Painting Study Of James Tissot's "On The Thames"

Painting Study Of James Tissot's "On The Thames". Painting on canvas study of On The Thames by James Tissot. Professionally framed in decorative gold toned wooden frame. Cracks to canvas and scratch t

HUGE 7 FT OIL ON CANVAS PAINTING JAMES TISSOT REPRODUCTION, TITLED THE BALL ON SHIPBOARD, IN ORNATE GOLD FRAME, 7' X 5' FRAMED, SKU9097.25

A Modern French School oil painting on canvas depicting a ship genre scene after the original oil painting on canvas,The Last Evening, 1873 by James Tissot, French, 1836 to 1902. Signed by the artist,

Marked on lower right margin Meeting Of Faust and Marguerite From the original painting by James Tissot Depicts a man in a red head piece meeting a woman at an exterior of a building. Framed in ornate

CHRISTINA'S WORLD - PAINTING AND PRE-STUDIES OF ANDREW WYETH. BETSY JAMES WYETH. HARDCOVER. 1982.

A watercolor painting / study for a stained glass window, c.1880s. Initial signed J.B. Depicts "The Sacred Heart of Jesus" The top portion measures 3" x 5.25". the lower main "window" measures 12.25"

One side depicts a figure study for "At the Louvre" (c. 1880), while the reverse shows a figure study for "The Prodigal Son in Modern Life: The Return" (1882). Though we believe this to be by the hand

James William Fosdick (American, b.1858-1937 Charlestown, Massachusetts). Medium: gouache on paperboard, signed lower right by the artist: J. William Fosdick. Dimension: 21.60" x 15.60", unframed. Dat

Study for 1980 TRW calendar. Painting on board: 9" x 15" Condition: Good condition.

James Edwin McBurney American California Artist Mural Study Oil Painting Signed. Oil on Canvas study for a mural; one of the panels showing the first settlements of the United States; Father Serra at

Christopher James, painting, Christopher James (American, b. 1947), "Study for Floating in 8 Parts", 1983, watercolor on paper, pencil signed lower right, titled and dated lower left, 13.5"h x 19"w (s

Christina�s world: Paintings and pre-studies of Andrew Wyeth with text by Betsy James Wyeth (Boston, 1982; new in box and signed by both Wyeths on the half-title)

Christina's world: Paintings and pre-studies of Andrew Wyeth with text by Betsy James Wyeth (Boston, 1982; new in box and signed by both Wyeths on the half-title)

"Study for Bedroom Painting #69"; 1983; Oil on Canvas; 23" x 21"; Signed on Verso; Framed.

Merry Clown, 1941, Charcoal on Laid Paper, 11 1/2" x 10 1/2", SLL, Framed. Estate of the artist. Original study for a painting and lithograph.

"A Drink of Water (Study for a Painting)"; 1945; Charcoal on Paper; 12.75" x 8.25"; Signed Lower Right; Framed (under glass).

James Alphege Brewer (British, 1881-1946). Original antique watercolor painting on paper. A study of the interior of St. Patrick's Cathedral. Artist signature lower right corner. Housed in antique car

Title: Study for G.F.S. Subject: Figure Type: Painting Materials: Acrylic & watercolor on paper Markings & Inscriptions: Signed & dated bottom right Date: 1995 Maker: James Moss (American, Contemporar

Ashcan School oil painting on wood panel. Unsigned, George Benjamin Luks (1867-1933) - "studio or follower of". The painting depicts a portrait of a male gentleman in a bowler hat, c.1900. There appea

Framed oil on canvas by Bessie Hendricks (1867-1929, Indiana). The landscape painting is titled on the stretcher, "An Orchard Study". Signed B. Hendricks, lower right. Measures 12" x 16". Framed, 16"

JAMES CHAN LEONG (AMERICAN, B. 1929). PAINTING ON BOARD. 10 X 30 1/4 INCHES. TITLE *STUDY IN BLUE* IS CROSSED OUT AND RENAMED *BEGINNING*.

American Impressionist WPA Oil Painting James Scott Signed, 24 x30", 30 x 36" framed. ames Scott was born in 1889 in Racine, Wisconsin and after extensive studies at the Art Institute of Chicago and i

(Scottish, 1883-1959) Fifteen studies of Portugal including Lisbon, Cascais (?), Sagues, and Nazare, inscribed, annotated for paintings, dated, various media, ink on paper, pencil, some watercolor, la

James Havard (American, b. 1937), "New Mexico History Page 205A," 1991, acrylic and collage on archival cardboard on wood, signed and dated upper right, board: 48"h x 60"w, overall (with frame): 50"h