Putto a cavallo, Giovanni Ronzan

Putto a cavalloCeramica modellata a colaggio e smaltata in policromia sotto vernice raffigurante bimbo con arco e frecce su cavallo rampante.Prod. Ronzan, Torino 1930 ca.Firmato Ronzan Made in Italy 2

A Pair of Giovanni Ronzan (1906-1974) Porcelain Cheetah And Cub Statues. Cub has a chip on the ear and a hairline crack on one leg, Please see pictures. Cheetah measures approx. 25" X 18.5" X 11". Cub

Giovanni Ronzan, two pottery dogs. Signed and numbered. Giovanni Ronzan, ceramica raffigurante due cani alani. Firmata e numerata. Dimensioni: 53x28x h 26 cm

-GIOVANNI RONZAN ITALIAN MIDCENTURY CERAMIC DOG -NUMBER 37-SIGNED ON BOTTOM-SEE ALL PHOTOS-JR 9/12

Hand painted Italian porcelain figurine depicting a woman playing a harpsichord by Giovanni Ronzan. It is in great condition just showing a small chip on the base. Fully signed on the bottom. Please s

1960's era Giovanni Ronzan (Italian, 1906–1974) founder of Ronzan Ceramics, post Lenci era sculpture. Figure of a seated young woman in a contemplative pose holding a lily. Excellent condition.

Coppia di piccoli candelieri in argento raffiguranti putto a cavallo di una conchiglia, sec.XX h.cm.13, gr.230

Pair neoclassical gouaches of putti, signed Giovanni Gallo '96,

Together with two gouaches of putti signed "Gallo Giovanni." 6 pieces Sight size: 3-1/2"h x 9-1/2"h and 5-1/2"h x 4-1/2"w

Giovanni Andrea Podestà, after Titian. Putti Before a Statue of Venus. Published by Giuseppe de' Rossi. Etching on laid paper. Signed in the plate. Sheet: 15 1/2"" x 12 3/8"".Condition: Good. Toned

HUGE GIOVANNI CAPPELLETTI (1889-1964) BRONZE SCULPTURE, BOY ON SNAIL ("PUTTO SU CHIOCCIOLA"), GOLD GILT PATINA, CAN ALSO BE USED AS FOUNTAIN WITH WATER FLOWING UP FROM SNAIL, INSCRIBED G. CAPPELLETTI,

(Italian, 1720-1778) Veduta della piazza di Monte Cavallo (H. 15), state IV/VI, laid paper with possible watermark of Fleur de lys in a double circle with letters CB. hinged in, plate 15-3/8 x 21-1/2

Giovanni Battista Piranesi (1720-1778): Veduta della via del Corso Etching in black on laid paper; together with Francesco Piranesi (1758-1810): Veduta della Piazza di Monte Cavallo, etching in blac

GIOVANNI BATTISTA PIRANESIItaly, 1720-1778"Veduta della Piazza di Monte Cavallo". Engraving, plate 385mm x 551mm. Framed 22.5" x 28.5".

After Giovanni Battista Piranesi, two engraved prints including Veduta di Piazza di Spagna (ss 15 1/2" x 22 3/4") and Veduta della Piazza di Monte Cavallo (ss 17 1/4" x 25 1/2"). Provenance: Property

After Giovanni Battista Piranesi (Italian, 1720-1778), 19th century etching of the Roman ruins around the Piazza di Monte Cavallo, 17 1/2" x 23 1/2" sight, 20 3/4" x 26 1/2" framed.

DESCRIPTION: Body of ewer hand painted with landscape scene. With branch form handle and applied flower and foliate decoration. Base with applied putti figures adorned with applied florals. Ewer signe

FOUR -19TH CENTURY PAINTING PUTTI IN POMPEII. Gouache on paper, signed lower right.Dimensions: (Frame) H 21.75" x W 10.5", (Each sight) H 3.75" x W 5.5"Condition: Mat stains.

Piranesi (after), hand-colored engraving,, After Giovanni Piranesi (Italian, 1720-1178), "Plateae Montis Equi Romae. Prospectiva de la Placa de Monte Cavallo a Roma", published by Remondini, Bassano,

After Francesco Bartolozzi (Italian, 1728-1815) comprising Four Putti in a Landscape from the series Raccolta di alcuni disegni del Barberi da Cento detto il Guercino by Guercino (Giovanni Francesco B

(lot of 2) Framed watercolor and gouache paintings, signed lower right Giovanni Gallo (Italian, 20th c.), dated [19]90, after the frescoes of Casa dei Vettii in Pompeii, including: (1) putti harvestin

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

olio su tela, W. 147 - H. 120 Cm, L’opera qui presentata mostra alcuni dettagli compositivi, quali per esempio la figura del pastore con il capo adornato da una corona di foglie in primo piano,