HADDON HUBBARD SUNDBLOM (American, 1899-1976) White Cro

(1899-1976 American) Saying Grace, framed oil on canvas, signed lower left, approximate image size 28" x 42", frame 31" x 46".

Gluck Sandor (American, 1899 - 1978) "Primavera" 1976, oil on canvas, surrealistic figures appear to interact in separate scenes on the same canvas, in shades of blue, green and white, signed lower ri

Louise Nevelson (American, 1899-1988) "Dawn's Presence" framed white molded paper intaglio; number 59 of 75, signed in pencil and dated. Published 1976 Pace Editions. [Sheet: 32" H x 22" W; Frame: 35

Haddon Hubbard Sundblom Untitled oil on canvas 28.125 h x 44 w in (71 x 112 cm) Signed to lower left 'Sundblom'. This work will ship from Chicago, Illinois.

Alexander Calder (American, 1898-1976) 'White Circles and Ellipses' Lithograph 1976, from 'Our Unfinished Revolution' portfolio, pencil signed lower right, artist proof marked 'E.A.' lower left, float

Josef Albers (German-American, 1888-1976), "White Line Squares - XIII," lithograph, signed and dated "J A '66" in pencil, editioned, 89/125, 21" h x 21" w. Provenance: from the Santa Barbara, Californ

Alexander Calder (American, 1898-1976) White Circles and Ellipses from Our Unfinished Revolution, 1975-76 lithograph signed and inscribed EA in pencil 22 x 30 inches.

Josef Albers (German-American, 1888-1976), "White Line Squares - XV," lithograph, signed and dated in pencil "J A 66," editioned 100/125, 21" h x 21" w. Provenance: from the Santa Barbara, California

Josef Albers (American/German, 1888-1976) White Line Square XV, 1966 lithograph signed, titled, dated, and numbered 76/125 in pencil 15 3/4 x 15 3/4 inches. Property from a Private Collection, Scottsd

Josef Albers (American/German, 1888-1976) White Line Square XII, 1966 lithograph signed, titled, dated, and numbered 80/125 in pencil 15 3/4 x 15 3/4 inches. Property from a Private Collection, Scotts

Josef Albers (American/German, 1888-1976) White Embossing on Gray: I-X (complete series), 1971 1-color linecuts with embossing on Roleaf paper each signed, titled, dated, and numbered 73/125 in pencil

Rufino Tamayo (Mexican-American, 1899-1991) Sol, 1976 Color mixograph on paper 22" x 29 1/4" (sight) Pencil-signed to the bottom right, numbered to the bottom left (#69/140), with a Trans

Rufino Tamayo (Mexican/American, 1899-1991) Woman in White, c. 1960 lithograph signed and numbered 87/100 30 1/2 x 21 3/4 inches. Provenance: Provenance:Kodner Gallery, St. Louis, Missouri 

Anni Albers (American, 1899-1994) Triangulated Intaglio II 1976, pencil signed, dated and numbered 2/20 (there were also 9 artist’s proofs, one printer’s proof, one right to print proof, a

Josef Albers (American/German, 1888-1976) WLS I from White Line Squares (Series I), 1966 lithograph signed, titled, dated and numbered 91/125 15 3/4 x 15 3/4 inches.

White, Minor (American, 1908-1976), Untitled (Hands), 1949, vintage silver gelatin print, signed and dated in pencil to the bottom of the mount, 4.5 x 3.25 inches, mounted to a larger sheet and floate

Josef Albers (American/German, 1888-1976). Four prints from the "White Embossings on Gray" series. Linocut, 1971. Edition: 75/125 (all). Sight: 23 1/2" x 16". Frame: 29 5/8" x 22 1/8". Set of four lin

Alexander Calder (American, 1898–1976), "Black Ground with Red and White Shapes" Etching and aquatint. Signed and numbered 87/90. Sight: 12 1/4" x 15 3 /4" From the estate of Inger-Marie Tanier & Ge

Louise Berliawsky Nevelson, American (1899 - 1988) Lead intaglio relief print on heavy, white wove paper "Sky Shadow" Titled, signed, dated '73 and numbered 62/150. Good condition. Measures 29-1/2" x

Rufino Tamayo (Mexican American, 1899-1991). Limited edition signed mixograpgh print. Depicts a white figural form with a green tie over a yellow background. Limited edition number 56/99 lower left an

Alexander Calder (1898 - 1976, American) "Oleil sur la Vagues" (Red Sun Above the Waves" Creation Year: 1976 Edition: 18/150 Dimensions: Height: 22.75 in (57.79 cm)Width: 30.75 in (78.11 cm) Medium: L

(American 1908-1976) Ivy, Portland, Oregon, 1964, signed margin lower right, gelatin silver print, sheet 13-3/4 x 10-3/4 in.; matted, unframed, 20 x 16 in. Provenance: Weston Gallery, Carmel, Californ

(American, 1908-1976) Windowsill Daydreaming, Rochester, New York, 1958, signed margin recto, gelatin silver print, 14 x 10-3/4 in.; matted, unframed 20 x 16 in. Provenance: Private Collection, Wiscon

(American, 1908-1976) Birdline and Surf, Point Lobos, California, signed margin lower right, gelatin silver print, image 9 x 10-3/4 in.; matted, 16 x 20 in. Provenance: Private Collection, Wisconsin