Etching Signed E.(Edward) Sharland, 10 1/2" x 7 1/2", "Christ Church Gate".

Etching Signed E.(Edward) Sharland, 10 1/2" x 7 1/2", "Christ Church Gate".

Frank Brangwyn (British, 1867-1956), (2) drypoint etchings on paper, "Gate of the Farm", 9-7/8" x 12" pl; "The Farmer at Paterogue", 10-3/4" x 14-1/4" pl, both pencil signed, very good condition

Etching after E.Nicol signed Leon Richelon with plate, plate 10 1/2" x 7 1/8", "Worried".

UNTITLED, 1951, color etching, signed and numbered 10/40 in pencil, signed and dated in plate lower left, image 10 ½ x 7 ½”, full margins, frame 21 ¼ x 15 ¾” with glass

2 Etchings Signed (Andrew) Watson Turnbull, Larger 7 1/2" x 10 1/4", "Landscapes".

UNTITLED (Figure), 1958, etching, signed and dated and numbered 10-25 in pencil, image 7 ½ x 5 ¼”, full margins, gold leaf frame 15 ½ x 12 ½” with glass.

Luigi Lucioni (1900-1988) ''Vermont Survival'' (Embury 134)- etching, 1959, signed in pencil, AAA edition of 250. 10 x 12 7/8''

REYNARD THE FOX etching, signed and titled and numbered 1/25 in pencil, plate 4 x 4 ½”, sheet 7 ½ x 10”, mat 14 x 11”; Together with an etching of a cat, signed A. A. J

Drypoint etching signed Alistair Bell, #9/12, 7" x 10 1/2", "Horn Bill".

COMPOSITION, 1962, etching, signed and numbered 15/60 in pencil, plate 4 ½ x 5 ¾”, sheet 10 ¼ x 7 ½”. Provenance: Jack Rutberg Fine Art.

VARIOUS, six etchings, each signed and numbered and titled in pencil, sheets 13 x 19 ½” to 7 ½ x 10 ½”. (6)

Strang, William (Britain, 1859-1921). Belfry of Bruges. 1898 Etching. Signed and dated in plate. Approx., 22.5 x 12.7 cm. ++ Ghent Gate, Bruges. 1898 Etching. Signed and dated in plate. Approx., 19 x

"East Gloucester." 1920 (1919). Etching. Signed and dated (twice) in pencil. Signed in plate. Annotated in pencil: "Plate # 7." 10 1/4 x 12 7/8 in. Provenance: Theresa Bernstein (1890 - 20022); Massac

William Harry Smith original etching. Signed in pencil lower right. Image size 7-½" x 10-½" (19cm x 26-½cm), sheet size 9" x 12-½" (23cm x 31-½cm). Etching is in very good to excellent condition,

Samuel Chamberlain (American 1895-1975)- ''Beauvais''(Boston Public Library 105)- etching, 1931, signed and numbered 59/100 in pencil. 10 7/8 x 12''

Earl Horter (American 1881-1940)- ''Junk Shop''- etching and aquatint, signed and titled in pencil, some staining in margins. 10 1/8 x 12 7/8''

COUPLE, etching signed in pencil, numbered 12/19, plate 10 x 7 ¾” sheet 15 ½ x 13”; COUPLES, etching, signed in pencil and inscribed trial proof, sheet 5 ½ x 4”, DREAM, color lithograph, sign

LOBSTER ON PLATE, hand-coloring etching, signed and numbered 20/75 in pencil, plate 7 ½ x 6 ¼”, sheet 15 x 10 ½”, TWO WOMEN, 1988; COWBOY AND WOMAN AT BAR, 1989; THREE

Three Rose Reinhold (Germany, Austria) pencil signed aquatint (Nurnburg) and two etchings. Pencil signed 'R. Reinhold' lower right. Sheets measure 10.75-in. to 12.375-in. x 7.75-in. to 8.5-in. Each wi

"Sunlight Through Clouds" 7" X 10", "Route 7" 9" X 12", both 14 3/4" X 18 3/4" framed. Some aging to the print and frame matting.

John Taylor Arms (American 1887-1953) 1). ''La Giralda, Seville'' (Fletcher 145)- etching, 1924, signed in pencil, edition of 150, Spanish Church series #4. 12 1/8 x 7 1/2''; 2). ''Cathedral of Saint

John Taylor Arms (American 1887-1953) ''Puerto del Obispo, Zamora'' (Fletcher 266) etching, 1933, signed and dated in pencil, edition of 160, Spanish Church series #9. 12 1/2 x 7 1/8''

Alex H. Kirk (United Kingdom 19th/20th century) original pencil signed etching. Signed in pencil 'Alex H. Kirk' lower right. Measures 5 3/8" x 10 7/8" (plate size), and measures 9 1/4" x 12 7/8" (shee

Akemi Inagaki (Japanese, B. 1933) 'Cold Day' and 'Faint Ray'. Two color etchings, each pencil signed lower right, dated 76, titled and numbered 100-72 and 100-7 Sight: 4 1/2" x 7" Frame: 10" x 12 1/4"