ITALIAN ENGRAVING MONUMENT POPE SISTO IV DELLA ROVERE

Luigi Rossini (Italian, 1790-1857) View of the Ruins of St. Paul's Outside the Walls of Rome, After the Fire, 1823 Engraving on paper, framed, inscribed 'IV. Veduta della Rovina di S. Paolo fuori le m

Giovanni Battista Piranesi (Italian 1720-1778)- 3 Architectural engravings- from ''Della Magnificenza e d'Architettura de' Romani'' Tab XVII, Tab XVIII and Tab XIX'' (Wilton Ely 777-779), generally go

WINCKELMANN, Johann Joachim (1717-1768). Monumenti antichi inediti [with supplement by Stefano Raffei]. Rome: Carlo Mordacchini, 1821. I - VI (missing IV). Originally consisting of 208 numbered plates

DESCRIPTION: Domenico de Rossi (Italian, 1659-1730). Group of eight copper engravings of statuary on paper from"Raccolta Di Statue Antiche e Moderne Data In Luce Sotto I Gloriosi Auspici Della Santita

Lot of three architectural engravings Veduta del Monumento Sepolcrale detto degl'Orazi, e Curiazi tra Albano, e Aricia (1825) H.: 17 1/4" W.: 22 3/4" Veduta degl'Avarizi del Maestoso Ingresso della Vi

(Italian, 1720-1778) Veduta della piazza di Monte Cavallo (H. 15), state IV/VI, laid paper with possible watermark of Fleur de lys in a double circle with letters CB. hinged in, plate 15-3/8 x 21-1/2

Gesu' tra i dottori Olio su tela, cm 142X185 Il dipinto reca un'attribuzione collezionistica a Giovanni Battista della Rovere detto il Fiamminghino (Milano, 1561 - Milano, 1627), riferimento con evide

Papal crown and crossed keys over Della Rovere Arms, SIXTVS. PP*..*QVARTVS. (periods, annulet and rosette stops) / St. Peter left, fishing from boat. Ber.448, Fr.23. PCGS MS 63 (wrong Fr. number

Workshop of Della Robbia (Italian, 1399/1400-1482): A glazed terracotta armorial roundel Florence, early 16th century the sculpted tondo centred by a coat of arms on a blue Tuscan shield, within a wre

18-19th C. Italian Renaissance "Madonna della Seggiola Oil Painting on Canvas. Depicting virgin and child with John the Baptist, in Rococo gilt carved frame with carved putti heads. Measures - 28 1/2"

Remarkable and large sterling silver fish sculpture by the famed Italian silversmith Lisi Bros. Realistically modeled as a Lion Fish with intricate welded joints and engraving. With Italian, sterling

After Raphael (Italian, 1483-1520) "Madonna Della Sedia", 19th century oil on canvas unsigned, after the ca. 1513/14 painting now conserved at the Palazzo Pitti, Florence. Presented in an elaborate an

17th/18th Century Italian School Portrait of Pope Gregory XIII. Oil on Canvas. Sight Size: 53 x 42 in.

(Italian, 19th century )painting after Rafaello Sanzio (Italian, 1483-1520), "Madonna Della Sedia" in an elaborate Renaissance Revival giltwood frame, profusely carved with shells, masks and foliage.

Two Giovanni Battista Piranesi Engravings, Hadrian's Villa, (Italian 1720-1778) "Rovine d'une Galleria di Statue nella Villa Adri ana a Tivoli," and "Rovine di uno degli Alloggiamente de Soldati Pr

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

Italian School, 18th Century Portrait of Pope Gregory XI, seated three-quarter-length inscribed 'PA GRE XI DE/ BEAUFORT CANILLAc' (centre left); charged with the sitter's coat-of-arms (upper left) oil

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

Giovanni Battista Piranesi (1720-1778) black and white engraving Vedurta Del Prospetto Principal della Colonna Trajana 9'2" x 1'7"

Ludovico Furlanetto, map of Venice, Lodovico Furlanetto (Italian, fl. 1766-1777), "Nuova Pianta Elevata della Nobile and Cospicua Citta di Venezia", c. 1770, in two non-joint folds forming a panorama,

Lampada da tavolo Metallo laccato, ottone. 1965 ca. cm 45x28x14 Literature: G. Bosoni, F. Picchi, M. Strina, N. Zanardi, Brevetti del design italiano 1946-1965 - Original patents of Italian design 194

Known as Il Parmigianino (Michele da Parma) La Bocca della Verità Oil on canvas Size: 28.5 x 34 in. Proveance: Private Collection, Toronto; by descent. We are grateful to Professor Giancarlo Sestie

mosaic inlaid in black marble depicting an ale drinking cavalier and tavern maid, label on reverse STUDIO DEL MOSAICO/ No. 4866A/S.C. della REV. FABRICA/S. PIETRO IN VATICANO/ IN CANTINA (Vinea

Italian Micromosaic Plaque of Saint Fabiola, Studio Del Mosaico20th centurythe label on the verso marked "Studio Del Mosaico / S.C. della Rev. Fabbrica / S. Pietro In Vaticano / Fabiola Henner / No. 5