HENRY FUSELI (1741-1825)

Marcantonio Raimondi, (1510-1527) etching titled 'Angelica en Medor als geliefden.' And Henry Fuseli (1741-1825) color engraving 'Midsummer Night's Dream.' Sheet measures 10.5 x 7.25 with a frame of 1

AFTER JOHANN HEINRICH FUSELI (ZURICH 1741-1825 LONDON) A set of three 19th century engravings of Shakespeare plays Macbeth, Hamlet and The Tempest; together with another 19th century engraving of Sin

Medium: Ink on paper. Title: An Influence on Blake. Dated: Upper left side. Dimensions: 6 x 4 inches. Lot note and provenance: Marcia Allentuck, Blake scholar and Art Historian.

Watercolour. Female portrait. 5 x 4".

The Life and Writings of Henry Fuseli, Esq. M.A.R.A. Keeper, and professor of painting to the Royal Academy in London; member of the First Class of the Academy of St. Luke at Rome. The former written,

'Shakespeare's Tempest Act II Scene II, Southampton' Hand-colored heavy stipple engraving on cream, laid paper. Robert Thew after H. Fuseli. Published by J&J Boydell at the Shakespeare

THE LIFE AND ART OF HENRY FUSELI BY PETER TOMORY

(Liverpool, England, 1719-1794) Three Beale Family Portraits, Liverpool/Quincy, Massachusetts, circa 1770; captain Benjamin Beale (1741-1825); Mrs. Benjamin Beale (nee Ann Copeland, 1745-1814), 30 x 2

Rare Original Engraving SHAKESPEARE HAMLET, PRINCE OF DENMARK ACT I SCENE IV, 1796 [Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4)] after the painting by Henry Fuseli (

GRAY, Henry (1825-1861). Anatomy, Descriptive and Surgical. Philadelphia: Blanchard and Lea, 1859.  8vo (253 x 162 mm). Half-title; 363 wood-engraved illustrations after H. V. Carter (a few with

Robert Dighton, Eng., 1752-1814, the corpulent Stephen Kemble as "'Hamlet in Scotland' 1794 and Falstaff scene from Shakespeare after Henry Fuseli. (BPIE1014/2) [TC] Propterty Title: From the Collecti

1848 Lectures on Painting ART James Barry John Opie Henry Fuseli Royal Academy ‘Lectures on Painting’ is a collection of various teachings on art and art history, edited and collected by Ralph Wor

George Dance (1741-1825) British. "Joseph Munden", Lithograph, Unframed, 10.5" x 8", and another by the same hand "Joseph Wilton, RA", Two (2).

Act IV. Scene I. Painted by Henry Fuseli R. A. Engraved by Tho. Ryder & Tho. Ryder Jun. Published Dec. 1. 1803 by J & J Boydell, at the Shakespeare Gallery. Cheapside, London. Overall with frame 28" h

Memoir Of The Life Of Richard Henry Lee, And His Correspondence With The Most Distinguished Men In America and Europe, Illustrative Of Their Characters, And Of the Events Of The American Revolution. B

George Henry Hall (1825-1913), still life with berries and collard greens. End of Civil War Memorial. oil on panel. Signed LRC. 20" x 26 1/2".

Attributed to William Henry Rinehart (1825-1874): Bust of Girolamo Savonarola Marble, engraved 'SAVONAROLA'. 26 1/2 x 16 x 10 1/2 in.  Exhibited: Bryn Mawr College, Bryn Mawr, Pennsylvania, 1893.

Henry Cahieux (1825-1854). Neoclassical style vase-form bodies, each with gilt-bronze four-light gilt-candelabra arms, signed "Barbedienne," Fondeur, 21 in. H.

George Henry Hall (1825-1913) - Portrait of a Lady. Oil on canvas,Signed on verso and dated 1843 H 31-1/4" W 26-1/4" D 1-1/4"Condition: Inspected under UV light. No restoration noted. Copy and paste t

George Henry Hall (1825 - 1913) George Henry Hall was active/lived in New York, New Hampshire. George Hall is known for fruit/floral still life, figure and genre painting. Portrait of Woman Signed Oil

Antommarchi, Francesco. The Last Days of Emperor Napoleon. London: Henry Colburn, 1825. 2 volumes. Half brown morocco richly gilt, top edge gilt, others untrimmed by Stikeman & Co. Light spotting,

Fuseli, Henry & Pilkington, Mathew. "A Dictionary of Painters from the Revival of the Art to the Present Period" Volumes I & II, New Edition, Illustrated. London; John Crowder, 1805. Half morocco over

BY JOHN HENRY SHERBURNE 1825

Pair of Henry Dasson (French 1825-1896) attributed Louis XVI Revival gilt and patinated bronze and malachite veneer Athenienne brule-parfums, each having a foliate and fruit finial, reticulated band,