Tony De Lap (b. 1927) Californian

POINT ROBERTS, 1990, ink and charcoal drawing on paper, signed and dated and stamped lower left, 12 ½ x 11”, framed a few faint speckles, otherwise in good studio condition. Provenance: Venice Art

1990; wood and acrylic on canvas; Provenance: The Estate of Barry Tarlow, Los Angeles; 54 x 45 inches; 12 inches deep

acrylic on shaped canvas with wood, titled and signed and dated 1977 on the stretcher. 39 x 43.5 in. Robert Elkon Gallery, New York, NY A Private Collection of American Contemporary Art Additional hig

Tony DeLap (American, b. 1927) 'Box,' 1983 Polaroid photograph. Signed, titled and dated lower. Overall, framed: 12" H x 9.25" W x 1.75" D Polaroid: 4.25" H x 3.5" W

TONY DE LAP TRIPLE TROUBLE LITHOGRAPH Tony DeLap (California b. 1927) TRIPLE TROUBLE -67. lithograph, signed and dated lower right, image size 21 x 21 inches. framed 32 x 32 inches.

TONY DELAP (1927-2019) Ozanam, 1989 signed, titled and dated 'TONY DELAP 1989 OZANAM' (on the stretcher bar) wood and acrylic on canvas 63 x 56 x 9 in. 160 x 142.2 x 22.9 cm.

TONY DELAP (1927-2019) Eusapia, 1988 inscribed with the artist's signature, numbered and dated 'TONY DELAP 1988 4/6' (on the underside) bronze with black patina on an acrylic base 13 x 9 1/2 x 9 3/4 i

SEARCHING, oil painting on canvas, signed lower right, titled on stretcher verso, 30 x 14", framed. Oral history: Purchased from a gallery in Hawaii in the 70’s by current owner.

UNTITLED, 1975, multi-color paper collage, signed and dated Paris lower right, sight 25 x 21", framed with glass.

CARLOS FUENTES; KABUKI IN BLUE, two monoprints or monotypes, each signed and titled in pencil, sheets 29 ½ x 21”, both framed and in apparently good studio condition. (2)

UNTITLED, 1987, color pastel on paper, signed and dated lower right, 30 x 21 ½”, framed.

SPRING LANDSCAPE, watercolor on paper, signed lower left, 15 x 22 ½", in good studio condition.

VILALLONGA, Jesus Carlos de (Spanish, b. 1927) Construction #7. Tempera on Masonite. Signed lower right. 36 x 24” Frame: 42 ½ x 30 ½”. Distelheim Galleries, Chicago, Illinois (la

JESUS CARLOS DE VILALLONGA (Spanish, b.1927), ''Grandje Mistique'', tempera on panel, signed and dated ''66'' on lower right, gallery label adhered to verso. Minor inpaint to sky. Panel 18''h, 24''w.

JESUS CARLOS DE VILALLLONGA (Spanish, b.1927), ''Angel'', oil on board, signed lower right with gallery label adhered to verso. Float mounted. Board 20''h, 24''w.

TONY DE LOS REYES (B. 1960) Border Theory (rio grande/greyscale 6), 2014 signed, titled and dated 'Border Theory (rio grande/greyscale 6) 2014 Tony de los Reyes' (on the reverse) dye, acrylic, ink and

Jesus Carlos De Villalonga (Spanish, b. 1927) "Silvie" oil on masonite. Exhibited: Montreal Museum of Art 16 x 24 in. Galerie Dominion, Montreal. A Buffalo, NY collection.

UNTITLED, 1989, color print on sheet metal, signed and dated in ink, numbered 64/250, sheet 13 x 35", framed.

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26”, published by Robert B

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered 5/100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right a

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition Roman Numeral 25, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind

TWO CAT WOMEN, color print, signed in pencil and inscribed HC 20/50 (hors commerce), published by Robert Bane with blind stamps lower left, sight 25 ½ x 28 ½”, frame 37 ¾ x 40 ¾”; Together wit