Two Plates from the Service of Samuel Vaughan, ca. 1750 frame: 7 3/4 x 6 in., plate: 8 1/2 x 8 3/4

FEMMES, three color etchings, each signed in pencil, one numbered 6/50, plates 9 ¼ x 7” & 8 ¾ x 6 ½” (2), full margins, hand-made custom frames 17 x 15” & 15 x 11&#822

DIE HI FAMILIE UNTER DEM BOGEN, copper plate engraving, signed in the plate, approximately 9 7/8 x 12 7/8”, frame 18 ¾ x 21 ¼” with glass.

George Percy Jacomb-Hood COMBAT OF SAINT GEORGE & SANSFOY, etching, monogrammed in plate lower right, plate 7 ¼ x 8 ½”, sheet 9 ½ x 13 ¾”; John H. Mortimer REPOSO, 1778; RESTING TRAVELER, two

THE MATCHMAKER, 1970, etching, signed in pencil, edition of 70, plate 8 ½ x 4 ¼”, full margins, frame 16 ½ x 11 ¾” with glass; EAKINS 1870, etching, signed and

1930s’ PACKARDS, two, each a pastel and mixed media on paper or board, one signed lower right, one lower left, sights 8 ¾ x 7 ½” & 6 ¾ x 5 ¾”, frames 23

Alec Stern CAMPANILI UC BERKELEY, 1947; STRIKE AT SUTTER’S FORT; two etchings, each signed in pencil, plates 13 x 8 ½” & 8 ¾ x 12 ¾”, both with full margins, frames 19 x 14” & 15 x 19”, b

THAMES POLICE, 1859, photogravure, plate 6 x 8 ¾”, sheet reduced to 9 ¾ x 13”, hand-made custom frame 17 ½ x 19 ½ x 2” with glass.

Jacob Matham UNTITLED, engraving, sheet 12 ¾ x 6 ¾”; Anton Joseph von Prenner THE TOILET OF VENUS after Titian, engraving, plate 8 ¾ x 6 ¼”, sheet 10 x 7 &frac1

NEWBORN, etching, signed, numbered 29/50 in pencil, plate 8 x 6”, full margins, frame 19 ½ x 16 ½” with glass; NURTURE, etching, signed and numbered 34/60 in pencil, sheet 21

Both Italian 19th century, 3 1/2 x 5 ¼” and 3 ¾ x 6”, both in period frames, 5 1/8 x 7” & 5 x 7 ½” . Condition Both Fine.

Lenox Holiday fine china. Holly and berry decoration on cream ground with gold trim. Group consists of: Nine 10.75" plates, Six 8" plates, two candlesticks 7.5" T, oval Vegetable dish 10" x 6.25" x 2.

Both Italian 19th century, 3 1/8 x 4 ¾” and 5 ¼ x 7”, both in period frames, 4 ¾ x 6 ½” & 7 x 9”. Condition Both Fine.

CATHEDRAL STEPS (M.93), 1931, drypoint, signed in pencil, from an edition of 42, plate 10 ½ x 16 7/8”, sheet 13 ½ x 20”, frame 19 x 24 ¾” with glass. Retains McN

Hungarian, 20th century, eight luncheon plates, 9-7/8 in.; eight soup bowls, 9-3/4 in.; six salad plates, 8-1/4 in.; five teacups and saucers; two large platters, oval 14-1/4 x 11 in.;ÿhand painted f

JOY; JOY, 1986, two color aquatint etchings, each signed and dated and numbered 23/150 in pencil, both with Asian blind stamps lower right, plates 7 ¾ x 8 ¾”, sheets 15 x 15 &frac1

SOUTINE, etching, signed in pencil, numbered 47/50, plate 8 ¾ x 7 ½”, sheet 17 ¼ x 15”, framed with glass.

Frank Weston Benson FLYING DUCKS, 1919, etching, signed in pencil, plate 8 ¾ x 6 ¾”, full margins, frame 20 x 15” with glass; Churchill Ettinger ACROSS THE POINT; FREEZE UP,

Emile Kosa OLIVERA STREET aka OLD MEXICO, etching, signed and titled in pencil, plate 10 ½ x 8 ¾”, full margins, frame 18 ¼ x 15 ¾” with glass; Gerry Peirce DES

URSULA, 1926, etching, signed in pencil, plate 6 x 2 ¾”, sheet 11 ½ x 8 ¼”.

The first measures 11 ¾ " x 7" is without frame and this is titled- just coming for a drink. The second painted is in a frame titled- pa and the kid. This measures 6 ¾ " x 8 ¾ " and both are in goo

FUNUM BEORIS TURULUS; AZAGULEIS NAVIS, 1992, two mixed media works on waxed paper, both initialed and dated, 8 ½ x 5 ¾” & 9 x 6”, frames 12 ½ x 9 ½”. (2)

VENUS PRIMITIVAS, 1968; STRIP TEASE, 1969, two etchings, each signed and dated and inscribed AP (artist proof) in colored pencil, both titled in pencil, plates 15 x 8 ½” & 13 ¾ x 9 &#1

Paris (1850-55). Undersized whole-plate daguerreotype of a young man in military uniform. Mat measures 8 ¼" X 6 ¾"; the plate appears to measure 7" X 5 ¼". NO RESERVE

VEDUTA DELLA CHIESA DI S. IGNATIO...; CHIESA DEDICATA AL NOME DI...Two engravings, from Il Nuovo Teatro delle Fabbriche..., Rome, 1665-1669, framed.Plates 6 7/8 x 11 1/4 inches; 175 x 286 mm.Frame 15