James Hayward (b. 1943) California

SPARTAN CAD RED DAYS, 1988, oil and wax painting on canvas, signed and dated and titled on verso, 55 x 46”.

UNTITLED, 1980, cement and polymer and glass on wood in welded metal frame 25 x 13 x 2”, 22 lbs. Provenance: James Corcoran Gallery.

1987 cement, polymer, acrylic, pastel and flashe on paper no visible signature Provenance: James Corcoran Gallery, Santa Monica, California label verso Condition: framed under Plexiglas. Not examined

UNTITLED, 1985, pigment, glass and cement on wood, signed and dated on verso, 48 x 84 x 2 ½”, heavy weight.

UNTITLED, 1984, pigment, glass and cement on wood table top or wall sculpture, signed and dated on verso, 12 x 24 ½ x 7 ½”, weight 18 lbs. From the Stuart Lampert & Stephen Tomar Colle

RED BUTTE COUNTRY, oil painting on Masonite, signed lower right, 30 x 40”, framed, minor surface soiling, otherwise in good studio condition. Special thanks to the artist for confirming the authenti

"Lag Town," 1981-82 Oil on canvas Signed, titled, dated, and inscribed lower right: David Solomon / Laguna Beach, CA, signed, titled, dated, and inscribed again verso 30" H x 40" W

UNTITLED, triptych, three cast bronzes, each 16 x 12”, overall 16 x 36”, each approximately 20 lbs., overall approximately 60 lbs.

GRACE’S COWPOKE BAR, oil painting on canvas, signed lower right, signed and titled fainted on verso, 30 x 40”, framed, minor surface soiling, some speckling on verso, speckling in the mat, otherwi

LIGHT TRAP, 2007, manipulated brushed metal, signed, titled and dated on verso, 96 x 48 x ½”, wall cleats included, heavy weight.

UNTITLED, glass, pigment and cement on wood, triptych, overall 24 x 36”.

UNTITLED, 1994, pigment and cement with glass on wood, signed and dated on verso, 23 x 56 x 4 ½”.

UNTITLED, 1986, acrylic painting on pigmented cement on foamcore, signed and dated, 30 ¾ x 48 ¾ x 2 ¾” including Plexiglass box frame. From the collection of Bruce and Shary

UNTITLED, 1989, pigment and cement with glass on wood, signed and dated on verso, 12 x 30 x 2”.

KING’S HARBOR, 1984, oil painting on canvas, signed and addressed on verso, 60 x 60”. Provenance: Los Angeles County Museum of Art Rental Gallery.

UNTITLED, 1985, cast pigmented paper mixed media relief, signed and dated lower left, 30 x 48 x 2”, Plexiglas box frame 36 ½ x 55 ½ x 3 ¾”.

THE INDETERMINACY OF UP, 2007 watercolor, ink and pencil on paper, signed lower right, 22 ½ x 30 ¼”, frame 27 x 34” with Plexiglas. Provenance: Frederieke Taylor Gallery, NYC

UNTITLED, 1993, pigment and cement with glass on wood, signed on verso, 9 x 9”.

RED, 1987, color screenprint, signed and numbered 63/150 in pencil, printed by Jeff Wasserman with blind stamp lower right, sheet 20 ½ x 42”, frame 23 x 44 ¼” with Plexiglas.

UNTITLED GREEN AND RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26”

UNTITLED GREEN AND RED; UNTITLED GREEN AND BROWN, 1982, two color aquatint etchings, each signed and numbered 43/50 in pencil, printed and published by Centrum Press with blind stamp, sheet 15 &frac12

UNTITLED GREEN AND BROWN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26&#822

BLUE, 2002, color offset lithograph, signed and numbered 66/250 in pencil, image 17 x 33 ¾”, full margins, frame 27 ½ x 43 ¼” with Plexiglas and small loss of molding

DRAWINGS/PLAN FOR INSTALLATION AT THE PASADENA ART MUSEUM, 1973, ink drawing on paper, signed and dated in pencil lower right, inscribed in pencil lower left, sheet 18 ½ x 23 ¼”, f