Looking Glass in Tortoises Shell Frame, 17 1/2" x 11" x 3/4", No Export.

Looking Glass in Tortoises Shell Frame, 17 1/2" x 11" x 3/4", No Export.

INNOCENCE, mezzotint etching, signed and titled and numbered 8/90 in pencil, plate 4 ½ x 4 ¾”, sheet 11 x 15 ¾”, frame 17 ½ x 17 ½” with glass. Pro

UNTITLED, gouache on paper or board, signed by both artists lower center and lower left respectively, sight 6 ¼ x 11 ½”, frame 17 ¾ x 21 ¾” with glass.

WINDY LANDSCAPE, acrylic painting on paper, signed lower right, sight 18 x 11 ¾”, frame 24 x 17 ½” with glass.

12.5" X 11.5" BRIDES BASKET ORNATE CASED TORTOISE SHELL ART GLASS RUFFLED BOWL WITH GILT ENAMEL MORNING GLORY DECOR - SET ON WONDERFUL MERIDEN #1538 SILVERPLATE FRAME - MUST SEE

BUTTERFLY WITH FLOWERS, circa 1932, watercolor on paper or card, signed lower right, sight 11 ¾ x 9 ¾”, frame 19 ½ x 17 ½” with glass.

TETE DE GABRIELLE, 2005, lithograph on grey wove paper, signed and dated and numbered 11/200 in pencil, sight 17 ¾ x 15 ¼”, frame 41 x 34 ½” with glass. Provenance: Ga

IT CAN BE SAID OF THEM (69-81), 1969, color screenprint, signed in pen, sight 11 ½ x 21 ¾”, frame 17 ½ x 28” with Plexiglas.

GOLF, 1983 color lithograph with 3-dimensional cut-out collage, signed and dated and titled and numbered 50/125 in pencil, image 8 x 11 ¾”, full margins, frame 17 ½ x 21 ¼”

NEW DELHI, 1982, c-print, initialed and dated and titled and dedicated in ink on verso, 8 x 10”, frame 10 ½ x 11 ¾” with glass. From the collection of Laurie Frank, Frank Picture

THE MATCHMAKER, 1970, etching, signed in pencil, edition of 70, plate 8 ½ x 4 ¼”, full margins, frame 16 ½ x 11 ¾” with glass; EAKINS 1870, etching, signed and

L’OFFRANDE (Mourlot 291) 1960, lithograph, signed and numbered 2/40 in pencil, printed by Mourlot, sight 15 ¾ x 11 ½”, frame 29 ½ x 25 ½” with glass.

FAMILIA, 1977, oil painting with sand on Masonite, signed and dated lower right, signed on verso, 15 ¾ x 11 ¾”, frame 21 ½ x 17 ½”.

SEATED MAN WITH CANE AND PIPE, oil painting on panel, signed upper right, 15 ½ x 11 ¾”, nice period frame 21 ¾ x 17 ½ x 2”.

UNTITLED, watercolor on paper, signed lower right, sight 17 ½ x 11 ¼”, frame 25 ¼ x 19” with glass.

GENTLEMEN’S ATTIRE, a pair of watercolors on paper, each signed Monica 1939 in pencil lower right, sheets 11 x 8”, frames 17 ½ x 14” with glass. (2)

Ophthalmological Trial Lens Case and 3 Old Glasses Extensive set with lot of special lenses and one trial frame, oak case, size: 16 ½ x 11 ¾ x 2 ¼ in. – And: 2 pince-nez and 1 piece of spectacles

BIRD AMONG THE FLOWERS, color etching, signed and numbered 4/50 in pencil, image 11 ½ x 11 ½”, full margins, frame 17 ¼ x 17” with glass.

THREE DANCING FIGURES, watercolor and color pencil on paper, initialed lower right, sight 18 ½ x 11 ¾”, frame 26 ¼ x 19 ½” with none-glare glass. Provenance: Forras Galeria Kft. Budapest.

DRUNKEN FIGURE, 1953, ink drawing on paper, signed and dated lower right, sight 11 x 8 ½”, frame 17 ½ x 15” with glass.

MATERNIDAD, lithograph, signed and numbered 4/30 in pencil, sight 11 ½ x 9 ¼”, frame 17 x 15” with glass.

FRUIT, 1972, graphite and colored pencil drawing on paper, signed and dated lower right and inscribed lower edge, sheet 8 ¼ x 11 ½” frame 11 ¾ x 15” with glass. Provenance: Purchased from the C

YELLOW WOMAN, 1964, watercolor with pencil drawing on paper, signed and dated lower right, sheet 8 ¼ x 11 ¾”, frame 11 ½ x 15” with glass. Provenance: Purchased from the Car

KIYOSHI, TOKIO (M.56), 1939, color woodblock print, signed in pencil and with boat seal center left, sight 15 ¼ x 11 ¾”, frame 21 ½ x 18” with glass.