JOHN MOORE & SONS GOTHIC REVIVAL ROSEWOOD CASE MANTEL

the striking and chiming bracket clock with original engraved and silver dial, and eight day movement, striking on bells and a gong, with repeater no.10894 26 1/2 inches high

A Victorian Gothic Revival burr walnut bracket clock, A Victorian Gothic Revival burr walnut bracket clock, by John Moore & Sons, Clerkenwell, London, numbered '14274', the silvered arched dial with R

A W N Pugin for John Hardman and Sons (attributed), a Gothic Revival brass and enamelled altar vase, circa 1850, footed baluster form, decorated with champleve thistle and foliate entwined rope emblem

John Broadwood and Sons Rosewood Grand Piano the case stamped "7032"; with round stool 7'6"

A John C. Moore & Son Silver Figural Center Bowl for Tiffany & Co., New York, circa 18

JOHN MOYR SMITH (1839-1912) (ATTRIBUTED DESIGNER) FOR COX & SON, LONDON GOTHIC REVIVAL SIDE CHAIR, CIRCA 1880 ebonised oak with incised and polychrome decoration, original velvet upholstered seat and

A turn of the century French cast Iron mantel clock by Japy Freres, Paris. 8-day time and strike movement with porcelain dial and Roman numerals, cast Brass bezel. Heavy Gothic Revival Iron case with

signed to dial 'John Wannamaker, New York' with moon phase and nine chimes 19 1/2 inches wide; 16 inches deep; 107 inches high

(3) EARLY MANTEL CLOCKS INCLUDING JEROME & CO. GOTHIC STYLE, SMALLEST MAHOGANY GOTHIC STYLE, AND ROSEWOOD CASE SETH THOMAS, SOME VENEER DAMAGE ON BASE, ALL HAVE PENDULUMS, AND SETH THOMAS HAS KEY. APP

Gothic Revival style mantel clock, architectural iron case, glass door opens to clock face with Roman numeral hour markers, back door opens to interior mechanisms, supported on scrolled feet, with pen

Pair of Rococo Revival rosewood parlor chairs, attributed to John Henry Belter (1804-1863), carved in the Rosalie with Grape pattern, laminated shield backs, carved skirt and cabriole legs, mounted wi

A Steinway Style 2 Grand Piano1867Marked: Steinway & Sons / Makers / New York / London / Hamburg; serial no. 15846With a polished rosewood case with scrolled acanthus motifs38" H x 54.25" W x 86" D Ot

A late 19th century French Brass Gothic Revival mantel clock by Japy Freres, Paris. 8-day time and strike movement with flat porcelain dial and Roman numerals. Brass case with central spire, scrolled

Victorian Gothic Revival mantel clock, late 19th c., architectural steeple case, with turned spires, arcaded gallery, pierced quatrefoils at sides, tracery dial with gilt metal roman numerals, unmarke

A Roswell Gleason & Sons Gothic Revival Silver-Plated and Cut-Glass Revolving Cruet Stand, Dorchester, Massachusetts, circa 1855 Marks: (Gleason cipher), PA

American Gothic Revival Rosewood and Marble-Top Center Table ca. 1845, after a design by Alexander Jackson Davis, and probably executed by Alexander Roux, New York, the period hexagonal marble top wit

Fine Gothic Revival Carved Rosewood Marble Top Table 29 x 44 x 44 in. Note: The above offered "table is one of several hexagonal marble-topped examples squarely in the refined Louis Philippe style. Th

Fine Gothic Revival Carved Rosewood and Marble Étagère, New York 6 ft. 9 in. x 33 1/2 x 14 in. Note: An identical example of the above offered lot is in the collection of The Brooklyn Museum

19th century French Gothic Revival oak tall case clock, the hand carved case featuring three finials surmounting a bronze and silver over bronze face with moon phase movement flanked by figural suppor

R & W Sorley, Glasgow Gothic Revival 8-tube tall case clock, circa 1900, executed in mahogany and ebonized wood, having a semi-scrolled pediment centering a carved and ebonized rose, above a band of r

American, New York, first half of 19th century. A mahogany and mahogany veneer tall case clock, the astragal-shaped hood decorated by three conical spires, the uppermost spire resting on a plinth, the

Tiffany & Co. Sterling Silver Neo-Grec Centerpiece the pattern introduced in 1877, by John C. Moore & Son, New York, New York, of loutrophoros form, the body decorated with palmettes on a matte ground

New York, ca. 1850-1860, with marble top 28-3/4"h x 33-1/2"w x 39-1/2"d

American, 20th C., dial signed Westminter-Whittington. 8'5"h x 26-1/2"w x 16-1/2"d