Janusz Walentynowicz (Polish, b. 1956) Innocent II,

Janusz Walentynowicz (Polish, b. 1956) Innocent II, 1993 kiln cast glass, oil and wood signed Janusz Walentynowicz and dated (verso) 21 1/4 x 20 inches.

Janusz Andrzej Walentynowicz (Polish b.1956), 'Nest I' sculpture, 1993, in pate de verre glass and mixed media on a metal backing, signed and dated to the underside. Provenance: From the Morris Museum

Janusz Walentynowicz (Polish, born 1956). "Flowers for Amanda". Kiln cast glass, oil paint, and wire. Height 46", width 26 3/4", depth 19 3/4". Provenance: From the Ray F. Fleming Revocable Trust.

SLAWOMIR MICEK (POLISH B. 1956) BRONZE SCULPTURE, 20TH C., H 16", W 6", VIOLINIST Bronze figural sculpture of the musician playing the violin.

(lot of 2) Don Worth (American, 1924-2009) and Roman Loranc (Polish, b. 1956), Untitled, gelatin silver prints, each pencil signed lower right, overall (with frame, for largest): 20"h x 16.25"w

Jerzy Szot (Polish, b. 1956) acrylic on panel painting of a horse and carriage in New York, signed lower right. [Sight: 19 1/2" H x 15 1/2" W; Frame: 20 3/4" H x 17 3/4" W]. A few areas of accretion;

JANUSZ WALENTYNOWICZ (BORN 1956) Isabel Image III 1997 kiln cast glass, welded steel, oil, etched 'Janusz Walentynowicz' and dated on reverse height 15 1/4in (38.7cm); width 25 7/8in (65.7cm); depth 2

Lithograph, artist's proof 2/20, signed lower right, dated 1989. Image: 25.5 x 33.5

Lithograph, artist's proof, signed lower right, dated 1988. Image: 27.5 x 23.75

Janusz Kapusta (Polish, b 1951) untitled abstract construction, wood and board construction, signed "Kapusta Szarzat 2014", 10" x 10" x 1-3/4", excellent condition

Framed photographic print on paper, likely a silver gelatin print, "Valley Before the Rain," signed in pencil lower right Roman Loranc (Polish-American, b.1956), sight: approx 9.75"h, 12.75"w, overall

Anil Revri (b. 1956): Manuscript Page II Mixed media on paper, 2005, signed 'Anil Revri' and dated lower right. 11 x 8 1/2 in. (sheet), 19 x 15 in. (frame).

Suzy Smith (American, b. 1956) Anna Beth II, 2004 oil on masonite signed (verso) 12 x 9 inches. Provenance: Provenance: Klaudia Marr Gallery, Santa Fe, New Mexico Property from the Collection of Judit

DESCRIPTION: Jan Delikat (Polish, b. 1968) Oil on canvas painting titled: "City II" features the depiction of a bustling cityscape with figures walking along Chateau architecture. Signed lower right:

Helen Oji (American B. 1956) Umbrella I & II monoprints. Both signed lower right, 1987, 1/1. 17.25 x 21.5 Framed: 21.25 x 30.75_x000D_ 17.5 x 21.5 Framed: 27 x 31_x000D_ MTHM8677/2 MM

(American, b. 1956), titled "Jerusalem Ledger II, 1994," initialed l.r. Sight size: 6"h x 4-1/4"w Provenance: Victoria Munroe Fine Art, Ltd.

Robert Kelly (b. 1956) In Principio II, 1994 Etching and aquatint in colors on wove paper 38-3/4 x 29-1/2 inches (98.4 x 74.9 cm) (sheet&rpa

Two Scott Duce (American / Massachusetts b. 1956), tree paintings comprising, "Tree Row II", 2006, oil on panel and "Winter Marker I," 2006, oil on panel, signed, dated, titled and Fay Gold Gallery la

Tarleton Blackwellb. 1956Hog Series CLIX: Morning Tea II1996stone lithograph30-1/2 x 22-1/2 inches (full sheet)Signed, titled, dated, and numbered 9/70From the Resounding Heart Colophon, a

Robert Wyland GREAT WHITE II Bronze Shark Sculpture AP - (American, b. 1956) Marked "AP 17/50 / Wyland / 1993". 22 1/4" h x 26 1/2" L.

INNOCENT AGE, 1992, color offset lithograph with original watercolor remarque, signed in pencil and numbered A/P 1/95 (artist’s proof), image diameter 18”, frame diameter 34”. Proven

21st Century Renaissance Man - Dariusz Klimczak (Polish b 1967) was a painter, a journalist and a rock drummer before settling on a career as a photographic artist creating captivating photo-montages

Robert Kelly (American b. 1956) Set of four photogravure etchings, to include, "Treviso I", "Treviso II", "Treviso III", "Treviso IIII", all numbered 17/25, pencil signed and dated in margin 1995, 13

WILLIAM T. LIVESAY (AMERICAN, B. 1956) LARGE LANDSCAPE ETCHING, signed, dated, numbered 40/150 and titled "The Field State II" in lower margin. Unframed. From the private collection of Tom