GEORGE DE LYRA (1929 - 1999): "SPECTATORS"

watercolor on paper signed lower right, titled to artist's label verso Provenance: Hobe Sound Galleries, Portland, Maine label verso 7 1/4 x 9 3/4 inches sight; 16 1/4 x 20 1/4 inches frame

(Maine 1929-1999), ink stipple drawing on paper, signed “De Lyra” upper right and signed and titled on reverse, framed, 16 x 19 inches.

Georges Daniel de Monfreid (French, 1856-1929), "Portrait de Femme a L'Epaule de Nudee," 1887, oil on paper (laid down on canvas), gallery title labels (Spiess-Tableaux, Paris/Art Moderne Jaubert S. A

Georges-Daniel de Monfreid (French, 1856-1929) Nu, 1914 oil on canvas laid to board inscribed Chez Colarossi, 23-28 Nov. 1914 (lower right) 30 x 22 inches. This lot is located in Chicago. Provenance:

Georges Rouault (French, 1871-1958) "Cristal de Roche from Reincarnations de Pere Ubu," 1929, etching, signed and dated in plate. Framed. Size: 3'' x 2'', 8 x 5 cm (image); 15.25'' x 12.25'', 39 x 31

(Pennsylvania/Tangier/London, 1905-1999) comprising: "Lettres Illustrees de Edouard Manet", 1929, 283/300, 22 facsimile reproductions of letters decorated with watercolor drawings, stamped "Marguerite

BARBIER, George (1882-1932) - GAUTIER, Theophile (1811-1872) - Le Roman de la Momie. Paris: Mornay, [1929]. Copy n. 599 from an edition of 1,000. 4to (200 x 150mm). Color pochoir frontispiece, head- a

signed G.R. 1929, image area 2" X 3" plus mat and frame, overall 20" X 26", an original aquatint, roulette, drypoint, burnisher, published in 1932, edition of 225.

[PEINTURE BELGE] Exposition Kurt Peiser. Du samedi 22 décembre 1928 au jeudi 3 janvier 1929. Galerie Georges Giroux, Bruxelles. Plaquette in-12, agrafée. Portrait de l'artiste et quelques reproducti

A GEORGE V SILVER PORRINGER the lift-off lid with leaf cast finial above a shaped body with fleur-de-lys leaf work decoration and leaf cast scrolled side handles; on a ringed foot. London 1929 by the

A vintage edition of Pasinello drawing prints titled Dessins De Pisanello: Choisis et Reproduits avec Introduction et Notices par George F. Hill. Published by Les Editions G. Van Oest, 1929. text in F

Posters. La Mazourka Bleue, by Georges Dola,1929, Atelier Dola, Paris, sight - 26" high x 30.5" wide, good condition. Broka / Chansons d'un gas qu'a mal tourné de Gaston Couté by H.G.Ibels, 1904, St

"Get Up" bronze 23 1/2 inches (not including marble base)

GEORGES ANATOLOVITCH DE POGEDAIEFF 1897-1971 Pogedaievska 1897 - 1971 Ménerbes (Russian/ French) Title: Bouquet of Lilacs and Orange / Bouquet de lilas à l'orange, 1964 Technique: Original Signe

[Incunabula] Quentell, Heinrich (printer)Biblia (in West Low German, With Glosses According to Nicolaus de Lyra's Postils)(Cologne: Heinrich Quentell, about 1478-79). Part one (of two) only. Folio (41

A suite of Art Nouveau carved fruitwood furniture Circa 1900, Attributed to George De Feure (Dutch/French, 1868–1943) Comprising of sofa, two armchairs and a pair of side chairs, upholstered in

NICHOLAS KRUSHENICK 1929-1999 ACRYLIC ABSTRACT PAINTING ON CANVAS. Nicholas Krushenick. Untitled1970. Acrylic on canvas. Image size 100cm by 70cm. Signed and dated to verso 'Nicholas Krushenick Jan 19

DE LYRA, Nicolaus (1270-1349) Biblia latina cum postillis. Prologus primus. [Venice: Ottaviano Scoto, 1489]. First volume of this Bible accompanied by the annotations of Nicolaus de Lyra and enriched

Nicholas Krushenick (American, 1929-1999) Untitled Liquitex on paper. (35 x 22 1/2 in. (88.9 x 57.2cm)) Provenance Washington Gallery of Modern Art, Washington, D.C.Fischbach Gallery, New Y

Desvallières, George (1861-1950) Description: Oil on canvas, signed on upper left George Desvallières, dated on lower right Mars 1901This artwork is represented in "George Desvallières et la Grande

(American, 1873-1949) La Roche #2, circa 1907, signed lower right "Edmund Greacen", oil on canvas, 26 x 32 in.; reproduction carved gilt wood f

Bill Toma (American/California, 20th c.), "Belle de Jour", 1999, bronze, signed, titled, dated and inscribed "AP 13" on self-base, h. 34 in., w. 11 in., d. 14 1/2 in., marble base, overall h. 38 in.

Jacques Villon after Jean Metzinger "La Tasse de The" 1929. Aquatint, on woven paper. Signed by Villon (lower left) and Metzinger (lower right) in pencil, numbered '152/200'. Published by Bernheim-Jeu

Georges Rouault (French, 1871-1958) - Étude pour le Portrait de Marie Thérèse Bonney Stamped with ‘Atelier de Georges Rouault' and signed by Isabelle Rouault verso, oil with brush