Follower of Salvator Rosa (late 18th Century) Mercury

18th Century European School, Rosa, Follower of Salvator (Italian 1615 - 1673), Tobias and The Angel, brown ink and grey wash drawing, 11.25 x 15.5 inches, inscribed Salvator Rosa Pinxit lower right,

Medium: etching. This impression on laid paper appears to have been printed ca. the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 3/4 x 3 3/4 inc

Medium: etching. This impression on laid paper appears to have been printed ca. the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 1/2 x 3 1/2 inc

John Browne after Salvator Rosa, 18th Century copper engraving, Apollo and the Sibyl, 21.5" x 29.75".

Overall 45" x 37 1/4" Sight 36" x 28" Rebate 36 1/2" x 28 11/16" Size small Provenance: European Art branch of the Art Gallery of Ontario; received as an anonymous gift in 1997.

Neapolitan School, late 18th century Santa Rosa de Lima con la Virgen y el Niño Oil on canvas Measurements 166 x 116.4 cm

Fine antique 18th century or earlier old master painting. Possibly workshop or RosaI’m fine antique gilt frame. Ware from age to painting and frame.

ATHENIAN MERCURY & LONDON CHRONICLE NEWSPAPERS Lot of late 17th and 18th century newspapers. Includes: The Athenian Mercury, October 11, 1692. One sheet, printed on front and back. Measures 7.75" by

In ecru silk, with silver embroidery and floral sequins

English, 18th century, in the Italian taste, in a great standard size. Overall 48 1/2" x 58 1/2", rabbet 40" x 50", molding 5".

Probably late 18th century. A period copy of the original by John Singleton Copley which was "well known and frequently copied on canvas" according to the Schiller Institute. The wide pine stretchers

Italian, 18th century, having carved ornament. Overall 18" x 23 3/4", Rabbet 12 1/4" x 18", Molding 3".

Group of Late 18th Century, Early 19th Century Newspapers in London: Includes (2) The Bath Chronicle 1781, Caledonian Mercury Edinburgh 1779, Anno Rigni George II Act, Bells Weekly Messenger 1814, (2)

Italy, 18th century. A lithograph by Knowsley after Salvator Rosa; overall good condition.

A WEDGWOOD BLACK BASALT BUST OF MERCURY LATE 18TH/EARLY 19TH CENTURY After a model attributed to John Flaxman, impressed 'Wedgwood' to the reverse, underside of socle impressed Wedgwood STZ 1 46.5cm h

Late 18th-early19th century. Young Woman Reading, unsigned," 30 x 24 1/2 in., framed.; Inscription adhered to verso "This painting belongs to Mrs. Joan R. Bleest, Thomas Young Sr.

Three 18th & 19th Century Prints. Includes an engraving after Giovanni Gaulli by Arnold Van Westerhout, an etching with drypoint by Salvator Rosa entitled "Democritus", and one other print with "Pesta

**Originally Listed At $300** Western Europe, Italy, Neoclassical period, ca. late 18th to 19th century CE. A lovely pair of stamped glass intaglios: one of an erote and another of Mercury - Greek Her

Follower of Adriaen Jansz van Ostade (Dutch, 1610-1685), late 18th/ early 19th century. "Musician with Mandolin", oil on canvas, signed indistinctly at lower right. Dutch figural scene with chiaroscur

Pair of Dutch Old Master style oil on canvas portraits, each in ebonized Dutch style frames, late 18th or early 19th century, follower of Anthony Van Dyke (Flemish 1599-1641), 35.5"h x 27.25"w, overal

Pair of Italian Side Chairs, having green and gilt decorated Mercury Caduceus on back, late 18th/early 19th century, reputedly to be from a set of 10 sold in New York, also two belong to Ben Piazza, h

Late 18th/Early 19th Century English Barometer. Interior signed appears to be G. Hopani P. Aberdeen Warranta. No Mercury Present. Measures 36" tall x 4.5" wide x 2" deep. All invoices must be paid wit

Monumental late 18th or early 19th century oil on canvas, titled "Diana and Endymion" depicting the awakening of Endymion by Diana, unsigned, possibly a follower or student of Franz Christoph Janneck,

Late 18th or early 19th century Continental oil on canvas, depicting a Bacchanalia themed scene, with putti celebrating the grape harvest, unsigned, a follower of Peter Paul Rubens, (Dutch-Flemish, 15