James Abbott McNeill Whistler (American 1834-1903), The Long Gallery, Louvre Lithograph, signed with

James Abbott McNeill Whistler (American 1834-1903), The Long Gallery, Louvre Lithograph, signed with the butterfly, 8-1/2 x 6-1/2 inches

James McNeill Whistler (American, 1834-1903) The Long Gallery, Louvre. Lithograph, 1894. Ref: Chicago 86 Sight: 8.5" x 6.25" Frame: 17.5" x 14"

After James A. Whistler (American, 1834-1903), "The Long Gallery in the Louvre," 1894, lithograph, signed with butterfly in plate lower center, "Studio" blindstamp lower right, overall (with mat): 18"

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbott McNeill Whistler (American 1834-1903) "Charing Cross Railway Bridge", 1896, lithograph on paper, signed in plate, framed. Approx. sight h. 6", w. 9.25". Frame h. 15.625", w. 18.75", d..75

James Abbott McNeill Whistler (American, 1834-1903). This lithograph is butterfly signed in stone, lower right. The full title is "Nursemaids: Les Bonnes du Luxembourg". It comes with a Certificate of

James Abbott McNeill Whistler (American, 1834-1903) "Draped Figure, Standing," 1891, lithograph, signed in the stone with butterfly monogram. Size: 9'' x 5.75'', 23 x 15 cm (image); 11.5'' x 9.5'', 29

James Abbott McNeil Whistler (American, 1834-1903), "The Long Balcony," 1894, lithograph, gallery label (George Krevsky Gallery, San Francisco, CA) affixed verso, ref: Way 49; Levy 80, overall (with f

James A. M. Whistler (American 1834-1903)- 1). ''The Long Gallery, Louvre'' (Levy 83)- lithograph, 1864, as published in 'The Studio' with their blindstamp. 8 1/2 x 5 3/4'' 2). ''The Smith's Yard'' (L

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeill Whistler (American, 1834-1903) etching, mid to late 19th century, depicting passengers disembarking ships at port, signed and dated in plate, sight of sheet 6"h x 9"w, overall dim

After James Abbott McNeill Whistler (American, 1834-1903), Thames Police (Wapping Wharf), 1859, etching, plate signed and dated lower right, image: 6"h x 8.75"w, overall (with frame): 15.75"h x 18.75"

Signed in the plate lower right. James Abbott McNeill Whistler (American, 1834-1903). From an East 81st St NYC estate. Dimensions: Plate - 6" high x 9" wide. Condition: Uneven discoloration to left si

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

James Abbott McNeill Whistler (American, 1834-1903) etching titled 'Riault, the Engraver'. Signed and dated 1860 in the plate. Sheet measures 9 1/4" x 7 1/4".

James Abbott McNeill Whistler (American, 1834-1903) etching titled 'The Barrow, Brussels'. Signed in the plate lower right. Sheet measures 9 3/8" x 7 3/8".

After James Abbott McNeill Whistler (American, 1834-1903), "Black Lion Wharf," rotogravure reproduction on paper, signed in plate, sheet (unframed): 8.75"h x 11.75"w

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

James Abbott McNeill WhistlerAmerican, (1834-1903)Early Morning, Battersea (Battersea Dawn) (Cadogan Pier), 1861etching with drypointsigned in plate, framed.

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturn in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paperboard "Hanfstaengl" blind stamp and copyright mark

(American, 1834-1903) Charing Cross Railroad Bridge (W.120), signed at center with butterfly monogram, lithograph on paper, 8-1/2 x 13 in. (sheet); black painted frame,. Condition: foxing, toning, sma

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v