches: W: 16 inches -- FRAME SIZE: Frame Height 33 inches - Frame Width 27 inches ---

ERNEST D. ROTH Architectural Etching. Venice. Campo S. Boldo 1924 Venezia. Courtyard image with fountain and steps to bridge. Signed in print and Pencil signed. Dated 1924. -- Dimensions: Image Size:

ERNEST D. ROTH Architectural Etching. Venice. Courtyard with tower. Signed in print and Pencil signed. Dated 1913. -- Dimensions: Image Size: H: 11.5 inches: W: 8.5 inches ---

Six architectural etchings by various artists. 1) George Taylor Plowman (American 1869 - 1932) signed etching. Signed "George T. Plowman" in pencil lower right. Artist's monogram in plate lower left.

ERNEST D. ROTH Architectural Etching. Campi Bisengro. Landscape scene with bridge and tile roof building. Signed in print and Pencil signed. Dated 1914. -- Dimensions: Image Size: H: 7.5 inches: W: 13

(Italian, 1720-1728), titled "Vue interieure du Proano, et de la cellule du Temple d'Isis." Sigh size: 20-1/2"h x 29-1/2"w

An etching on paper by Jeffrey T. Atwood, a contemporary American printmaker based in New York City. The artwork depicts rooftop water towers. Titled Up With Low Fares in the lower left. Numbered 1 ou

ERNEST D. ROTH Architectural Etching. Venice. Monks in colonnaded walkway on canal. Pencil signed. Dated 1907. -- Dimensions: Image Size: H: 19.25 inches: W: 8.25 inches ---

An etching depicting an architectural image of Florence, Italy, and the Brunelleschi Dome. It is Signed in the lower right, but the Signature is indecipherable. It is Numbered lower left "27/100". The

A Mid century etching on paper, Castor and Pollux in the City of Cora, after Luigi Rossini, Italian, 1790 to 1857. Published by Sidney Z Lucas, produced in 1957. Titled in the plate lower to the cente

Antique architectural print originates from «Recueil Élémentaire d’Architecture» by Jean-Francois de Neufforge. A comprehensive series of architectural studies of facades,

Antique architectural print originates from «Recueil Élémentaire d’Architecture» by Jean-Francois de Neufforge. A comprehensive series of architectural studies of facades,

Antique architectural print originates from «Recueil Élémentaire d’Architecture» by Jean-Francois de Neufforge. A comprehensive series of architectural studies of facades,

Antique architectural print originates from «Recueil Élémentaire d’Architecture» by Jean-Francois de Neufforge. A comprehensive series of architectural studies of facades,

Italian School (20th century), "Palazzo Pontificio a Mte Cavallo Cominciato da Greg: XIII..." architectural engraving, overall (with frame): 15.5"h x 23.5"w

Framed Italian Composito Architectural Etching, inscriptions are in Italian, subject shows demonstrations of column moldings, in frame measures approx 22 1/2 x 18 in., silver toned wood frame, surface

Framed Italian Architectural Etching, inscriptions are in Italian, subject shows demonstrations of column moldings, in frame measures approx 22 1/2 x 18 in., silver toned wood frame, surface wear to f

Interesting architectural etching depicting a grand house with horses and figures in the foreground with highly ornate border. Signed Thomas F. Darby, Summer 75 lower right, marked A/P lower left. Dim

Giovanni Battista Piranesi was an Italian Classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons."Included:"Avanzo del Pronao del Te

(Italian, 1720-1778). Sight size: 15-3/4"h x 21-3/4"w

Lot (3) early framed Architectural etchings, one marked, "P. Vingboons Inventor". Largest frame 16" x 22".

(American, b. 1936), all signed in pencil and numbered, titled "484 to 490 Broome Street," "Puck Building," and "Bayard Building." Sight sizes: 18-1/2"h x 16"w, 16"h x 13-1/2"w, and 16"h x 20"w