Rembrandt Van Rijn 3d state etching

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn Etciching Christ Driving the Money Changers From the Temple. Verso has label from Kennedy and Co Rare Prints, states original etching by Rembrandt Bartsch #69. . Frame 11.5 x 13 inc

After Rembrandt van Rijn (Dutch, 1606-1669). A 19th Century later state Durand etching. Features the work titled; Christ Disputing With The Doctors. Embossed lower right. Good overall condition with w

After Rembrandt van Rijn (Dutch, 1606-1669). A 19th Century later state Durand etching. Features a self portrait. No visible signature. Good overall condition with wear to frame. Measures 2 in. x 2 in

After Rembrandt van Rijn (Dutch, 1606-1669). A 19th Century later state Durand etching. Features the work titled; The Holy Family. Embossed lower right. Good overall condition with wear to frame. Meas

After Rembrandt van Rijn (Dutch, 1606-1669). A 19th Century later state Durand etching landscape scene. Good overall condition with wear to frame. Measures 1 1/2 in. x 3 1/4 in. (work, not including m

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Rembrandt van Rijn (Netherlands, 1606–1669) . Old Woman Sleeping , Etching, 1635. B350, only state; Phillips June 1994; Adhered to archival board; Trimmed to plate . 2 13/16" x 2 1/8".

1636 Rembrandt Etching 'Studies Of The Heads Of Saskia & Others' First State. Investment Quality First State 1636 Rembrandt Van Rijn (1606-1669, Amsterdam) Etching titled Studies Of The Heads Of Saski

Etching. New Hollstein's third state (of 4). 1638 135x105 mm; 5 1/4x4 1/8 inches, narrow margins. Bartsch 20; New Hollstein 170.

Rembrandt van Rijn "Beggars Receiving Alms", etching on laid paper, state unknown, 6-1/4" x 4-3/4" plate, 11-1/4" x 8-7/8" sheet, good condition with toning and mat burn

Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; New

Etching and drypoint. New Hollstein's ninth state (of 11). 1657 152x197 mm; 6x7 3/4 inches, narrow margins. Bartsch 46; New Hollstein 300.

Etching and drypoint. New Hollstein's second state (of 4), before the Basan rework, with burr on the back of the man with his back turned lower left. Ex-collection Ferdinando Salamon, L'Arte Antica, T

Etching and drypoint. New Hollstein's third state (of 7), before the rework and the Basan editions. Seven Provinces with the initials BM watermark (Ash/Fletcher 34). Ex-collection Johann Carl Diedrich

Rembrandt Harmensz.van Rijn (Dutch, 1606-1669), "Self-Portrait with Saskia"-1636, etching, signed in plate, Biörklund's third state (of 3) (36-A). Figural print, considered by some to be a marriage p

Rembrandt van Rijn (Dutch, 1606-1669), Jews in the Synagogue, 1648, etching and drypoint, a Basan edition state iii/iii, overall (sheet/unframed): 3.25"h x 5.5"w. Provenance: Barclay Simpson Fine Arts

REMBRANDT Harmenszoon van Rijn (1606-1669) - JAN UYTENBOGAERT, PREDICATORE DEI RIMOSTRANTI [English description] 1635 - (213x178 mm - oval) - Etching. Watermark "Seven Provinces", sixth state (of nin

Rembrandt (Rembrandt van Rijn) The Artist's Mother Seated at a Table Looking Right: Three-Quarter Length signed in plate with monogram.This framed print of the etching is a good image later state with

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar