Luke MACARTAN (British, fl. 1829 - 1833)

Oliver Rhys (British, fl. 1876-1893/95) "Contemplation", 1895 oil on canvas signed and dated "95" lower right, verso with "Callan Fine Art, New Orleans, LA" gallery label. Giltwood frame with artist a

Walter Reeves (British, fl. 1882-1900) "Boar Hunting" Oil on Canvas. The frame measures 45 1/2" x 37 3/4" and the canvas measures 35" x 27 3/4"

Samuel Baldwin (British fl. 1842-1858) Sea Nymphs signed and dated 'S.BALDWIN.1842' (lower left) oil on board 30.5 x 35.5cm (12 x 14in). Footnotes: Provenance Anon. sale, Sotheby'

George Stainton (British, fl. 1860-1890), Maritime Scene with Choppy Watersoil on canvas, signed lower right, presented in an attractive gilt composition frame with gallery plaque. Frame dimensions 25

JANE VIVIAN (BRITISH FL. 1869-1877), OIL ON CANVAS, "VENICE", SIGNED AND LABELED. 20 X 30"; FRAMED 27 X 37"

Alfred Augustus Glendening, Sr. (British, fl. 1861-1903), River Landscape at Twilightoil on canvas, monogrammed and dated 1892 at lower right, with Winsor & Newton stencil and artist's signature to ve

WILLIAM THORNLEY (BRITISH, FL. 1830-1898) OIL ON CANVAS, H 10", W 16", MOUNTS BAY, ST. MICHAEL'S MOUNT A 19th century oil on canvas by William Thornley. Depicting ship repair scene near Mounts Bay wit

Alfred F. de Prades (British, fl. 1844-1883) Coaching scene with lady in a pink dress monogramed (lower right) oil on board 21.9 x 35.9cm (8 5/8 x 14 1/8in). Footnotes: Provenance

Bessie Bamber (British, Fl. 1900-1910) A Row of Eight Kittens, 1911 oil on walnut panel signed with initials B.B. and dated 1911 (lower right) 11 3/4 x 40 inches. This lot is located in Palm Beach.

THOMAS BYRON LYLE (BRITISH FL. 1880-1890) PORTRAIT OF A WOMAN WITH EGGS Signed and dated '87 upper left, oil on canvas(47.5cm x 37.5cm (18.75in x 14.75in))

Theodore Hines (British, fl. 1876-1889), "On the Crinan Canal" and "Castle by the Lake", 2 oils on canvas, each signed lower right, former signed and titled en verso, each 16 in. x 24 in., framed alik

Alfred Augustus Glendening, Sr. (British, fl. 1861-1903), River Landscape with Figuresoil on canvas, monogrammed and dated 1892 at lower right, signed by the artist on the verso, canvas with Winsor &

oil on canvas (lined), signed at lower left, presented in an antique gilt frame. DOA 25.5 x 41.75 in. Additional high-resolution photos are available at LelandLittle.com

Sir J. Ross's Artic Expedition 1829- 1833 & Appendix to 2nd Voyage 1835.

Jack M. Ducker (British, fl. 1910-1930), Oxshott Woods, Surreyoil on canvas, 1927, signed, titled, and dated to canvas verso, also with indiscernible stamp to verso, in period giltwood frame. Frame di

Thomas W. LascellesBritish, fl. 1885-1914Sunlight in the WoodOil on canvas, signed lower right, titled to the canvas versoTwo figures walk a path through a heavily wooded landscape, within a fine gilt

Frank Atkinson (British fl. 1882-1893), After Henry Stacy Marks 'The Cut Direct' mezzotint plate 37.8 x 45.4cm (14 7/8 x 17 7/8in). Footnotes: 'The Cut Direct' was a Regency term meaning a public snub

William Cooke (British, fl. 1872-1898) Boats at Sea. Oil on canvas, with artist's monogram at center 19" x 30" Frame: 29" x 40"

Charles W. Oswald (British, fl. 1892-1900), Landscape with Sheepoil on canvas, signed at lower left, presented in a later frame. Frame dimensions 15 3/4 x 27 1/2 in. Additional high-resolution photos

Lot 113 Edward Burne-Jones British (1833-1898) The Beguiling of Merlin stained glass window hand-painted stained and leaded glass panel, after the 1877 painting depicting Merlin spying on Nimue, the L

Edwin Long (British, 1829-1891) Study for Ruth Gathering Wheat oil on canvas monogrammed EL (lower left) 52 x 42 inches. The authenticity of this lot has kindly been confirmed by Mark Bills, Director

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

James Hayllar, RBA (British, 1829-1920) A wandering minstrel in a quiet square signed with monogram and dated '18HJ58' (lower right), titled, signed, and inscribed with artist's address (on a label at

James Hayllar, RBA (British, 1829-1920) The welcoming party signed 'J. Hayllar' (lower left) oil on canvas 50.8 x 74cm (76.5 x 29 1/8in).