Martin Lewis (American, 1881-1962) Snow on the 'El' Drypoint and etching, 1931, on wove paper, s...

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Lewis, Martin (American, 1882-1962). "Self-Portrait with Etching Equipment." c.1953. Roulette and drypoint printed in brown ink on wove paper. Edition of 25 to 50. Plate: 5 3/8" × 8 3/8" Framed: 15 1

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Martin Lewis (1881-1962) original pencil signed etching. Signed in pencil 'Martin Lewis' lower right. Titled and numbered in pencil lower left "31/60 Beaching the Boat". Measures 7" x 10" (plate size)

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Wayne Thiebaud (American, 1920-2021)Eyeglasses, 1994hardground etching with drypoint in colors on wove papernumbered, signed, and dated 28/50 Thiebaud 1994 printed by Lawrence Hamlin and published

Wolf Kahn (American/German, 1927-2020) Stream Through the Trees 2014, pencil signed, dated, and annotated 'P.P. 1/4' (aside from the edition of 30). Etching, aquatint and drypoint on wove paper.image:

Pablo Picasso (1881-1973) Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 196

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Frantisek Kupka, (3) prints, c. 1912, Frantisek Kupka (Czech/French,1871-1957), (3) Abstract Compositions, including one color drypoint etching, on wove paper, plate dated 1913, 5.75"h x 15"w (plate),

Wayne Thiebaud (Born 1920) Meringue 1995 The drypoint etching with aquatint in colors on wove paper is signed by the artist in pencil and dated 1995 lower right, and numbered 39/50 below the image low

CHARLES WHITE (American, 1918ñ1979), "Cat's Cradle," 1972, etching on cream wove paper, plate: 23.375 x 26.5 inches; sight: 24.875 x 28 inches; overall with frame: 35.5 x 38.5 inches, pencil sign

Walton Ford (American, b. 1960). Engraving, drypoint, and aquatint on wove paper titled "Nantes" depicting a monkey attacking a parrot with a disrupted still life in the foreground, 2009. Pe