[HADLEY, John (1682-1744)]. The nature and use of Hadley's ...

[HADLEY, John (1682-1744)]. The nature and use of Hadley's quadrant, with a preface containing… a description of the nonius. [London?]: [s.n.], [between 1770 and 1800]. Small 4to (203 x 127 mm).

DESCRIPTION: Antique John Hadley's and Son's Faience Worcester English porcelain jardiniere/planter urn. Features a porcelain foundation with Art Nouveau elements and hand painted insect and floral de

Lot includes Monte Weaver, Perce Malone, Ruffing, Bolton, Jablonowski, Jack Russell Red Background, John Stone, Bump Hadley, Melillo, Harder, Kerr, Van Atta and Cronin Fielding. Cards are mixed grade

A good George II sterling silver pint mug, London 1744 by John Eckfourd II (this mark reg. 20th June 1739) Of baluster form upon a spreading circular moulded foot. The rim with an incised edge, the le

Very fine late 17th c walnut tall cased clock by John Hebert (London 1682-1713). 8-day, with hour bell strike, silvered and fancy brass dial, 4 masque head spandrels with hour, second & date. 6'11"h.

DESAGULIERS, John Theophilus (1683-1744). A Dissertation concerning Electricity"¦ To which is Annex'd, A Letter from President Barbot... London: Printed for W. Innys and T. Longman, 1742. 8vo (172 x

Engraving and color by R. Havel 1834. Drawn from nature by John James Audubon. Great grey breasted rail or marsh hen. Male spring plumage, young autumnal plumage. Number 41 Plate CC111 Professionally

[KELMSCOTT PRESS]. RUSKIN, John (1819-1900).   The Nature of Gothic: A Chapter of the Stones of Venice. Hammersmith: The Kelmscott Press for George Allen, 1892.   8vo. Woodcut border and ini

A pair of George II sterling silver candlesticks, London 1744/1745 by John Cafe The bases of shaped and incurved square form with splayed shell corners, the central column with circular knops and a sh

This John H. Myers design uses a photograph by Gered Mankowitz of the highly influential British blues band as the central image for this early Bill Graham poster. This 1966, pre-concert first printin

This Francis Newton Souza painting is an enigmatic piece of abstract art that puts into perspective the style and nature of the artist. Souza's use of texture conveys the sense of raw emotion, while h

Beautifully maple framed series of Audubon drawings. Modern reproduction after the original lithograph from Audubon's Birds of America. Drawn from nature and published. After John James Audubon [Ameri

Signed QUEEN News of the World LP Plaqueis a framed collectible and signed by Freddie Mercury, Brian May, Roger Taylor and John Deacon. Due to the reflective nature of the glass, some textures viewed

Attr. Bartolome Murillo (1617-1682) Painting of the infant St. John the Baptist. Oil on board. Appears to be unsigned, Inscribed on ribbon middle right. Christie's label verso. Sight Size: 13.5 x 10.2

Methodism 18th century works comprising: Wesley, John. A Collection of Hymns for the Use of the People called Methodists. London: J. Paramore, 1780. First edition, 12mo (16.2 x 9.4cm), contemporary sp

HARRISON, WILLIAM HENRY. Autograph Document Signed, "Wm. H. Harrison," as Commandant of Fort Washington, ordering the Quartermaster General [John Wilkins, Jr.] to "issue for the use of a Public house

'Part-Silk' Nain-Tudeshk 'Rug', Central Persia, circa 1940/1950, wool/part- silk/cotton, approx. 155 x 112 cm, condition: 2-3 (traces of age/use on the edges), fine knotting, nature landscape with ani

4 18th and 19th century books. Les Etoiles Derniere Feerie, JJ Grandville, G. De Gonet, Paris, with illustrated plates; Good's Book of Nature; The Works of the Rev. John Fletcher, Volume 1, first Amri

A SUPERB PLATINUM ART DECO RING

A SUPERB 18TH CENTURY GOLD PERFUME BOTTLE, stopper, chain and ring, the bottle decorated with scrolls, shells and lyre, the base inset with a green hardstone, the ring with a turquoise. Provenance: BR

Theo Tobiasse(1927-2012)"Nature morte dans un miroir"Oil on canvasSigned near the right edge, at center: Tobiasse; titled upper left quadrant23.5" H x 28.5" W

1950s brass and black painted metal with articulating shade and telescoping stand for use as a floor or table lamp. 22 inches closed; 58 3/4 inches open.

"Nature's Magic Carpet", California wildflowers in a rolling hills landscape Oil on canvas Signed lower right: Carl Hoerman, titled and inscribed on a gum label affixed to the stretcher: Near Arvin, C

TWO 19TH CENTURY CHINESE YELLOW GROUND SILK EMBROIDERED COVERS, of unusual form, possibly for use on furniture, one embroidery with a signature. (2)