Gillray (James) Farmer Giles & his Wife shewing off their daughter Betty to their Neighbours on her

Gillray (James) Farmer Giles & his Wife shewing off their daughter Betty to their Neighbours on her return from School, etching with original hand-colouring, on wove paper without watermark, sheet 310

James Gillray (1757-1815) British, 'Farmer Giles and his wife Shewing off their Daughter Betty', hand-coloured etching, plate size 12.5" x 18.75" (32 x 47.5cm).

ELIZ, WIFE OF HONORABLE JAMES BERTIE, DAUGHTER OF GEORGE 7th, LD WILLOUGHBY, 1692, OF PARHAM, oil painting on canvas, titled lower left, 50 x 40”, framed, professionally relined, surface scuff and s

English vellum indenture dated 1632 between Robert Sherley and James Sherley, Citizens and Goldsmith of London, and Fardinando Bentley, Citizen and Fishmonger of London and his wife Sara, daughter of

English School 18th Century Portrait of Mary Stewart as a Shepherdess Inscribed Mary Stewart/Daughter of the/2nd and sister to/the last Viscount Mountjoy/was wife of/James O'Hara/the last/Lord Tyrawle

English, late 18th century. Husband and wife and their two daughters. They resided in the Chalfont St. Giles area of England. Each has "Brooke" written on the back. Framed individually with rose and t

Five (5) items pertaining to Confederate soldier James Madison Wilson, Private, 1st Regiment Tennessee Cavalry (Carter's), Company K, of Giles County, TN. 1st-2nd items: Two (2) United Daughters of th

A GOLD MOUNTED AND BLUE GLASS HINGED BOX PROBABLY DECORATED IN THE ATELIER OF JAMES GILES, CIRCA 1770The cover painted with a flower and butterflies within a gilt scroll border, the body with lattice

Thomas Hart Benton (1889-1975) The Farmer's Daughter (Fath 62), 1944 Lithograph, on wove Alexandra watermarked paper, signed in pencil, from the edition of 250, published by Associated American Artist

Thomas Hart Benton (American 1889-1975) pencil signed lithograph "The Farmer's Daughter" published by Associated American Artists New York in 1944 in a limited edition of 250. Framed size 22 x 18-3/4"

Gillray (James) Collection of six caricatures, including 'The Wounded Lion' [BM Satires 10421], 'The Nursery, with Britannia reposing in Peace' [BM 9895], 'Tales of Wonder' [BM 9932]', 'Tirailleur Fra

Gillray (James) Light Expelling Darkness, - Evaporation of Stygian Exhalations,-or- The Sun of the Constitution, rising superior to the Clouds of Opposition, etching with hand-colouring, on cream wove

Robert Gwathmey (American, 1903 - 1988), "Farmer's Wife," silkscreen, 1954, signed upper right, unframed. 16.5" H x 13" W; sheet: 19.5" H x 15.5" W

A Giles gilded opaque twist ale glass, circa 1765-70 The tall round funnel bowl gilt with crossed ears of barley in the London workshop of James Giles, the reverse with two insects in flight, on a dou

A good Worcester custard cup and cover, circa 1770-75 Of bell shape with a scrolled handle, the cover with a fine flower finial, decorated in the workshop of James Giles with flower sprays and scatter

DESCRIPTION: Thomas Hart Benton (Missouri, 1889-1975). Lithograph on paper. The Farmer's Daughter. Edition of 250 published by Associated American Artists in 1943. With label affixed verso. Signed in

Unidentified artist, 1st half of 20th century,portrait of a farmer's wife, oil / canvas / painting cardboard, approx. 71x59cm / 86x74cm,frame

A GOOD SMALL 18TH CENTURY ENGLISH COBALT BLUE PERFUME BOTTLE AND STOPPER, with Chinese inspired decoration by James Giles 1770/1775. 5cms. See Lambert, No. 303, Page 184 and Page 70. Provenance: GOULD

A Worcester plate, circa 1770 Of attractive small size and lobed form, decorated in the workshop of James Giles with two vibrant exotic birds, one standing on rockwork and the other perched on a leafy

A Worcester plate, circa 1770 Of lobed form, decorated in the workshop of James Giles with two vibrant exotic birds, one standing on rockwork gazing upwards at his companion perched on a leafy branch,

Eugène Fromentin (FRENCH, 1820-1876) oil painting on board depicting a barn scene with sheep and chicken. The farmer's wife loading the feeding trough with hay. Signed 'E. Fromentin' to lower left. M

A Diminutive Jeweled Bristol Blue Glass and 18K Gold-Capped Scent Bottle in the Manner of James Giles<

Four 18th Century Chelsea Porcelain Dishes and Platter. Comprising: A Red Anchor Period silver-shaped oval platter painted in polychrome enamels in the atelier of James Giles in vivid fashion with bir

Heathe, William. Farmer Giles's Establishment. London: T. McLean, 1830. Hand-colored etching, showing a card game from “Christmas, 1816." On woven paper, Plate 2nd. Not in the catalogue of Prints of