J.C. Dollman, British (1851-1934) "Polo" Color

J.C. Dollman, British (1851-1934) "Polo" Color Engraving on Paper. Published 1st Nov 1891. Good condition. Measures 24-1/2 x 36-1/4" W, frame measures 28"" H x 40" W. Shipping: Third party. (estimate

(British, 1851-1934), oil on canvas, dated 1900 Some repairs Overall: 34-1/2"h x 54-1/2"w Sight: 29-3/4"h x 49-1/2"w

VTG JC DOLLMAN FRAMED POLO PRINT 26.5" X 40"

Spy / Sir Leslie Ward (British, 1851-1922) Four Color Lithographs. As published in Vanity Fair Largest: 13" x 7.75" Frames: 22.25" x 16.25"

This beautifully framed art print by J.C. Dollman captures the excitement and athleticism of polo. The landscape orientation and medium size make it a perfect addition to any art collection. The artis

Henry Aiken (British, 1785-1851) Group of Six Color Etchings. Together with four black and white etchings

John Hoyland (British, 1934-2011) Small Red , 1968 lithograph in colors signed, dated, and numbered 23/75 in pencil 18 x 27 inches. Property from the Santo Collection

Abstract Expressionist Signed John Hoyland Print. This is an excellent lithograph print by John Hoyland (British, 1934-2011) titled "Small Green Swiss" and completed in 1968. It has a green background

Oil on canvas. Featuring abstract composition. Signed and attr. John Hoyland (British, 1934-2011). 15.7 x 19.7 in. (40 x 50 cm). John Hoyland was a British painter known for his use of vibrant color i

Leslie Matthew Ward (Spy) (British, 1851-1922), Winston Spencer Churchill for Vanity Fair, 1900, lithograph in colors, signed in plate lower left, overall (with frame): 15.75"h x 10.75"w

"Newington Green" abrasct etching and aquatint on wove paper by Helena Markson (British-Israeli, 1934-2012), titled, numbered "47/50" and pencil signed to bottom, housed in a wood textured frame, artw

The lot includes two antique aquatint color engravings Breaking Cover and Full Cry, 1821, by Henry Thomas Alken (British, 1785 - 1851). London, Published 1st August 1821. Signed on the margins: T.Suth

Two framed color lithographs, ''Mallard Duck'' and ''Snowy Heron or White Egret,'' by John J. Audubon (American, 1785-1851), Havell Edition, 1934. [Image: 22 1/2" H x 18 1/2" W; Frame: 40" H x 28" W].

The Travels of Marco Polo 1271-1295. The Limited Editions Club 1934. Numbered 896 of 1500 copies and signed by the illustrator Nikolai Fyadarovitch Lapshin on limitation page. 477 pp. with color illus

J. & F. Tallis (Fl 1850's). The British Isles. Engraved map with hand color in outline from the Illustrated Atlas. London, Edinburgh & Dublin, c. 1851. 10 1/2" x 14 7/8" sheet.

Court of Chancery, Lincoln's Inn Hall. Housed in a black and gilded frame with a tan-color mat. Depicts a colored print of a courtroom. By printer maker Joseph Constantine Stadler (British, 1780 - 181

John Hoyland R.A. (British, 1934-2011) Blue Moon signed, titled and dated 'BLUE MOON/1.5.006/John Hoyland' (verso) acrylic on canvas 127 x 153 cm. (50 x 60 1/4 in.) (unframed) Footnotes: Provenance

Alfred Wheeler - British, 1851-1932 Steeplechasers Oil on canvas 24" x 36" Signed

HOYLAND, John, (British, 1934-2011): Untitled abstract composition, Watercolor/Acrylic/Paper, Fine Gallery label verso with date, blind stamp upper left corner, 20" x 28", framed 24.5" x 32.75". Condi

Ewen Henderson (British, 1934-2000) A Vase. Glazed stoneware vase with volcanic finish. Unsigned 19" x 9" x 5"

Ewen Henderson (British, 1934-2000) A Vase. Glazed stoneware vase with volcanic finish, unsigned 22" x 13"

William Mellor (British, 1851-1931) Welsh Llyn, North Wales signed 'William Mellor' (lower right) oil on canvas 50.8 x 76.2cm (20 x 30in). Footnotes: Provenance With Haynes Fine

William Mellor (British, 1851-1931) Bolton Abbey on the Wharfe, Yorkshire signed 'William Mellor' (lower left) oil on canvas 61 x 91.4cm (24 x 36in). Footnotes: Provenance With H

William Mellor (British, 1851-1931) On the Wharfe, Bolton Woods, Yorkshire signed 'William Mellor' (lower right) oil on canvas 50.8 x 76.2cm (20 x 30in). Footnotes: Provenance Wi