Manner of Bon de Boulogne (French, 1649-1717), , Diana

Manner of Bon de Boulogne (French, 1649-1717) Diana and Actaeon Oil on cradled panel 17 1/2 x 27 in. (44.5 x 68.6cm) PROVENANCE: Private Collection, Virginia. NOTE: The myth of Actaeon arose in Boeoti

MANNER OF LOUIS DE BOULOGNE THE YOUNGER (FRENCH 1654-1733) ACADÉMIE D'HOMME ASSIS Red chalk counterproof drawing Sheet size: 17 3/4 x 11 3/4 in. (45.1 x 29.8cm) PROVENANCE: Private Collection, Pennsy

Gebruder Heubach 'Die Spieler' Painted Porcelain Plaque Late 19th to early 20th century, signed 'R. Gunther' lower right, (after) Valentin de Boulogne (French, 1591-1632) depiction of card players in

Valentin de Boulogne (follower), oil on panel, Follower of Valentin de Boulogne (French, 1591-1632), Portrait of of a Young Man Tuning his Lute, oil on cradled panel, no visible signature, auction lab

Manner of Nicolas de Largilliere (French, 1656-1746) 19th Century Portraits of a Gentleman and a Lady oil on canvas Each: 34 1/4 x 29 1/2 inches.

In the manner of Philip James de Loutherbourg (French, 1740-1812), 19th century oil on canvas depicting travelers and their horses encountering a picturesque waterfall beyond a mountain pass, along wi

Manner of Maurice-Quentin de La Tour (French, 1704-1788 )Portrait of Marie-Josephe de Saxe, Dauphine of France oil on canvasThe frame with crest inscribed DONNE / PAR / MADAME LA DAUPHINE / M LABBE DE

In the manner of Nicolas de Largillière (1656-1746) French, portrait of Princess Anne of Denmark, later to become Queen Anne of England, oil on canvas, unsigned. An almost identical portrait of M

Niki de Saint Phalle (French, 1930–2002); ' Dear Diana" ("EA" - eprove d'artiste), signed in pencil lower right recto, matted and framed. Height of art 21 1/2 inches (54.5 cm.) X width of art 2

France, 17th century. A copperplate engraving by Louis de Boullogne (French, 1609–1674) dating to 1649. Laid on paper for support.

Henri de Toulouse-Lautrec (French, 1864-1901) Le Bon Graveur, Adolphe Albert, 1898 lithograph signed in pencil and stamped 22 in ink 13 1/2 x 9 1/2 inches. Literature: Adriani 304; Delteil 273; Adhema

Roland Lefranc (French, 1931-2000) "Au Bois de Boulogne" depicting figures at a lakeside park, oil on canvas, signed "Roland Lefranc, signed and inscribed on back, 17-3/4" x 24-1/4", framed 27-1/2" x

Attributed to Alfred De Dreux (French, 1810-1860)Picnic in the Bois de Boulogneoil on canvas23 1/2 x 28 1/4in (60 x 72cm) Provenance:With Herbert Roman, Inc., New York, New York.

Taquoy, Maurice (French, 1878-1952), Courses au Bois de Boulogne, Dimanche 27 Avril 1947, gouache and watercolor on racing program newsprint pasted on paper, signed in pencil lower right, 12 x 10 inch

Unframed poster of "Philippe, The Good Duke of Bourgogne" portrait from the Musee des Beaux-Arts, printed in France, published by and for the French Government. [39 x 24 1/2 inches]. In good condition

A PAIR OF FRENCH EMPIRE ORMOLU SURTOUT DE TABLE, IN THE MANNER OF PIERRE-PHILIPPE THOMIRE 19th Century Each surtout de table having an oval mirror plate within a pierce cast ribbon-tied wreath and fol

circle of: Jean-Baptiste Jouvenet, French (1644-1717) Oil on Canvas. "Résurrection du Fils de la Veuve de Naïm" Unsigned. Paper Exhibition Label Upper Left Corner. Exhibition Label En Verso. Good Re

ROGER DE LA FRESNAYE (FRENCH, 1885-1925) STILL-LIFE PAINTING, oil on canvas, very fine composition of fruit, bowl, and bottle on a table against an abstract geometric background in the Cubist manner,

Venus, Diana and Cupid among the clouds, in the manner of Boucher, oil on canvas, 142,5 x 226 cmA large and very decorative work in the typical manner of the French Rococo painters, originating from a

The portrait of a French nobleman in the manner of Nicolas de Largilliere (1656-1746), the paining stretchers and frame appear to be from the early 19th century. Canvas measures 32.75 x 25.75, frame i

C. Early 20th Century, with later French Toile de Jouy fabric featuring motifs of Diana hunting. Dimensions: H 30" x W 24" x D 26" x SH 15" Condition: A few faint spots of soiling, chips and small los

DIANA HOLDING AN ARROW, oil painting on canvas, 54 x 39”, frame 57 x 42 ½ x 2 ½”. Provenance: Sotheby’s New York, sale 6423, lot 0295, Old Masters Paintings May 1993, sold

Large machine woven tapestry in the manner of Beauvais, after Vernansal the Elder (French 1648-1729), Jean-Baptiste Belin de Fontenay the Elder (French 1653-1715), and Jean-Baptiste Monnoyer (French 1

Manner of Jean Marc Nattier (French, 1685–1766) Portrait de Jeune Femme en Source Oil on panel 45 1/4 x 37 3/4 in. (114.9 x 95.9cm) PROVENANCE: Collection of Dr. Morris V. Shelanski, Wynnewood, Penn