Etching or engraving, abstract, strike plate indentation faintly visible, sheet is 20.5" by 26.5",

Etching or engraving, abstract, strike plate indentation faintly visible, sheet is 20.5" by 26.5", unsigned

Etching or engraving, abstract, strike plate not visible (lithograph?), same scene as lot 80 but black is more faded, sheet is 20.75" by 26", unsigned

Yoh Sugano Taiwanese Born Chinese Abstract Etching, early 1960s member Avany Garde Art Group of Japan, 3.875 x 2.5 plate, 5 x 3.75 visible sheet, 14.25 x 11.75 x 0.5 framed, signed lower right in penc

Giovanni Battista Piranesi (1720-1778) ICHNOGRAPHIAM CAMPI MARTII ANTIQUAE URBIS (WILTON-ELY 571) Etching and engraving from six plates on six sheets, from Il Campo Marzio dell'Antica Roma,1762, frame

Hand-colored engraving with etching and aquatint, London: Havell, 1827-38, plate CLXXI, sheet bears J. Whatman 1833 watermark, matted and framed.Sheet size 37 7/8 x 25 1/2 in.; Frame dimensions 36 1/4

John James Audubon (American, 1785–1851), Shallow-Tailed Hawk, Havell Editionhand-colored engraving with etching and aquatint, London: Havell, 1827-38, Plate LXXII, sheet bears J. Whatman watermark,

John James Audubon (American, 1785-1851) , "Orchard Oriole", Plate 42, hand-colored engraving with aquatint, from The Birds of America, Havell edition, "J.Whatman 1830" watermark visible, sheet 38 5/8

John James Audubon (American, 1785–1851), Purple Grackle, Havell Editionhand-colored engraving with etching and aquatint, London: Havell, 1827-38, Plate V11, No. 11, sheet bears J. Whatman watermark

AUDUBON, John James (1785-1851). Little Screech Owl (Plate XCVII) Strix asio Engraving with etching, aquatint and hand-coloring, ca 1834, on J Whatman paper watermarked 1832, sheet 37 1/4 x 24 3/4 in.

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wi

REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wi

Albrecht Durer etching. First period copper plate engraving, one of his two most important works, St. Jerome in his Study . (The other being Melancholia). Early 16th C. , the back paper label is the 1

Frank Stella (American, b. 1936), Swan Engraving, Circle II, State Ietching, engraving, and relief on hand-made TGL paper, 1983, pencil signed, dated, and numbered 3/5 lower center, the full sheet, fr

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Robert Knight Ryland (American, 1873-1951). Set of 9 etchings on paper. All signed RR, RKR, or R.K. Ryland and dated [18]93 or 94 in the plate. Shells sheet 4 1/8" x 6 7/8" (with mat 10 1/4" x 13"). A

TAOS IN WINTER II, drypoint and aquatint etching signed and titled in pencil, plate 10 x 14”, sheet 14 x 18”

PABLO PICASSO (Spanish 1881-1973) "Sculpteur et Trois Danseuses SculptÈes" (from La Suite Vollard) Etching, 1934. Plate: 8 3/4 x 12 1/2 inches; Sheet: 13 1/4 x 17 1/2 inches; Frame: 20 x 23 1/4 inche

Reclining beared man, three women and clown, Suite 347 series. Engraving etching and aquatint 1968,size: 55 X 42.9cm (paper) 37.2 X 27.5 (plate). Hand signed and hand numbered by the artist

Milton, Peter (American, b.1930). "Daylilies." 1975. Photosensitive-ground etching and engraving and direct photographic transfer. Edition 49 of 160. McNulty 96. Plate: 20" x 32" Framed: 31" x 42 1/4"

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

Percival Gaskell original etching. Signed in pencil lower right. Measures 7.75" x 12.25" plate size. Etching is in excellent condition, sheet has slight paper loss at top corners. Unframed, loose and

William Hogarth (English, 1697-1764), Industry and Idleness (Complete Suite of 12)each an etching and engraving, 1747, presented in uniform matting and framing. Plates to include "The Fellow 'Prentic

William Hogarth (English, 1697-1764), A Rake's Progress (Complete Suite of 8)each an etching and engraving on laid paper, 1735, one marked as "Retouch'd by the Author 1763," plates to include "The Hei